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A new approach to thinking about the representation of the Other in Western society, The Jew’s Daughter: A Cultural History of a Conversion Narrative offers an insight into the gendered difference of the Jew. Focusing on a popular narrative of “The Jew’s Daughter,” which has been overlooked in conventional studies of European anti-Semitism, this innovative study looks at canonical and neglected texts which have constructed racialized and sexualized images that persist today in the media and popular culture. The book goes back before Shylock and Jessica in TheMerchant of Venice and Isaac and Rebecca in Ivanhoe to seek the answers to why the Jewish father is always wicked and ugly, while his daughter is invariably desirable and open to conversion. The story unfolds in fascinating transformations, reflecting changing ideological and social discourses about gender, sexuality, religion, and nation that expose shifting perceptions of inclusion and exclusion of the Other. Unlike previous studies of the theme of the Jewess in separate literatures, Sicher provides a comparative perspective on the transnational circulation of texts in the historical context of the perception of both Jews and women as marginal or outcasts in society. The book draws on examples from the arts, history, literature, folklore, and theology to draw a complex picture of the dynamics of Jewish-Christian relations in England, France, Germany, and Eastern Europe from 1100 to 2017. In addition, the responses of Jewish authors illustrate a dialogue that has not always led to mutual understanding. This ground-breaking work will provoke questions about the history and present state of prejudiced attitudes in our society.
“In The Third Daughter, Talia Carner ably illuminates a little-known piece of history: the sex trafficking of young women from Russia to South America in the late 19th century. Thoroughly researched and vividly rendered, this is an important and unforgettable story of exploitation and empowerment that will leave you both shaken and inspired.” —Pam Jenoff, New York Times bestselling author of The Lost Girls of Paris The turn of the 20th century finds fourteen-year-old Batya in the Russian countryside, fleeing with her family endless pogroms. Desperate, her father leaps at the opportunity to marry Batya to a worldly, wealthy stranger who can guarantee his daughter an easy life and passage to America. Feeling like a princess in a fairytale, Batya leaves her old life behind as she is whisked away to a new world. But soon she discovers that she’s entered a waking nightmare. Her new “husband” does indeed bring her to America: Buenos Aires, a vibrant, growing city in which prostitution is not only legal but deeply embedded in the culture. And now Batya is one of thousands of women tricked and sold into a brothel. As the years pass, Batya forms deep bonds with her “sisters” in the house as well as some men who are both kind and cruel. Through it all, she holds onto one dream: to bring her family to America, where they will be safe from the anti-Semitism that plagues Russia. Just as Batya is becoming a known tango dancer, she gets an unexpected but dangerous opportunity—to help bring down the criminal network that has enslaved so many young women and has been instrumental in developing Buenos Aires into a major metropolis. A powerful story of finding courage in the face of danger, and hope in the face of despair, The Third Daughter brings to life a dark period of Jewish history and gives a voice to victims whose truth deserves to finally be told.
The Origins of the "Daughters' Question" -- Religious Ardor: Michalina Araten and Her Embrace of Catholicism -- Romantic Love: Debora Lewkowicz and Her Flight from the Village -- Intellectual Passion: Anna Kluger and Her Struggle for Higher Education -- Rebellious Daughters and the Literary Imagination: From Jacob Wassermann to S. Y. Agnon -- Bringing the Daughters Back: A New Model of Female Orthodox Jewish Education.
National Jewish Book Award Winner • Christy Award Finalist A young woman survives the unthinkable in this stunning and emotionally satisfying tale of family, love, and resilience, set against the destruction of Jerusalem in 70 CE. Esther dreams of so much more than the marriage her parents have arranged to a prosperous silversmith. Always curious and eager to explore, she must accept the burden of being the dutiful daughter. Yet she is torn between her family responsibilities and her own desires; she longs for the handsome Jacob, even though he treats her like a child, and is confused by her attraction to the Roman freedman Tiberius, a man who should be her sworn enemy. Meanwhile, the growing turmoil threatens to tear apart not only her beloved city, Jerusalem, but also her own family. As the streets turn into a bloody battleground between rebels and Romans, Esther's journey becomes one of survival. She remains fiercely devoted to her family, and braves famine, siege, and slavery to protect those she loves. This emotional and impassioned saga, based on real characters and meticulous research, seamlessly blends the fascinating story of the Jewish people with a timeless protagonist determined to take charge of her own life against all odds.
