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*Shortlisted for a 2017 RoNA Award* With her whole life ahead of her, beautiful young Grace’s world changes forever when she’s married off to a much older judge. Soon, feeling lonely and neglected, Grace meets and falls in love with an Indian doctor, Vikram—he’s charming, thoughtful, and kind, everything her husband is not. But this is 1950s Ireland, and when she falls pregnant, the potential scandal must be dealt with. As soon as she has given birth, Grace is sent to an asylum by the judge, while Vikram, told that Grace died in childbirth, returns to India heartbroken. Thirty years later, after the judge’s death, his estranged daughter Emma returns home to pack up his estate, where she finds Grace’s diaries and begins to piece together the life of the mother she never knew. Meanwhile, Vikram is planning a long-awaited return to Ireland with his much-loved niece Rosa—who has grown up hearing all about her uncle’s long-lost love—to stand, at last, at the grave of the woman he adores. When the judge’s will is finally read, revealing he has sent letters to Vikram and Emma, the deception spanning both decades and continents finally begins to unravel, exposing long-buried family secrets along the way and raising the question of if true love can last a lifetime.
Revision of author's thesis (doctoral)--University of Oxford, 2010.
Telling Terror in Judges 19 explores the value of performing a ‘reparative reading’ of the terror-filled story of the Levite’s pilegesh (commonly referred to as the Levite’s concubine) in Judges 19, and how such a reparative reading can be brought to bear upon elements of modern rape culture. Historically, the story has been used as a morality tale to warn young women about what constitutes appropriate behaviour. More recently, (mainly male) commentators have tended to write the woman out of the story, by making claims about its purpose and theme which bear no relation to her suffering. In response to this, feminist critics have attempted to write the woman back into the story, generally using the hermeneutics of suspicion. This book begins by surveying some of the traditional commentators, and the three great feminist commentators of the text (Bal, Exum and Trible). It then offers a reparative reading by attending to the pilegesh’s surprising prominence, her moral and marital agency, and her speaking voice. In the final chapter, there is a detailed comparison of the story with elements of modern rape culture.
When her lover asks her to tell him a story, Eva Luna complies with this collection of tales.
From the New York Times bestselling author of I Was Anastasia and The Frozen River comes a “genuinely surprising whodunit” (USA Today) that tantalizingly reimagines a scandalous murder mystery that rocked the nation. One summer night in 1930, Judge Joseph Crater steps into a New York City cab and is never heard from again. Behind this great man are three women, each with her own tale to tell: Stella, his fashionable wife, the picture of propriety; Maria, their steadfast maid, indebted to the judge; and Ritzi, his showgirl mistress, willing to seize any chance to break out of the chorus line. As the twisted truth emerges, Ariel Lawhon’s wickedly entertaining debut mystery transports us into the smoky jazz clubs, the seedy backstage dressing rooms, and the shadowy streets beneath the Art Deco skyline. Don't miss Ariel Lawhon's new book, The Frozen River!
“Solid advice for newlyweds, golden anniversary celebrants and everybody in-between” from the Marriage Boot Camp and former Divorce Court star (The Augusta Chronicle). As the judge starring on two hit television shows, Lynn Toler has witnessed, en masse, the thematic mistakes made in American marriages. She herself has also been wed for more than 30 years and has seen both the highs and lows of matrimony in her own marriage as well as the marriages of those close to her. Drawing from both her professional career and personal life, Toler sees that the biggest impediment to marriage these days is that couples decide to take the plunge based almost entirely on the most irrational criteria: falling in love. Making Marriage Work doesn’t suggest that love has nothing to do with marriage at all; rather, Toler says that love by itself is simply not enough to make marriages survive. Marriage, Toler says, is a job, and it needs to be treated like one. This updated manual suggests specific procedures that should be put in place to bridge the gap between head over heels and happily ever after. It explains how to phrase things in order to span the great hormonal divide men and women often fall into when trying to talk to one another. It also discusses the very new and real challenges to marriage created in a culture often overwhelmed by the emphasis on (and ability to attain) instant gratification. Replete with simple, no-nonsense rules, Divorce Court anecdotes, and stories about Judge Toler’s own union, Making Marriage Work contains invaluable information couples can use today to secure their marital tomorrow.
Three very different women. Only one thing in common. But when their family patriarch dies and they must share his estate, the truths they discover will test them--and everything they think they know about each other. Beloved Georgia judge Joseph Donaldson was known for his unshakable fairness, his hard-won fortune--and a scandalous second marriage to his much-younger white secretary. Now he's left a will with a stunning provision. In order to collect their inheritance, his lawyer daughter Maya, her stepmother Jeanie, and Jeanie's teen daughter, Ryder, must live together at the family lake house. Maya and Jeanie don't exactly get along, but they reluctantly agree to try an uneasy peace for as long as it takes... But fragile ex-beauty queen Jeanie doesn't know who she is beyond being a judge's wife--and drinking away her insecurities has her in a dangerous downward spiral. Fed up with her mother's humiliating behavior, Ryder tries to become popular at school in all the wrong ways. And when Maya attempts to help, she puts her successful career and her shaky love life at risk. Now with trouble they didn't see coming--and secrets they can no longer hide--these women must somehow find the courage to admit their mistakes, see each other for who they really are--and slowly, perhaps even joyfully, discover everything they could be.
In the short novels that make up this beautiful collection, Mary Gordon presents a quartet of finely rendered, emotionally resonant stories. Here we meet the ferocious Simone Weil during her last days as a transplant in New York City; a vulnerable American graduate student who escapes to Italy after her first, compromising love affair; the charming Irish liar of the title, who gets more out of life than most; and Thomas Mann, opening the heart of a high schooler in the Midwest. At every turn, Gordon revels in the interactions and crucial flashes of understanding that change lives forever. Entrancing reading, The Liar’s Wife is a wonderful demonstration of Gordon’s literary mastery and human sympathy.
Explores neurological disorders and their effects upon the minds and lives of those affected with an entertaining voice.
A woman called blessed for killing a Canaanite general; another called "Mother in Israel" for leading troops into war; several other mothers absent when their children need them; a judge, Deborah, with a proper name and a recognized place for public counseling; a single woman, Delilah, who seduces and conquers Samson. The book of Judges features an outstanding number of women, named and unnamed, in family roles and also active in society, mostly objects of violent dealings between men. This volume looks not only at women in their traditional roles (daughter, wife, mother) but also at how society at large deals with women (and with men) in war, in strife, and sometimes in peace.