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This in-depth critical assessment of the work of French psychoanalyst and literary theorist, Julia Kristeva, brings together for the first time readings both classical and new. Kristeva's writing on literature and psychoanalysis, language and social issues, as well as her fiction, are all considered. Each reading confronts questions raised by Kristeva's thought and contributes to giving an overview of her concerns. Chapters written especially for this volume take the reader into the most recent work of this most eminent thinker of the post-War era. Essays Address: yKristeva's writings in the 1960s and 1970s on the semiotic and on poetic language yThe implications for feminism, art, psychoanalysis and cultural difference of the works of the 1980s yKristeva's theory of revolt and the feminine genius in the writings of the 1990sBoth the non-specialist reader and the Kristeva scholar will find this to be an essential collection of criticism. Key Features yFull coverage of Kristeva's thought and writings yExplanatory and contextualising headnotes at the beginning of each reading yPrimary bibliography of Kristeva's works and a secondary bibliography of works cited yGlossary of key terms.
An easily accessible introduction to Kristeva's work in English. The essays have been selected as representative of the three main areas of Kristeva's writing--semiotics, psychoanalysis, and political theory--and are each prefaced by a clear, instructive introduction. For beginners or those familiar with Kristeva's work this is a good complement to The Portable Kristeva with a convenient selection of articles from Kristeva's earlier work some of which are otherwise hard to come by.
This in-depth critical assessment of the work of French psychoanalyst and literary theorist, Julia Kristeva, brings together for the first time readings both classical and new. Kristeva's writing on literature and psychoanalysis, language and social issues, as well as her fiction, are all considered.Each reading confronts questions raised by Kristeva's thought and contributes to giving an overview of her concerns. Chapters written especially for this volume take the reader into the most recent work of this most eminent thinker of the post-War era. Essays address: *Kristeva's writings in the 1960s and 1970s on the semiotic and on poetic language*The implications for feminism, art, psychoanalysis and cultural difference of the works of the 1980s*Kristeva's theory of revolt and the feminine genius in the writings of the 1990sBoth the non-specialist reader and the Kristeva scholar will find this to be an essential collection of criticism.Features: *Full coverage of Kristeva's thought and writings *Explanatory and contextualising headnotes at the beginning of each reading*Primary bibliography of Kristeva's works and a secondary bibliography of works cited *Glossary of key ter
A clear introduction to Kristeva examining her work on language and textuality, subjectivity, feminism and sexuality, politics, identity and nationality.
In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Louis-Ferdinand Céline, Marcel Proust, James Joyce, and other authors. Kristeva identifies the abject with the eruption of the real and the presence of death. She explores how art and religion each offer ways of purifying the abject, arguing that amid abjection, boundaries between subject and object break down.
Drawing on the work of psychologist Helene Deutsch and the writer Germaine de Stael. Kristeva turns her attention in the second half of New Maladies of the Soul to women's experience and contributions within the broader context of contemporary history. Delving into art, literature, autobiography, and theories of language, she continues with an exploration of cultural products ranging from the Bible to the work of Leonardo da Vinci.
Not only a meditation on Proust, this is a commentary on how the experience of literature is manifested in time and sensation. Kristeva uses Proust as a starting point to reflect upon broader notions of character, time, sensation, metaphor, and history.
This resource collects for the first time some of the best criticism on Artaud's life and work from writers such as Jacques Derrida, Julia Kristeva, Maurice Blanchot, Herbert Blau, Leo Bersani and Susan Sontag. Antonin Artaud was one of the most brilliant artists of the twentieth century. His writing influenced entire generations, from the French post-structuralists to the American beatniks. He was a key figure in the European cinema of the 1920s and '30s, and his drawings and sketches have been displayed in some of the major art galleries of the Western world. Possibly best known for his concept of a 'theatre of cruelty', his legacy has been to re-define the possibilities of live performance. Containing some of the most intellectually adventurous and emotionally passionate writings on Artaud, this book is essential reading for Artaud scholars working in arts disciplines including theatre, film, philosophy, literature and fine art.
Kristeva presents a thoroughly original and compelling reading of Proust's Remembrance of Things Past, drawing on Proust's notebooks and manuscripts.
Here, for the first time, Christopher Kul-Want brings together twenty-five texts on art written by twenty philosophers. Covering the Enlightenment to postmodernism, these essays draw on Continental philosophy and aesthetics, the Marxist intellectual tradition, and psychoanalytic theory, and each is accompanied by an overview and interpretation. The volume features Martin Heidegger on Van Gogh's shoes and the meaning of the Greek temple; Georges Bataille on Salvador Dalí's The Lugubrious Game; Theodor W. Adorno on capitalism and collage; Walter Benjamin and Roland Barthes on the uncanny nature of photography; Sigmund Freud on Leonardo Da Vinci and his interpreters; Jacques Lacan and Julia Kristeva on the paintings of Holbein; Freud's postmodern critic, Gilles Deleuze on the visceral paintings of Francis Bacon; and Giorgio Agamben on the twin traditions of the Duchampian ready-made and Pop Art. Kul-Want elucidates these texts with essays on aesthetics, from Hegel and Nietzsche to Badiou and Rancière, demonstrating how philosophy adopted a new orientation toward aesthetic experience and subjectivity in the wake of Kant's powerful legacy.