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In this devastating exposé, investigative journalist Jon Mitchell reveals the shocking toxic contamination of the Pacific Ocean and millions of victims by the US military. For decades, US military operations have been contaminating the Pacific region with toxic substances, including plutonium, dioxin, and VX nerve agent. Hundreds of thousands of service members, their families, and residents have been exposed—but the United States has hidden the damage and refused to help victims. After World War II, the United States granted immunity to Japanese military scientists in exchange for their data on biological weapons tests conducted in China; in the following years, nuclear detonations in the Pacific obliterated entire islands and exposed Americans, Marshallese, Chamorros, and Japanese fishing crews to radioactive fallout. At the same time, the United States experimented with biological weapons on Okinawa and stockpiled the island with nuclear and chemical munitions, causing numerous accidents. Meanwhile, the CIA orchestrated a campaign to introduce nuclear power to Japan—the folly of which became horrifyingly clear in the 2011 meltdowns in Fukushima Prefecture. Caught in a geopolitical grey zone, US territories have been among the worst affected by military contamination, including Guam, Saipan, and Johnston Island, the final disposal site of apocalyptic volumes of chemical weapons and Agent Orange. Accompanying this damage, US authorities have waged a campaign of cover-ups, lies, and attacks on the media, which the author has experienced firsthand in the form of military surveillance and attempts by the State Department to impede his work. Now, for the first time, this explosive book reveals the horrific extent of contamination in the Pacific and the lengths the Pentagon will go to conceal it.
A mind-expanding, cheerfully dystopian new novel by Yoko Tawada, winner of the 2022 National Book Award Welcome to the not-too-distant future: Japan, having vanished from the face of the earth, is now remembered as “the land of sushi.” Hiruko, its former citizen and a climate refugee herself, has a job teaching immigrant children in Denmark with her invented language Panska (Pan-Scandinavian): “homemade language. no country to stay in. three countries I experienced. insufficient space in brain. so made new language. homemade language.” As she searches for anyone who can still speak her mother tongue, Hiruko soon makes new friends. Her troupe travels to France, encountering an umami cooking competition; a dead whale; an ultra-nationalist named Breivik; unrequited love; Kakuzo robots; red herrings; uranium; an Andalusian matador. Episodic and mesmerizing scenes flash vividly along, and soon they’re all next off to Stockholm. With its intrepid band of companions, Scattered All Over the Earth (the first novel of a trilogy) may bring to mind Alice’s Adventures in Wonderland or a surreal Wind in the Willows, but really is just another sui generis Yoko Tawada masterwork.
The English-language debut of Hiroko Oyamada—one of the most powerfully strange young voices in Japan The English-language debut of one of Japan's most exciting new writers, The Factory follows three workers at a sprawling industrial factory. Each worker focuses intently on the specific task they've been assigned: one shreds paper, one proofreads documents, and another studies the moss growing all over the expansive grounds. But their lives slowly become governed by their work—days take on a strange logic and momentum, and little by little, the margins of reality seem to be dissolving: Where does the factory end and the rest of the world begin? What's going on with the strange animals here? And after a while—it could be weeks or years—the three workers struggle to answer the most basic question: What am I doing here? With hints of Kafka and unexpected moments of creeping humor, The Factory casts a vivid—and sometimes surreal—portrait of the absurdity and meaninglessness of the modern workplace.
