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In this vivid and timely history, Juan Cole tells the story of Napoleon's invasion of Egypt. Revealing the young general's reasons for leading the expedition against Egypt in 1798 and showcasing his fascinating views of the Orient, Cole delves into the psychology of the military titan and his entourage. He paints a multi-faceted portrait of the daily travails of the soldiers in Napoleon's army, including how they imagined Egypt, how their expectations differed from what they found, and how they grappled with military challenges in a foreign land. Cole ultimately reveals how Napoleon's invasion, the first modern attempt to invade the Arab world, invented and crystallized the rhetoric of liberal imperialism.
This book explores imperial entanglements to reassess the Napoleonic Empire as a missing link—or at least an important chain—in the global and longue durée history of Empires. In recent years Napoleonic studies have, belatedly but resolutely, embraced the transnational historiographical turn, vastly expanding the field’s geographical scope. Its canonical chronological boundaries, on the other hand, appear increasingly narrow against this wider backdrop, giving the impression of a parenthetical, almost anachronistic aside from 1799 to 1815. What connects, and what doesn’t connect, the Napoleonic Empire to the Age of Empire, remains by and large an open question. Put another way, this book attempts to locate the Napoleonic empire in World History.
Focusing on Egypt during the period 1760 to 1870, this book fills in some of the historical blanks for a dance form often known today in the Middle East as raqs sharki or raqs baladi, and in Western countries as "belly dance." Eyewitness accounts written by European travelers, the major primary source for modern scholars, provide most of the research material. The author shapes these numerous accounts into a coherent whole, providing a picture of Egyptian female entertainers of the period as professionals in the arts, rather than as a group of unnamed "ethnic" dancers and singers. Analysis is given of the contexts of this dance--that was a legitimate performing art form in Egyptian society appreciated by a wide variety of audiences--with a focus on actual performances--and a re-creation of choreography.
This classic study of the French occupation of Egypt presents a lucid and comprehensive account of Napoleon’s stunning victories and devastating losses. Originally published in 1962, J. Christopher Herold's Bonaparte in Egypt is considered the definitive modern account of this extraordinary campaign. In an elegantly written and detailed study, Herold covers all aspects of Bonaparte's expedition: military, political, and cultural. Napoleon Bonaparte’s invasion of Egypt was a bold adventure that reached the extremes of total triumph and utter defeat. Bonaparte won a decisive victory at the Battle of the Pyramids and quickly captured Cairo. But his fleet was completely destroyed by Admiral Nelson at Abukir Bay and his ambition to conquer the Holy Land was frustrated at Acre. Despite these reverses, Bonaparte returned to France where he was greeted as a hero and seized political power in 1799. His attempt to take permanent control of Egypt and Syria for France was a critical stage on his road to power, and it is one of the most revealing episodes in his spectacular career.