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On the afternoon when Angel Allegria arrives at the Poloverdos’ farmhouse, he kills the farmer and his wife. But he spares their child, Paolo–a young boy who will claim this as the day on which he was born. Together the killer and the boy begin a new life on this remote and rugged stretch of land in Chile. Then Luis Secunda, a well-to-do and educated fellow from the city descends upon them. Paolo is caught in the paternal rivalry between the two men. But life resumes its course . . . until circumstances force the three to leave the farm. In doing so, Angel and Luis confront their pasts as well as their inevitable destinies–destinies that profoundly shape Paolo’s own future.
A BLACK FATHER. A WHITE FATHER. TWO MURDERED SONS. A QUEST FOR VENGEANCE. *SUNDAY TIMES THRILLER OF THE MONTH* * FINANCIAL TIMES CRIME BOOKS OF THE YEAR* * BARACK OBAMA'S SUMMER READING LIST 2022* 'Superb...Cuts right to the heart of the most important questions of our times.' MICHAEL CONNELLY 'The very definition of a white-knuckle ride' IAN RANKIN Ike Randolph left jail fifteen years ago, with not so much as a speeding ticket since. But a Black man with cops at the door knows to be afraid. Ike is devastated to learn his son Isiah has been murdered, along with Isiah's white husband, Derek. Though he never fully accepted his son, Ike is broken by his death. Derek's father Buddy Lee was as ashamed of Derek being gay as Derek was of his father's criminal past. But Buddy Lee - with seedy contacts deep in the underworld - needs to know who killed his only child. Desperate to do better by them in death than they did in life, two hardened ex-cons must confront their own prejudices about their sons - and each other - as they rain down vengeance upon those who hurt their boys. A provocative revenge thriller and an achingly tender story of redemption, this novel is a ferocious portrait of grief; for those loved and lost, and for mistakes than can never truly be undone. 'Cosby's talents for pungent dialogue and Chandler-esque phrase-making were praised in his previous novel,.. and they're evident again in this pulsating follow-up' Sunday Times THRILLER OF THE MONTH 'A stellar performance' Sunday Times Crime Club 'Cosby's prose barrels along like a pick-up still angry it's not a Ferrari, and his phrase-making is up there with the great artists of noir' The Times BEST THRILLERS OF THE MONTH 'It's a rare trick to combine violence with social commentary, but Cosby pulls it off' Daily Mail 'Raw, powerful and pacey, Razorblade Tears more than fulfils the promise of Cosby's superb debut' The Guardian 'This is as close to a thriller masterpiece as it is possible to get...it is a tale of grief and redemption, but ends with a heartbreaking poignancy that brings tears to the eyes' Daily Mail 'Every once in a while a writer comes along with an incredible voice...add S. A. Cosby to that list.' STEVE CAVANAGH 'Utterly brilliant....Beautiful, violent, operatic, relevant, poignant, gripping & important. This book is a mirror. It shows us our world as it is. Masterful' WILL DEAN Praise for S. A. Cosby: 'Sensationally good' LEE CHILD 'I loved BLACKTOP WASTELAND' STEPHEN KING 'Stunning. Can't remember the last time I read such a powerful crime novel' MARK BILLINGHAM 'S. A. Cosby is a welcome, refreshing new voice in crime literature.' DENNIS LEHANE
The Killer Book of Serial Killers is the ultimate resource (and gift) for any true crime fan and student of the bizarre world of serial killers. Filled with stories, trivia, quizzes, quotes, photos, and odd facts about the world's most notorious murderers, this is the perfect bathroom reader for anyone fascinated with serial killers. The stories and trivia cover such killers as: John Wayne Gacy Ted Bundy The BTK Killer Jack the Ripper The Green River Killer Serial killers around the world And many more Bathroom readers have enjoyed considerable success as a format, selling millions of copies. The Killer Book series brings this format to the rabid true crime audience. Including more than 40 black & white photos, this is a must for true crime fans.
In the vein of the astonishing and eye-opening bestsellers I'll Be Gone in the Dark and The Line Becomes a River, this stunning work of investigative journalism follows a series of unsolved disappearances and murders of Indigenous women in rural British Columbia.
From the internationally bestselling author of The Golden Cage comes a bold, mesmerizing thriller of seduction, deceit, and female power, in which a woman’s secret cannot stay buried forever. Faye Adelheim is living a delicious lie. She is wealthy beyond imagination, she is the Chairman of her self-made global cosmetics brand, and her ex-husband, the monster who killed her beloved daughter Julienne, is living out the remainder of his days behind bars. But unbeknownst to journalists, police officers, and investors, and even the lovers she occasionally invites to her bed, Faye has a secret: her daughter is, in fact, alive and well and so is her mother, the woman Faye’s father was sentenced for allegedly killing years ago. Together, three generations of women have survived in hiding from the men who sought to destroy them. But unfortunately for Faye, cages are meant to be opened, pillow talk can lead to betrayal, and secrets always end in tears.