From the winner of the Australian/Vogel's Literary Award, this tour-de-force explores loneliness and desire, the peril and beauty of solitude - and our need for connection. 'A compelling story about isolation, duty, desire, fear and escape. As each character in The Shut-Ins feels increasingly trapped by societal pressure, they explore the possibility of retreating to some indefinable, unknowable place. The Shut Ins will appeal to fans of thoughtful literary fiction with a touch of otherworldliness, such as Untold Night and Day by Bae Suah and Earthlings by Sayaka Murata.' - Bookseller & Publisher 'Not only is The Shut Ins a compelling story about hikikomori, those who seek absolute isolation from society, and those who orbit them in their reclusion, it is also a profound exploration of loneliness, solitude, and that peculiar, ineffable yearning for inner or unconscious worlds; the chimeric 'other side'. Katherine Brabon is a precise and contemplative writer, her prose capable of intense, almost-heady evocation. I will read everything she writes.' - Hannah Kent, bestselling author of Burial Rites and The Good People 'Brabon's intellectual and emotional knowledge, and her plainspoken yet spellbinding prose come together in a mesmerising work of art.' - Mireille Juchau, bestselling author of The World Without Us 'Brabon has Murakami's verve and craftsmanship. Her love of Japan shines through: myths, metaphors, its social life, and the vividness of its human faces make this a particularly rewarding piece of fiction.' - Sydney Morning Herald Mai and Hikaru went to school together in the city of Nagoya, until Hikaru disappeared when they were eighteen. It is not until ten years later, when Mai runs into Hikaru's mother, Hiromi Sato, that she learns Hikaru has become a hikikomori, a recluse unable to leave his bedroom for years. In secret, Hiromi Sato hires Mai as a 'rental sister', to write letters to Hikaru and encourage him to leave his room. Mai has recently married J, a devoted salaryman with conservative ideas about the kind of wife Mai will be. The renewed contact with her old school friend Hikaru stirs Mai's feelings of invisibility within her marriage. She is frustrated with her life and knows she will never fulfill J's obsession with the perfect wife and mother. What else is there for Mai to do but to disappear herself? 'I was drawn in utterly by The Shut Ins. It illuminated the world around me in a strange and beautiful light, and it continues to unsettle my thoughts in the best possible way. At once bold and subtle, The Shut Ins is a haunting and transportive reading experience.' Emily Bitto, winner of the Stella Prize for The Strays 'Katherine Brabon's The Shut Ins is quietly mesmerising. Brabon has created an exquisite portrait of loneliness and aloneness through the stories of four interconnected people living in modern day Japan. Her prose is original and vivid, I found myself entranced by this novel from its first sentence to its last.' - Anna Snoekstra, author of Only Daughter
How does an extended stay in Japan influence Indian migrants’ sense of their identity as they adapt to a country very different from their own? The number of Indians in Japan is increasing. The links between Japan and India go back a long way in history, and the intricacy of their cultures is one of the many factors they have in common. Japanese culture and customs are among the most distinctive and complex in the world, and it is often difficult for foreigners to get used to them. Wadhwa focuses on the Indian Diaspora in Tokyo, analysing their lives there by drawing on a wealth of interviews and extensive participant observation. She examines their lifestyles, fears, problems, relations and expectations as foreigners in Tokyo and their efforts to create a 'home away from home' in Japan. This book will be of great interest to anthropologists and sociologists concerned with the impact of migration on diaspora communities, especially those focused on Japan, India or both.
The long-awaited first short story-collection by the author of the cult sensation Convenience Store Woman, tales of weird love, heartfelt friendships, and the unsettling nature of human existence With Life Ceremony, the incomparable Sayaka Murata is back with her first collection of short stories ever to be translated into English. In Japan, Murata is particularly admired for her short stories, which are sometimes sweet, sometimes shocking, and always imbued with an otherworldly imagination and uncanniness. In these twelve stories, Murata mixes an unusual cocktail of humor and horror to portray both the loners and outcasts as well as turning the norms and traditions of society on their head to better question them. Whether the stories take place in modern-day Japan, the future, or an alternate reality is left to the reader’s interpretation, as the characters often seem strange in their normality in a frighteningly abnormal world. In “A First-Rate Material,” Nana and Naoki are happily engaged, but Naoki can’t stand the conventional use of deceased people’s bodies for clothing, accessories, and furniture, and a disagreement around this threatens to derail their perfect wedding day. “Lovers on the Breeze” is told from the perspective of a curtain in a child’s bedroom that jealously watches the young girl Naoko as she has her first kiss with a boy from her class and does its best to stop her. “Eating the City” explores the strange norms around food and foraging, while “Hatchling” closes the collection with an extraordinary depiction of the fractured personality of someone who tries too hard to fit in. In these strange and wonderful stories of family and friendship, sex and intimacy, belonging and individuality, Murata asks above all what it means to be a human in our world and offers answers that surprise and linger.
