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“Has no equal. Evocative and haunting.” (School Library Journal starred review) The bestselling classic set in South Africa during the apartheid era, in which two siblings must face the dangers of their divided country. Mma lives and works in Johannesburg, far from the village thirteen-year-old Naledi and her younger brother, Tiro, call home. When their baby sister suddenly becomes very sick, Naledi and Tiro know that they need to bring their mother back in order to save their sister’s life. Bravely, secretly, they set off on the long journey to the big city to find Mma. It isn’t until they finally reach Jo’burg that they see up close what life is like for black citizens across South Africa—and begin to really question the unfair and dangerous laws of apartheid. A classic look at prejudice and racism in apartheid South Africa, this short and compelling novel is perfect for independent reading projects and classroom sharing.
An interdisciplinary account of the life of Johannesburg, South Africa's "global south city" Anxious Joburg focuses on Johannesburg, the largest and wealthiest city in South Africa, as a case study for the contemporary global South city. Global South cities are often characterised as sites of contradiction and difference that produce a range of feelings around anxiety. This is often imagined in terms of the global North’s anxieties about the South: migration, crime, terrorism, disease and environmental crisis. Anxious Joburg invites readers to consider an intimate perspective of living inside such a city. How does it feel to live in the metropolis of Johannesburg: what are the conditions, intersections, affects and experiences that mark the contemporary urban? Scholars, visual artists and storytellers, all look at unexamined aspects of Johannesburg life. From peripheral settlements to the inner city to the affluent northern suburbs, from precarious migrants and domestic workers to upwardly mobile young women and fearful elites, Anxious Joburg presents an absorbing engagement with this frustrating, dangerous, seductive city. It offers a rigorous, critical approach to Johannesburg revealing the way in which anxiety is a vital structuring principle of contemporary life. The approach is strongly interdisciplinary, with contributions from media studies, anthropology, religious studies, urban geography, migration studies and psychology. It will appeal to students and teachers, as well as to academic researchers concerned with Johannesburg, South Africa, cities and the global South. The mix of approaches will also draw a non-academic audience.
A single image taken from a high-rise building in inner-city Johannesburg uncovers layers of history—from its premise and promise of gold to its current improvisations. It reveals the city as carcass and as crucible, where informal agents and processes spearhead its rapid reshaping and transformation. In Wake Up, This Is Joburg, writer Tanya Zack and photographer Mark Lewis offer a stunning portrait of Johannesburg and personal stories of some of the city’s ordinary, odd, and outrageous residents. Their photos and essays take readers into meat markets where butchers chop cow heads; the eclectic home of an outsider artist that features turrets and full of manikins; long-abandoned gold pits beneath the city, where people continue to mine informally; and lively markets, taxi depots, and residential high-rises. Sharing people’s private and work lives and the extraordinary spaces of the metropolis, Zack and Lewis show that Johannesburg’s urban transformation occurs not in a series of dramatic, wide-scale changes but in the everyday lives, actions, and dreams of individuals.
Journalists Heidi Holland and Adam Roberts approached about 80 journalists and writers based in Johannesburg and asked them to write short pieces about the city in which they work and live. They did not specify form or style - the contributors were free to express themselves however they wanted to.
As a boy growing up in 1970s Johannesburg Mark Gevisser would play 'Dispatcher', a game that involved sitting in his father's parked car (or in the study) and sending imaginary couriers on routes across the city, mapped out from Holmden's Register of Johannesburg. As the imaginary fleet made its way across the troubled city and its tightly bound geographies, so too did the young dispatcher begin to figure out his own place in the world. At the centre of Lost and Found in Johannesburg is the account of a young boy who is obsessed with maps and books, and other boys. Mark Gevisser's account of growing up as the gay son of Jewish immigrants, in a society deeply affected - on a daily basis - by apartheid and its legacy, provides a uniquely layered understanding of place and history. It explores a young man's maturation into a fully engaged and self-aware citizen, first of his city, then of his country and the world beyond. This is a story of memory, identity and an intensely personal relationship with the City of Gold. It is also the story of a violent home invasion and its aftermath, and of a man's determination to reclaim his home town.
In less than a century, the jumble of shabby tents and lean-tos that constituted Johannesburg’s first settlement has grown into a modern metropolis of towering office buildings, high-rise apartments and sprawling suburbs. Its rapid development has been in no small measure the result of the fabulous wealth that lay in the goldrich deposits of the now-famous Witwatersrand basin. The story of gold is also the story of Johannesburg, and in a fascinating series of photographic juxtapositions, Johannesburg Then and Now chronicles the city’s expansion from dusty mining camp to economic powerhouse. Rare archival photographs, dating from the 1880s to the 1940s, are contrasted with vivid scenes of the modern city, providing a hitherto untold portrait of the Place of Gold. Where possible, the modern-day photographs have been shot from the same locations as the originals. Detailed captions provide fascinating comparisons between the old and the new, while also illuminating features that have remained the same. Johannesburg Then and Now is a superb collection of images and text that will delight both local residents and visitors. Sales points: Fascinating portrait of early and modern Johannesburg; Rare archival photographs (1880–1950), many never published before; Informative and well-researched text; Beautiful and elegantly designed coffee-table book; Excellent gift and keepsake; Companion volume to the successful Cape Town Then and Now.
A collection of short stories - four previously published and three new - linked by the theme of young people experiencing personal dilemmas. All are set in South Africa, first under apartheid and then after the first democratic elections. They cover the period from 1950 to 2000 and reflect the lives of a range of young people, black and white, living in what was for many years seen as the world's most openly racist society.
A Thousand Tales of Johannesburg is Harry Kalmer’s spellbinding ode to Johannesburg and its people. This is the story of Sara, who poses stiffly for a photo with her four children at Turffontein concentration camp in 1901, and of Abraham, who paints the street names on Johannesburg’s kerbs. It is the tale of their grandson Zweig, a young architect who has to leave Johannesburg when he falls in love with the wrong person, and of Marceline, a Congolese mother who flees to the city only to be caught up in a wave of xenophobic violence. Spanning more than a hundred years, A Thousand Tales of Johannesburg is a novel that documents and probes the lives of the inhabitants of this incomparable African city – the exiled, those returning from exile, and those who never left.
Set in South Africa at the height of the apartheid regime, when the government started a policy of ethnic cleansing, forcibly removing people from their homes and moving them to so-called 'homelands'. Schoolchildren Naledi and Tiro are caught up in the protests and resistance as they and their grandmother are threatened with removal from their village. Protestors are arrested and beaten, but still people fight on. Freedom lies at the end of a long road.