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DVD contains: Examples of performances.
Dance Dance Dance—a follow-up to A Wild Sheep Chase—is a tense, poignant, and often hilarious ride through Murakami’s Japan, a place where everything that is not up for sale is up for grabs. As Murakami’s nameless protagonist searches for a mysteriously vanished girlfriend, he is plunged into a wind tunnel of sexual violence and metaphysical dread. In this propulsive novel, featuring a shabby but oracular Sheep Man, one of the most idiosyncratically brilliant writers at work today fuses together science fiction, the hardboiled thriller, and white-hot satire.
Approaching the avant-garde Japanese performance art form of butoh from a cross-cultural, gender studies, and scientific perspective, award-winning artist and teacher Vangeline brings a fresh look at this postmodern dance form.Butoh, a performance art form that grew out of the Japanese avant-garde scene of the 1950s, has traveled from east to west over the last 60 years, growing in popularity as it evolves. With origins in modern dance, French mime, and the surrealist movement, this fascinating postmodern dance genre is often thought of as mysterious and is frequently misunderstood. Through twenty years of research, interviews with some of the world's top practitioners, historical documents, and rare photographs, Vangeline shines light on this "dance of darkness." New revelations include the under-represented role of women in the development of the form, the connection between butoh and neuroscience, and the cross-cultural perspective of international influences on the evolution of the dance. Butoh: Cradling Empty Space will appeal to dance students, teachers, performance art scholars, somatic healers, and anyone interested in choreography, theater, and Japanese history, culture and art.The book includes rare photographs, helpful graphics, a detailed bibliography and footnotes, and resources for additional information."[A] handbook for the butoh practitioner, the (art) historian, the dance critic, and the curious reader. Encompassing, and reconciling, problems of movement, gender, race and universality, Cradling Empty Space guides the reader through the many possibilities of butoh."-Alice Baldock, Faculty of History, University of Oxford, from the ForewordPraise for Vangeline's choreography and dance work:"Captivating." -New York Times "[She] moves with the clockwork deliberation of a practiced Japanese Butoh artist."-Los Angeles Times
This interesting and authoritative book includes essential facts about the various forms of Japanese music and musical instruments and their place in the overall history of Japan. Japanese Music and Musical Instruments has three main orientations: The history of Japanese music Construction of the instruments Analysis of the music itself. The book covers in a lucidly written text and a wealth of fascinating photographs and drawings the main forms of musical expression. Many readers will find the useful hints on purchasing instruments, records, and books especially valuable, and for those who wish to pursue the matter further there is a selected bibliography and a guide to Tokyo's somewhat hidden world of Japanese music. It will be found an invaluable aid to the understanding and appreciation of an important, but little-known, and fascinating aspect of Japanese culture.
First published in 2005. A complete introduction to traditional Japanese dance, this text will delight readers with its lively descriptions and beautiful illustrations. Covering subjects including dance varieties, Kabuki dance, modern dance movements based on Kabuki dance and the influence of Western dance, this book will undoubtedly be of interest to travellers, dancers and anyone curious about the culture of Japan.
Breaking through the long-established image of Heian Japan (794–1185) as a culture dominated by ritualized aristocratic values, Yung-Hee Kim presents a picture of a country in transition, filled with a wide variety of common people responding to very ordinary situations. The court does not disappear, but rather becomes part of a larger society inhabited by Buddhist nuns and mountain ascetics, farmers and fishermen, beggars and gamblers. In popular songs called imayo, they express their concerns about religion, love, aging, and even current affairs. In 1179 Emperor Go-Shirakawa compiled a collection of this song genre, which had flourished for two centuries. His twenty-volume anthology, Ryojin hisho, circulated until the middle of the fourteenth century, when it disappeared completely. To the astonishment of the scholarly world, two volumes reappeared early in the twentieth century. It is these texts—a small remnant of a powerful popular literature—that Kim makes accessible to English-speaking readers. Ryojin hisho juxtaposes the sacred with the profane, the high with the low, the male with the female, the old with the new. The songs, in translations that faithfully reflect the sounds and images of the originals, make up the core of this book. They are surrounded by a wealth of material on the imayo genre, the women who sang the songs, the role of court patronage, and other aspects of Heian culture. Far from simply surviving as an aesthetic artifact, the anthology comes to life in its own literary and cultural context. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
In Butoh Ethan Hoffman creates virtually a new genre of photographic theater and gives us an invaluable contribution to the literature of contemporary dance and theater. 100 full-color photographs.
In Corporeal Politics, leading international scholars investigate the development of dance as a deeply meaningful and complex cultural practice across time, placing special focus on the intertwining of East Asia dance and politics and the role of dance as a medium of transcultural interaction and communication across borders. Countering common narratives of dance history that emphasize the US and Europe as centers of origin and innovation, the expansive creativity of dance artists in East Asia asserts its importance as a site of critical theorization and reflection on global artistic developments in the performing arts. Through the lens of “corporeal politics”—the close attention to bodily acts in specific cultural contexts—each study in this book challenges existing dance and theater histories to re-investigate the performer's role in devising the politics and aesthetics of their performance, as well as the multidimensional impact of their lives and artistic works. Corporeal Politics addresses a wide range of performance styles and genres, including dances produced for the concert stage, as well as those presented in popular entertainments, private performance spaces, and street protests.
"I jostled her shoulder and noticed when I did that her skin was cold to the touch....her entire torso was covered in tattoos from her collar bone to the midline of her thighs. All were of kimono motifs-fans, incense burners, peonies, and scrolls." This ghastly scene was the last thing Ruth Bennett expected to encounter when she agreed to translate a novel by a long-forgotten Japanese writer. Returning to her childhood home in Kyoto had promised safety, solitude, and diversion from the wounds she encountered in the U.S. But Ruth soon finds the storyline in the novel leaking into her everyday life. Fictional characters turn out to be real, and the past catches up with the present in an increasingly threatening way. As Ruth struggles to unravel the cryptic message hidden in the kimono tattoo, she is forced to confront a vicious killer along with her own painful family secrets.