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A collection centered in myth, A Mask for Janus is the 49th volume of the Yale Series of Younger Poets While Merwin's poetry as a whole is grounded in the poetic forms of many eras and societies, this first collection is inspired by classical models. Writing in American Poetry Review, Vernon Young traces the poems to "Biblical tales, Classical myth, love songs from the Age of Chivalry, Renaissance retellings; they comprise carols, roundels, odes, ballads, sestinas, and they contrive golden equivalents of emblematic models: the masque, the Zodiac, the Dance of Death."
From The New York Times bestelling author of the Dragonrealm
From the NY Times and USA Today Bestselling Fantasy Author With arms and sorcery, Baron Mandrol has ruled Medecia, displaying as proof of his ultimate control his collection of life-like death masks of fallen rivals. Yet one mask more than any other contains some essence of the one it represents, that of the wizard Viktor Falsche, and when it is placed on the face of a hapless peasant, Viktor receives one last chance to gain his revenge against the monstrous baron and free Medecia. However, his time is limited, for the mask will soon deteriorate beyond saving...and with its destruction will go the last of Viktor Falsche. "Richard's novels are well-written, adventure-filled, action-packed " -New York Times bestselling author Margaret Weis
Noegel here examines instances of Janus parallelism in the Hebrew Bible with particular attention to the book of Job, and with excursuses on the device in other ancient Near Esatern literatures. The author finds the punning device integral to the book of Job, serving a referential function. Within the context of dialogue and debate, the polysemous statements resemble a poetry contest among the participants (Job, his friends, and Elihu). The book also treats the relationship between wordplay and wisdom literature; polysemy as preserved in the Greek, Aramaic, Latin, and Syriac translations; and the impact of Janus parallelism on textual criticism and the unity of the book of Job.>
Ian Brady and Myra Hindley's spree of torture, sexual abuse, and murder of children in the 1960s was one of the most appalling series of crimes ever committed in England, and remains almost daily fixated upon by the tabloid press. In The Gates of Janus, Ian Brady himself allows us a glimpse into the mind of a murderer as he analyzes a dozen other serial crimes and killers. Criminal profiling by a criminal was not invented by the dramatists of Dexter. Novelist and true-crime writer Colin Wilson, author of the famous and influential book The Outsider, remarks in his introduction to Brady's book that one must first explore the depraved reaches of human consciousness to truly understand human character. When first released in 2001, The Gates of Janus sparked controversy attended by a huge media splash. The new edition, the first in paperback, provides the reader with a decade and a half of updates, including Brady's letters to the publisher, both providing information regarding his own demented history along with demands that Feral House remove its unflattering afterword written by author Peter Sotos.
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A detailed study of the Horned God in the traditions of Britain and Europe, concentrating on the natural and mystical facets of this most compelling and enduring of archetypes.--From publisher description.
Like its predecessors, Volume III of the Handbook for Teaching Introductory Psychology provides introductory psychology instructors with teaching ideas and activities that can immediately be put into practice in the classroom. It contains an organized collection of articles from Teaching of Psychology (TOP), the official journal of the Society for the Teaching of Psychology, Division 2 of the American Psychological Association. Volume III contains 89 articles from TOP that have not been included in other volumes. Another distinction between this volume and its predecessors is its emphasis on testing and assessment. The book is divided into two sections. Section One, "Issues and Approaches in Teaching Introductory Psychology," contains 52 articles on critical issues, such as: how to approach the course; understanding students' interests, perceptions, and motives; students' existing knowledge of psychology (including their misconceptions); a comparison of introductory textbooks and tips on how to evaluate them; test questions and student factors affecting exam performance; an overview of different forms of feedback; giving extra credit; and how to deal with academic dishonesty. Section Two consists of 37 articles that present demonstrations, class and laboratory projects, and other techniques to enhance teaching and learning in both the introductory, as well as advanced courses in the discipline. This section is organized so as to parallel the order of topics found in most introductory psychology textbooks. Intended for academicians who teach the introductory psychology course and/or oversee grad assistants who teach the course, all royalties of the book go directly to the Society for the Teaching of Psychology to promote its activities to further improve the teaching of psychology.
In the aftermath of interplanetary war, a disfigured loner is given a chance at a new life—but at a steep cost, in this novel from “a superb storyteller” (The New York Times). Disfigured in the wars that destroyed his planet, Nik Kolherne lives a shadow existence in the sprawling refugee ghetto of the Dipple. He wears a mask to cover his scars and dreams about another country under an unfettered blue sky and a warm sun. But a chance encounter gives him the opportunity for a new face—and a new life. All he has to do is impersonate a young boy’s fantasy hero. So what if Nik is now allied with the Thieves’ Guild, a subversive outlaw group that seeks their prey on loosely held frontier worlds? A kid all alone in the world could use an ally. His mission is to lure Vandy Naudhin i’Akrama, the young son of a powerful warlord, from his high-security villa and deliver him to the Guild so they can access critical information locked in his brain. But when Nik and Vandy are shipped off to Dis, a burned-out wasteland of a planet, Nik realizes he’s a pawn in a spiraling web of political intrigue and intergalactic evil that threatens both their lives.
For at least 20,000 years, masking has been a mark of cultural evolution and an indication of magical-religious sophistication in society. This book provides a comprehensive understanding of the mask as a powerful cultural phenomenon--a means by which human groupings attempted to communicate their dignity and sense of purpose, as well as establish a continuum between the natural and supernatural worlds. It addresses the distinctive environments within which masks flourished, and analyzes the mask as a manifestation of art, ethnology and anthropology.