"An engrossing account of the appeal of religious orthodoxy to formerly secular women, many of them once feminist, radical members of the counterculture. . . . This outstanding work of scholarship reads with the immediacy of a novel." Cynthia Fuchs Epstein, author of Deceptive Distinctions: Sex, Gender, and the Social Order Debra Kaufman writes about ba'alot teshuva women who have returned to Orthodox Judaism, a form of Judaism often assumed to be oppressive to women. She addresses many of the most challenging issues of family, feminism, and gender. Why, she asks, have these women chosen an Orthodox lifestyle? What attracts young, relatively affluent, well-educated, and highly assimilated women to the most traditional, right-wing, patriarchal, and fundamentalist branch of Judaism? The answers she discovers lead her beyond an analysis of religious renewal to those issues all women and men confront in public and private life. Kaufman interviewed and observed 150 ba'alot teshuva. She uses their own stories, in their own words, to show us how they make sense of the choices they have made. Lamenting their past pursuit of individual freedom over social responsibility, they speak of searching for shared meaning and order, and finding it in orthodoxy. The laws and customs of Orthodox Judaism have been formulated by men, and it is men who enforce those laws and control the Orthodox community. The leadership is dominated by men. But the women do not experience theologically-imposed subordination as we might expect. Although most ba'alot teshuva reject feminism or what they perceive as feminism, they maintain a gender consciousness that incorporates aspects of feminist ideology, and often use feminist rhetoric to explain their lives. Kaufman does not idealize the ba'alot teshuva world. Their culture does not accommodate the non-Orthodox, the homosexual, the unmarried, the divorced. Nor do the women have the mechanisms or political power to reject what is still oppressive to them. They must live within the authority of a rabbinic tradition and social structure set by males. Like other religious right women, their choices reinforce authoritarian trends current in today's society. Rachel's Daughters provides a fascinating picture of how newly orthodox women perceive their role in society as more liberating than oppressive.
"If the Coen brothers ever ventured beyond the United States for their films, they would find ample material in this novel." --The New York Times Book Review "Occasionally a book comes along so fresh, strange, and original that it seems peerless, utterly unprecedented. This is one of those books." —Kirkus Reviews (starred review) **Winner of the 2021 Wingate Literary Prize** **Finalist for the 2021 National Jewish Book Awards, "Book Club Award"** An irresistible, picaresque tale of two Jewish sisters in late-nineteenth-century Russia, The Slaughterman’s Daughter is filled with “boundless imagination and a vibrant style” (David Grossman). With her reputation as a vilde chaya (wild animal), Fanny Keismann isn’t like the other women in her shtetl in the Pale of Settlement—certainly not her obedient and anxiety-ridden sister, Mende, whose “philosopher” of a husband, Zvi-Meir, has run off to Minsk, abandoning her and their two children. As a young girl, Fanny felt an inexorable pull toward her father’s profession of ritual slaughterer and, under his reluctant guidance, became a master with a knife. And though she long ago gave up that unsuitable profession—she’s now the wife of a cheesemaker and a mother of five—Fanny still keeps the knife tied to her right leg. Which might come in handy when, heedless of the dangers facing a Jewish woman traveling alone in czarist Russia, she sets off to track down Zvi-Meir and bring him home, with the help of the mute and mysterious ferryman Zizek Breshov, an ex-soldier with his own sensational past. Yaniv Iczkovits spins a family drama into a far-reaching comedy of errors that will pit the czar’s army against the Russian secret police and threaten the very foundations of the Russian Empire. The Slaughterman’s Daughter is a rollicking and unforgettable work of fiction.
“A lushly detailed look into a fascinatingly unknown time and culture—a tale of Talmud, sorcery, and a most engaging heroine!”—Diana Gabaldon, author of the bestselling Outlander series Hisdadukh, blessed to be beautiful and learned, is the youngest child of Talmudic sage Rav Hisda. The world around her is full of conflict. Rome, fast becoming Christian, battles Zoroastrian Persia for dominance while Rav Hisda and his colleagues struggle to establish new Jewish traditions after the destruction of Jerusalem's Holy Temple. Against this backdrop Hisdadukh embarks on the tortuous path to become an enchantress in the very land where the word 'magic' originated. But the conflict affecting Hisdadukh most intimately arises when her father brings his two best students before her, a mere child, and asks her which one she will marry. Astonishingly, the girl replies, “Both of them.” Soon she marries the older student, although it becomes clear that the younger one has not lost interest in her. When her new-found happiness is derailed by a series of tragedies, a grieving Hisdadukh must decide if she does, indeed, wish to become a sorceress. Based on actual Talmud texts and populated with its rabbis and their families, Rav Hisda's Daughter: Book I – Apprentice brings the world of the Talmud to life—from a woman's perspective.
Drawing on oral histories, diaries, letters, photographs, and archival records, the author presents a look at the lives of the children who lived and died during the Holocaust
Hero–or Nazi? Silvia Foti was raised on reverent stories about her hero grandfather, a martyr for Lithuanian independence and an unblemished patriot. Jonas Noreika, remembered as “General Storm,” had resisted his country’s German and Soviet occupiers in World War II, surviving two years in a Nazi concentration camp only to be executed in 1947 by the KGB. His granddaughter, growing up in Chicago, was treated like royalty in her tightly knit Lithuanian community. But in 2000, when Silvia traveled to Lithuania for a ceremony honoring her grandfather, she heard a very different story—a “rumor” that her grandfather had been a “Jew-killer.” The Nazi’s Granddaughter is Silvia’s account of her wrenching twenty-year quest for the truth, from a beautiful house confiscated from its Jewish owners, to familial confessions and the Holocaust tour guide who believed that her grandfather had murdered members of his family. A heartbreaking and dramatic story based on exhaustive documentary research and soul-baring interviews, The Nazi’s Granddaughter is an unforgettable journey into World War II history, intensely personal but filled with universal lessons about courage, faith, memory, and justice.