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The American Culture Series is a microfilm collection of early American books and pamphlets dated from 1493-1875 which provides primary source materials essential to the study of Americana. The collection consists of two parts. ACS I, which covers the time span from 1493-1806, is a complete unit of about 250 titles on 26 reels. ACS II, which extends the coverage to 1875, consists of more than 5,500 titles on reels 27 through 643.
"Sphinxes are legion in Egypt--what is so special about this one?... We shall take a stroll around the monument itself, scrutinizing its special features and analyzing the changes it experienced throughout its history. The evidence linked to the statue will enable us to trace its evolution... down to the worship it received in the first centuries of our own era, when Egyptians, Greeks, and Romans mingled together in devotion to this colossus, illustrious witness to a past that was already more than two millennia old."--from the IntroductionThe Great Sphinx of Giza is one of the few monuments from ancient Egypt familiar to nearly everyone. In a land where the colossal is part of the landscape, it still stands out, the largest known statue in Egypt. Originally constructed as the image of King Chephren, builder of the second of the Great Pyramids, the Sphinx later acquired new fame in the guise of the sun god Harmakhis. Major construction efforts in the New Kingdom and Roman Period transformed the monument and its environs into an impressive place of pilgrimage, visited until the end of pagan antiquity.Christiane Zivie-Coche, a distinguished Egyptologist, surveys the long history of the Great Sphinx and discusses its original appearance, its functions and religious significance, its relation to the many other Egyptian sphinxes, and the various discoveries connected with it. From votive objects deposited by the faithful and inscriptions that testify to details of worship, she reconstructs the cult of Harmakhis (in Egyptian, Har-em-akhet, or "Horus-in-the-horizon"), which arose around the monument in the second millennium. "We are faced," she writes, "with a religious phenomenon that is entirely original, though not unique: a theological reinterpretation turned an existing statue into the image of the god who had been invented on its basis."The coming of Christianity ended the Great Sphinx's religious role. The ever-present sand buried it, thus sparing it the fate that overtook the nearby pyramids, which were stripped of their stone by medieval builders. The monument remained untouched, covered by its desert blanket, until the first excavations. Zivie-Coche details the archaeological activity aimed at clearing the Sphinx and, later, at preserving it from the corrosive effects of a rising water table.
How to invoke Anubis and release the dead . . . how to divine with a lamp . . . how to conjure up a damned spirit . . . how to have dream visions . . . how to make magic ointments . . . how to blind or kill your enemies . . . how to use the charm of the ring . . . how to invoke Thoth and bring good fortune . . . These are among the many topics of practical magic contained in the so-called Leyden Papyrus, an ancient Egyptian manuscript that dates from around the beginning of the Christian era. Probably the textbook of a practicing sorcerer in Egypt, this remarkable work contains scores of spells which the writer firmly believes will work: sex magic of various sorts, occult information, evoking visions, working evil, healing, removing evil magic--and all the other tasks that a sorcerer might have to undertake. Discovered at Thebes in the middle of the 19th century, assembled from fragments at Leiden and London, this fifteen-foot strip of papyrus is still one of the most important documents for revealing the potions, spells, incantations, and other forms of magic worked in Egypt. In addition to purely native elements involving the gods, the manuscript shows the influence of Gnostic beliefs, Greek magic, and other magical traditions. A transliteration of the demotic script is printed on facing pages with a complete translation, which is copiously supplied with explanatory footnotes. The editors supply an informative introduction and a classification of the types of magic involved. As a result, this publication is of great importance to the Egyptologist, student of magic, and the reader who wishes to judge the efficacy of Egyptian magic for himself.