Download Free The Joan Whitney Payson Collection Book in PDF and EPUB Free Download. You can read online The Joan Whitney Payson Collection and write the review.

The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
He believed firmly in his difference, often referring to himself as a "savage," and once he discovered his passion for art he had to create forms that were original and unique. "What does it matter that I set myself apart from other people? For most I shall be an enigina, but for a few I shall be a poet...," he wrote.".
Published to accompany a major exhibition of Jean-Baptiste-Camille Corot's paintings held in Paris and Ottawa during 1996, and forthcoming to New York. From nearly 3,000 paintings by this poetic 19th-century artist, the curators chose 163 works, which are reproduced here along with full art-historical discussions of each. Three major essays chronicle Corot's life and the development of his art; additional essays elucidate the subject of forgeries and describe the collecting of his works. Much original new scholarship is included along with a review of the scholarly literature, a concordance, and a chronology. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
The New York Mets Encyclopedia provides the full and exciting story of modern-era baseball’s most popular expansion-age franchise. From those lovable losers of 1962 and 1963, to the Miracle Mets of 1969 and 1973, and on to year-in and year-out contenders of the 1980s and 1990s, New York’s National League Mets have written some of the most exciting and colorful pages in Major League history. This is the team that captured the hearts of fans everywhere with its often-laughable antics under colorful and celebrated manager Casey Stengel. Only half a dozen years later, the Mets reached baseball’s pinnacle under gifted manager Gil Hodges. This colorful volume combines detailed narrative history with archival photographs, rich statistical data, and intimate portraits of the team’s most memorable personalities. This is also a franchise that has been home to many of the game’s biggest on-field stars. Among them are such unforgettable diamond characters as reckless slugger Darryl Strawberry; glue-fingered first sacker Keith Hernandez; baseball’s all-world catcher, Mike Piazza; pitching ace Johan Santana; and record-breaking third baseman David Wright. The full scope of the Mets’ fifty-plus-year history is discussed in an expansive chapter that gives the reader a historical detailed overview and features a year-by-year Mets chronology and season-by-season opening-day lineups. This newly revised edition offers insight on everything a Mets fan would want or need to know.
A generously illustrated gathering of many rarely-seen watercolors by a painter best known for his oils who was also a master of the very difficult medium of watercolor. The book includes 150 4-color images, along with an introductory essay and brief section introductions.
A new perspective on Impressionist art that offers revealing, fresh interpretations of familiar paintings In this handsome book, a leading authority on Impressionist painting offers a new view of this admired and immensely popular art form. John House examines the style and technique, subject matter and imagery, exhibiting and marketing strategies, and social, political, and ideological contexts of Impressionism in light of the perspectives that have been brought to it in the last twenty years. When all of these diverse approaches are taken into account, he argues, Impressionism can be seen as a movement that challenged both artistic and political authority with its uncompromisingly modern subject matter and its determinedly secular worldview. Moving from the late 1860s to the early 1880s, House analyzes the paintings and career strategies of the leading Impressionist artists, pointing out the ways in which they countered the dominant conventions of the contemporary art world and evolved their distinctive and immediately recognizable manner of painting. Focusing closely on the technique, composition, and imagery of the paintings themselves and combining this fresh appraisal with recent historical studies of Impressionism, House explores how pictorial style could generate social and political meanings and opens new ways of looking at this luminous art.