Crocodile says goodbye to the jungle and heads for the bright lights of London to find freedom and adventure. But despite the famous sights, city life on a stone-cold street begins to pall... Will crocodile tears become real tears for friends, family and home? A fantastic picture book for reading aloud by poetry legend Roger McGough and award-winning animator Greg McLeod.
Fresh out of film school, aspiring producer Jane Hamsher and her partner Don Murphy stumbled onto a screenplay by a geeky filmmaker-wannabe named Quentin Tarantino. For $10,000, Jane and Don optioned Natural Born Killers and set off on a two-year roller coaster ride no classroom could have prepared them for. With an outrageous cast of real-life characters including Oliver Stone, Woody Harrelson, Robert Downey, Jr., and Juliette Lewis--along with a slew of film-crew leeches and behind-the-scenes studio pitbulls--Killer Instinct rivals the most mesmerizing, gut-wrenching movie scenes. A wild joyride like no other, Hamsher's tale provides a fresh, insider's perspective on stardom and the real balance of power in Hollywood.
A young boy, Paolo, and the man who murdered his parents, Angel, gradually become like father and son as they live and work together on the remote Chilean farm where Paolo was born.
From his very first poem in 1990, D. Alexander Holiday has engaged in an intense form of poetry that might be called Reality Writing. He has dealt with issues both personal (the abandonment and loss of never knowing his own parents), and universal (racism, genocide, imperialism). Now he returns with more poignant poems in which he continues a tradition he began long ago: putting people on trial in the public arena. In this case, the defendants include those who have united against him to prevent him from gaining custody of the granddaughter he was never informed he had – until the death of his own daughter, the little girl’s mother. Together with assorted letters and documents, this body of work tells the often horrifying story of Mr. Holiday’s run-ins with the human race: with the abusive and sadistic foster parents with whom he spent his first 18 years of life, having been abandoned by his mother and father (“Somehow Mama Knew”); with his daughter’s mother (“Ashes to Ashes,” “All the Killers Gathered”); and with co-workers (“Please Tell Massuh,” “How I Am Perceived”). But they also offer a few moments of gentle respite in the form of salutes to comedians whose work got him through the worst of times (“Stop Laughing at Me” and “Final Curtain”). As you read these poems, you will gradually learn of the insidious pattern of betrayal and deceit to which Mr. Holiday has been subjected to since his daughter’s mother packed up their child and moved her back down to New York City when she was still an infant. You will learn why he had no contact with his daughter, whom he loved deeply, for over 10 years – until he learned of her death in a most bizarre manner. And as you read of his conflicts with the human race - the years spent in abusive foster homes, repeated betrayals at the hands of family members, acquaintances, and others - you will marvel at the amazing story of a man who faced utter abandonment and turned to reading and writing instead of drugs, alcohol, or even more destructive forms of catharsis and escape which he might have (understandably) chosen.
PHILADELPHIA, the 1840s: a corrupt banker disowns his dissolute son, who then reappears as a hardened smuggler in the contraband slave trade. Another son, hidden from his father since birth and condemned as a former felon, falls in with a ferocious street gang led by his elder brother and his revenge-hungry comrade from Cuba. His adopted sister, a beautiful actress, is kidnapped, and her remorseful black captor becomes her savior as his tavern is engulfed in flames. Vendetta, gang violence, racial tensions, and international intrigue collide in an explosive novella based on the events leading up to an infamous 1849 Philadelphia race riot. The Killers takes the reader on a fast-paced journey from the hallowed halls of academia at Yale College to the dismal solitary cells of Eastern State Penitentiary and through southwest Philadelphia's community of free African Americans. Though the book's violence was ignited by the particulars of Philadelphia life and politics, the flames were fanned by nationwide anxieties about race, labor, immigration, and sexuality that emerged in the young republic. Penned by fiery novelist, labor activist, and reformer George Lippard (1822-1854) and first serialized in 1849, The Killers was the work of a wildly popular writer who outsold Edgar Allan Poe and Nathaniel Hawthorne in his lifetime. Long out of print, the novella now appears in an edition supplemented with a brief biography of the author, an untangling of the book's complex textual history, and excerpts from related contemporaneous publications. Editors Matt Cohen and Edlie L. Wong set the scene of an antebellum Philadelphia rife with racial and class divisions, implicated in the international slave trade, and immersed in Cuban annexation schemes to frame this compact and compelling tale. Serving up in a short form the same heady mix of sensational narrative, local color, and impassioned politics found in Lippard's sprawling The Quaker City, or The Monks of Monks Hall, The Killers is here brought back to lurid life.