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Robert Knight is a member of a powerful supernatural race known as the Jinn. Viewed as a threat by the rest of the supernatural world, the Jinn have been hunted into near extinction. When he and the last remaining members of his family are forced to flee for their lives, Robert decides that the time has come to try and overturn the millennia of hatred against his people and secure his family’s survival by establishing a spirit of friendship and trust. But with fanatical zealots hunting him at every turn, will Robert be able to convince anyone that the ancient crusade against his people is a war that should be left in the past? The Jinn Knight is a story of chivalry, honour and integrity as one man fights for survival and acceptance within the supernatural community. Supernatural races, both more and less widely known, strive to bring about a better future, or to complete a centuries long quest for genocide.
“Tenth Moon-Knight of the New London Wastelands Gregory Tenant awoke all in a start. The nightly visions had returned. Once more he had dreamed that he was the Wulven beast, once again bounding down upon some poor, panicked victim—again feeding on fresh human flesh. Not sure yet was he that he was not that Wulf himself, for he had heard rumours of strange kills coming out of the core that eerily matched his nightly visions. But whether the Wulf were his own nightmarish spawn, or another entity entirely, it had become his mission in life to hunt the beast and slay it--even if that meant that he must in grim fact so slay himself—even if that heralded his ultimate undoing by a wild shadow known only as Crucible.”
Terrorists wanting to proclaim jihad resort to the power of mystical Islam, including dreams, black magic, and the control of supernatural entities known as jinn, to steal Pakistan's nuclear weapons. As attacks on colleges increase, Samir, the education advisor to the prime minister, sets out to unravel the mystical powers being exploited. While truths are uncovered, separating myths from facts, Ifrit, a powerful jinn, is contacted by terrorists to fulfill their agenda in exchange for having the jinn rule the earth. What follows is a sequence of fast-moving events when a terrorist head in Afghanistan declares himself to be the Mahdi, the Islamic leader prophesied to rule the world, and calls upon all Muslims to join him, leading to a nuclear standoff between Pakistan and India, to a fight between good and evil, and to an uncertain end if the imbroglio will lead to an apocalypse and end of times.
Knight Assassin by Rima Jean Seventeen-year-old Zayn has special powers she cannot control—powers that others fear and covet. Powers that cause the Templar Knights to burn Zayn's mother at the stake for witchcraft. When a mysterious stranger tempts Zayn to become the first female member of the heretical Assassins, the chance to seek her revenge lures her in. She trains to harness her supernatural strength and agility, and then enters the King of Jerusalem's court in disguise with the assignment to assassinate Guy de Molay, her mother's condemner. But once there, she discovers Earic Goodwin, the childhood friend who still holds her heart, among the knights—and his ocean-blue eyes don't miss a thing. Will vengeance be worth the life of the one love she has left?
Despite the insatiable public appetite for all things Star Wars, the more analytical side of the saga is all too often ignored. This book offers a new way of seeing George Lucas’ space opera—particularly the prequel trilogy, a series never given a fair chance because of constant comparisons to the iconic originals. In the classic style of Joseph Campbell, the trilogy is viewed through the lens of myth and metaphor, revealing a body of work not only worthy of scholarly study but perhaps destined to find therein its home. A wide variety of philosophical and mythological themes are presented and expounded upon, drawing from a rich source of scholars, thinkers, writers, and poets from East and West alike. Heretical or not, the Star Wars prequels are a surprisingly rich source of insight into the saga—as well as the human drama—as a whole.
According to the Qur’an, God created two parallel species, man and the jinn, the former from clay and the latter from fire. Beliefs regarding the jinn are deeply integrated into Muslim culture and religion, and have a constant presence in legends, myths, poetry, and literature. In Islam, Arabs, and the Intelligent World of the Jinn, Amira El-Zein explores the integral role these mythological figures play, revealing that the concept of jinn is fundamental to understanding Muslim culture and tradition.
Over twenty stories that will make your heart race, make you joyful, fearful, thrilled, inspired, and horrified.These are stories that will make your imagination run wild featuring Gemma L. Brook, Lorna Walsh, Jasmine Wade,Laura Nelson Selinsky, Carol Dowd-Forte, Tone Milazzo, Julie Doherty, Tori Eldridge, Ken MacGregor, Nick Mazzuca, Andrew Adams, Susan Helene Gottfried, Amelia Kibbie, Lexis Parker, Rebecca House, Elan Barnehama, Gary Zenker, Suzanne Grieco Mattaboni, Joe Nasta, Cindy CavettFeatured in swag bags for the 2019 Golden Globe presenters and nominees.
The progenitor of "Muslim punk rock" and one of today's freshest spiritual voices pushes back against the common assumption that the historic faiths have no occult or magical tradition in this richly learned historical and personal journey through the practice of magic in Islam. Magic in Islam offers a look at magical and occult technologies throughout Muslim history, starting with Islam's earliest and most canonical sources. In addition to providing a highly accessible introduction to magic as it is defined, practiced, condemned, and defended within Muslim traditions, Magic in Islam challenges common assumptions about organized religion. Michael Muhammad Knight's deeply original book fills a gap within existing literature on the place of magic in Islamic traditions and opens a new window on Islam for general readers and students of religion alike. In doing so, the book counters and complicates widespread perceptions of Islam, as well as of magic as it is practiced outside of European contexts. Magic in Islam also challenges our view of "organized religions" as clearly defined systems that can be reduced to checklists of key doctrines, texts, and rules. As a result, Magic in Islam throws a monkey wrench into the conventions of the "intro to Islam" genre, threatening to flip popular notions of a religion's "center" and "margins."
The adventure continues in the magical land of Southernere. It has been one year since the Battle of Alhora. The peace that was established is threatened once more by a mysterious disturbance. The world as far as everyone knows it is just about to get bigger. And the adventure will get more epic as time progresses.