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King and Commoner tales were hugely popular across the late medieval and early modern periods, their cultural influence extending from Robin Hood ballads to Shakespearean national histories. This study represents the first detailed exploration of this rich and fascinating literary tradition, tracing its development across deeply politicized fifteenth-century comic tales and early modern ballads. The medieval King and Commoner tales depict an incognito king becoming lost in the forest and encountering a disgruntled commoner who complains of class oppression and poaches the king’s deer. This is an upside-down world of tricksters, violence, and politicized feasting that critiques and deconstructs medieval hierarchy. The commoners of these tales utilize the inversion of the medieval carnival, crowning themselves as liminal mock kings in the forest while threatening to rend and devour a body politic that would oppress them. These tales are complex and ambiguous, reimagining the socio-political upheaval of the late medieval period in sophisticated ruminations on class relations. By contrast, the early modern ballads and chapbooks see the tradition undergo a conservative metamorphosis. Suppressing its more radical elements amid a celebration of proto-panoptical kings, the tradition remerges as royalist propaganda in which the king watches his thankful subjects through the keyhole.
With reference to India.
This is the new Third Edition of Royalty for Commoners, the first book ever to document the complete known genealogy of John of Gaunt, son of King Edward III & Queen Philippa. The importance of this documentation is that any commoner who can connect his or her own family lineage to that of John of Gaunt can now be shown to share the same basic royal heritage as the most noble knight-the complete heritage, not just the Plantagenet ascent. This is the usual lineage through which a commoner can enter the domain of European royalty, though one might enter the lineage at any number of points. Typically, the American descendant has several colonial ancestors, one or more of whom can be traced to European beginnings. Using over 2,000 published sources, as well as the spectacular resources of the Internet, Mr. Stuart here offers the researcher a host of possibilities, pointing the reader to numerous descents of which he may be completely unaware. This new Third Edition is a nearly complete reworking of previous editions & includes the following changes. * Two dozen lines have been lengthened * Sources now include dates of publication * There are two indexes rather than one, an every-name index & an index of royal titles * Research now ventures into the years before Christ * The Bibliography has been significantly refined & expanded
"The case became a cause celebre across France, an obsession among everyone from the peasantry to the courts, from the Comedie-Francaise to Louis XIV himself. It was finally left to a brilliant young jurist, Henri-Francois d'Aguesseau, to separate fact from fiction and set France on a path to a new and enlightened view of justice."--BOOK JACKET.
The broadcast that George VI made to the British nation on the outbreak of war in September 1939—which formed the climax of the multi-Oscar-winning film The King's Speech—was the product of years of hard work with Lionel Logue, his iconoclastic, Australian-born speech therapist. Yet the relationship between the two men did not end there. Far from it: in the years that followed, Logue was to play an even more important role at the monarch's side.The King's War follows that relationship through the dangerous days of Dunkirk and the drama of D-Day to eventual victory in 1945—and beyond. Like the first book, it is written by Peter Conradi, a London Sunday Times journalist, and Mark Logue (Lionel's grandson), and again draws on exclusive material from the Logue Archive—the collection of diaries, letters, and other documents left by Lionel and his feisty wife, Myrtle. This gripping narrative provides a fascinating portrait of two men and their respective families—the Windsors and the Logues—as they together face the greatest challenge in Britain's history.
An American girl finds her prince in this "fun and dishy" (People) royal romance inspired by Prince William and Kate Middleton. American Bex Porter was never one for fairy tales. Her twin sister Lacey was always the romantic, the one who daydreamed of being a princess. But it's adventure-seeking Bex who goes to Oxford and meets dreamy Nick across the hall - and Bex who finds herself accidentally in love with the heir to the British throne. Nick is wonderful, but he comes with unimaginable baggage: a complicated family, hysterical tabloids tracking his every move, and a public that expected its future king to marry a Brit. On the eve of the most talked-about wedding of the century, Bex looks back on how much she's had to give up for true love... and exactly whose heart she may yet have to break. Praise for The Royal We "Hysterical" -- Entertainment Weekly "Full of love and humor, and delicious in too many ways." -- Emma Straub, New York Times bestselling author "Engrossing and deeply satisfying." -- Jen Doll, author of Save the Date