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'When I was close to Kathleen I felt I was near a Saint' Bro Conway.This quote comes from Christian Brother Anselm Conway who came to know orphaned Kathleen Kilbane in a TB sanatorium in Ballinrobe, Co Mayo in 1940's Ireland.Bro Conway wrote a remarkable account of the last fifteen months of her life which is published as 'No More Tears in My Eyes'. He records Kathleen's inspiring faith and kindness to others regardless of her own personal suffering. This account continues to touch the hearts of many today.This new book contains the findings of research into the lives of both Kathleen and Bro Conway. Research that has uncovered Kathleen's real birth date and includes Kathleen's moving obituary written by Bro Conway, a forerunner to his later account. An in-depth and uplifting biography of Bro Conway is included. The book also reveals accounts of how Kathleen continues to influence people's lives today. This includes healings and other manifestations of alleged miraculous events attributed to Kathleen's intercession.
Kathleen's story is one of the triumph of faith and love over suffering. In her brief 14 years of life Kathleen lived out the Gospel in an exemplary way. Her love for God and others, her devotion to prayer and the sacraments and particularly her devotion to the Mother of God were remarkable. She continues to inspire today. This book is an abridged form of the book Kathleen Kilbane: The 'Little Saint of Achill Island. This book follows Kathleen's life from her birthplace in Perth, Scotland to her final days in County Mayo, Ireland. This shorter work is an ideal way to come to know the heart of the inspiring Scots/Irish girl Kathleen Kilbane.
Kathleen Folbigg was a serial child killer who murdered her three infant children and was convicted for the manslaughter of a fourth. Her killings would take place over the course of an eight-year period during in which she was never suspected. She would only be discovered after her husband discovered her personal diary in which she detailed the motivations behind her killing spree. This is her story.
It is not a matter of argument among the vast majority of scholars, but of demonstrable fact. White supremacy includes both individual prejudice and, for instance, the long history of the disproportionate incarceration of people of color. It describes a legal system still predisposed towards racial inequality even when judge, counsel, and jurors abjure racism at the individual level. It is collective and individual. It is old and immediate. Some white supremacists turn to violence, but there are also a lot of people who are individually white supremacist-some openly so-and reject violence. This Field Guide proposes that a better understanding of hate groups, white supremacy, and the ways that racism and patriarchy have braided into our laws and systems can help people to tell, and understand, better stories. .
Murder has a way of killing business... In the small village of Kilbane, County Cork in Ireland, Naomi’s Bistro has always been warm and welcoming. Nowadays, twenty-two-year-old Siobhán O’Sullivan runs the family bistro named for her mother, along with her five siblings, after the death of their parents in a car crash almost a year ago. It’s been a rough year for the O’Sullivans, but it’s about to get rougher. One morning, as they’re opening the bistro, they discover a man seated at a table with a pair of hot pink barber scissors protruding from his chest. With the local garda suspecting the O’Sullivans, and their business in danger of being shunned, it’s up to Siobhán to solve the crime and save her beloved brood. A charming Irish village mystery, perfect for fans of Betty Rowlands and Dee Macdonald.
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
WITH A NEW FOREWARD Journalist Seyward Darby's "masterfully reported and incisive" (Nell Irvin Painter) exposé pulls back the curtain on modern racial and political extremism in America telling the "eye-opening and unforgettable" (Ibram X. Kendi) account of three women immersed in the white nationalist movement. After the election of Donald J. Trump, journalist Seyward Darby went looking for the women of the so-called "alt-right" -- really just white nationalism with a new label. The mainstream media depicted the alt-right as a bastion of angry white men, but was it? As women headlined resistance to the Trump administration's bigotry and sexism, most notably at the Women's Marches, Darby wanted to know why others were joining a movement espousing racism and anti-feminism. Who were these women, and what did their activism reveal about America's past, present, and future? Darby researched dozens of women across the country before settling on three -- Corinna Olsen, Ayla Stewart, and Lana Lokteff. Each was born in 1979, and became a white nationalist in the post-9/11 era. Their respective stories of radicalization upend much of what we assume about women, politics, and political extremism. Corinna, a professional embalmer who was once a body builder, found community in white nationalism before it was the alt-right, while she was grieving the death of her brother and the end of hermarriage. For Corinna, hate was more than just personal animus -- it could also bring people together. Eventually, she decided to leave the movement and served as an informant for the FBI. Ayla, a devoutly Christian mother of six, underwent a personal transformation from self-professed feminist to far-right online personality. Her identification with the burgeoning "tradwife" movement reveals how white nationalism traffics in society's preferred, retrograde ways of seeing women. Lana, who runs a right-wing media company with her husband, enjoys greater fame and notoriety than many of her sisters in hate. Her work disseminating and monetizing far-right dogma is a testament to the power of disinformation. With acute psychological insight and eye-opening reporting, Darby steps inside the contemporary hate movement and draws connections to precursors like the Ku Klux Klan. Far more than mere helpmeets, women like Corinna, Ayla, and Lana have been sustaining features of white nationalism. Sisters in Hate shows how the work women do to normalize and propagate racist extremism has consequences well beyond the hate movement.
Celebrating Dior's floral inspirations in fashion and perfume, this unique volume features a portfolio of rose portraits by acclaimed fashion photographer Nick Knight. For Christian Dior, perfume was "a door opening into a hidden world." His first, Miss Dior, inspired by the lush gardens of his childhood home in Normandy, forged an inextricable link between his fashion and fragrance creations. Other scents were inspired by evenings in southern France, lit with fireflies and scented with jasmine. The rose bowers of his family home in Granville; his old mill country house; and the Château de la Colle Noire near Grasse--where jasmine, tuberose, and May roses reign supreme and are still cultivated--inspired Dior's most memorable creations. Flowers were also at the heart of Dior's fashion, from the women-flowers that inspired the late 1940s New Look to the swishing, blossom-like ball gowns embroidered with lavish floral motifs. They have inspired all of the designers who followed him at the House of Dior, from Yves Saint Laurent to John Galliano, and Raf Simons to Maria Grazia Chiuri. This extraordinary volume blooms with color and inspiration, and includes rose portraits by Nick Knight, previously unpublished archival documents, exquisite details of embroidery and fabrics, perfumes, fashion sketches, and sublime fashion photographs.
Cripina and Her Sisters explores visual imagery found on burial artifacts of prominent early Christian women. It carefully situates the tomb art within the cultural context of customary Roman commemorations of the dead and provides an in-depth review of women‘s history in the first four centuries of Christianity. From this, a fascinating picture emerges of women‘s authority in the early church--a picture either not readily available or recognized, or even sadly distorted in the written history.