Immigrant Japan? Sounds like a contradiction, but as Gracia Liu-Farrer shows, millions of immigrants make their lives in Japan, dealing with the tensions between belonging and not belonging in this ethno-nationalist country. Why do people want to come to Japan? Where do immigrants with various resources and demographic profiles fit in the economic landscape? How do immigrants narrate belonging in an environment where they are "other" at a time when mobility is increasingly easy and belonging increasingly complex? Gracia Liu-Farrer illuminates the lives of these immigrants by bringing in sociological, geographical, and psychological theories—guiding the reader through life trajectories of migrants of diverse backgrounds while also going so far as to suggest that Japan is already an immigrant country.
An otherworldly coming-of-age tale of a woman who believes she is an alien, from the author of the international sensation Convenience Store Woman. Sayaka Murata’s Convenience Store Woman was one of the most unusual and refreshing bestsellers of recent years, depicting the life of a thirty-six-year-old clerk in a Tokyo convenience store. Now, in Earthlings, Sayaka Murata pushes at the boundaries of our ideas of social conformity in this brilliantly imaginative, intense, and absolutely unforgettable novel. As a child, Natsuki doesn’t fit in with her family. Her parents favor her sister, and her best friend is a plush toy hedgehog named Piyyut, who talks to her. He tells her that he has come from the planet Popinpobopia on a special quest to help her save the Earth. One summer, on vacation with her family and her cousin Yuu in her grandparents’ ramshackle wooden house in the mountains of Nagano, Natsuki decides that she must be an alien, which would explain why she can’t seem to fit in like everyone else. Later, as a grown woman, living a quiet life with her asexual husband, Natsuki is still pursued by dark shadows from her childhood, and decides to flee the “baby factory” of society for good, searching for answers about the vast and frightening mysteries of the universe—answers only Natsuki has the power to uncover. Dreamlike, sometimes shocking, and always strange and wonderful, Earthlings asks what it means to be happy in a stifling world, and cements Sayaka Murata’s status as a master chronicler of the outsider experience and our own uncanny universe. Praise for Earthlings A New York Times Book Review Editors’ Choice Named a Best Book of the Year by the New York Times, TIME and Literary Hub Named a Most Anticipated Book by the New York Times, TIME, USA Today, Entertainment Weekly, the Guardian, Vulture, Wired, Literary Hub, Bustle, PopSugar, and Refinery29 “Intimate, deadpan, and unflinchingly unhinged. . . . Exceptionally fun. . . . Amid all the hedgehog and alien talk is a novel that asks how happiness and freedom can be possible inside a stiflingly anxious world, and its answers, while grotesque, are worth reading.” —Wired “If you’re in the mood for weird, Sayaka Murata is always a reliable place to turn. . . . [Earthlings] centers on Natsuki, a character whose story begins in childhood with her cousin in the mountains and spirals ever more darkly (and bizarrely) into adulthood and its many strange reckonings. This is a story that’s best not to spoil, but it will get into your head.” —Seattle Times “It’s the book’s visceral, grim savagery, and those final shocking pages, that makes this such a vital, powerful novel. . . . Earthlings is the sort of challenging, confronting fiction that wakes you up with a jolt and leaves a lasting impression.” —Locus
This fantastically varied and exciting collection celebrates the great Japanese short story, from its modern origins in the nineteenth century to the remarkable works being written today. Short story writers already well-known to English-language readers are all included here - Tanizaki, Akutagawa, Murakami, Mishima, Kawabata - but also many surprising new finds. From Yuko Tsushima's 'Flames' to Yuten Sawanishi's 'Filling Up with Sugar', from Shin'ichi Hoshi's 'Shoulder-Top Secretary' to Banana Yoshimoto's 'Bee Honey', The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty and comedy. Curated by Jay Rubin, who has himself freshly translated several of the stories, and introduced by Haruki Murakami, this book will be a revelation to its readers.