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The Ivory Mirror / Stephen Perkinson -- The Light at the End of the Tunnel : Manuscript Illumination and the Concept of Death / Elizabeth Morrison -- Chicart Bailly and the Specter of Death : Memento Mori in a Sixteenth-Century Estate Inventory / Katherine Baker -- Plates -- List of Plates -- Memento mori Beads : Collecting Histories and Contexts / Naomi Speakman -- The Poetry of Death / Emma Maggie Solberg
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
Sarah Vida is a witch and a vampire hunter — and a loner. Christopher Ravena is a vampire trying to pass as a normal high school student who wants to know Sarah better. Drawn to him despite her better judgment, Sarah’s forced to admit that there’s room for gray in her otherwise black-and-white world of good versus evil — until she meets Nikolas, Christopher’s twin and one of the most hunted vampires in history.
Definitive illustrated catalogue: every medieval ivory in America. Sets new scholarly standard.
This engaging and witty cultural history traces the evolution of the mirror from antiquity to the present day, illustrating its journey from wondrous object to ordinary trinket. With its earliest invention, the mirror allowed us to gaze upon ourselves, bestowing a power both fascinating and terrifying.
In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned her body, the altars of her chapels, and her dining tables with sculptures, paintings, extravagant textiles, manuscripts, and jewelry—the exclusive accoutrements of royalty. Proctor-Tiffany analyzes the queen’s collection, maps the geographic trajectories of her gifts of art, and interprets Clémence’s generosity using anthropological theories of exchange and gift giving. Engaging with the art inventory of a medieval French woman, this lavishly illustrated microhistory sheds light on the material and social culture of the late Middle Ages. Scholars and students of medieval art, women’s studies, digital mapping, and the anthropology of ritual and gift giving especially will welcome Proctor-Tiffany’s meticulous research.
The National Trust cares for the finest collection of historic buildings, gardens, parks, landscape and coastline in the world. Its famous and well-respected series of guidebooks provides the essential companion to your visit and a lasting souvenir of the experience. And now you can buy the guide before your visit. Authoritative texts and superb illustrations illuminate the history of the place and tell the stories of the people who have lived and worked there. Every guidebook sold goes to help the work of the National Trust. If you want to learn more about the property, go to www.nationaltrust.org.uk
What secret life-giving power does the exquisite ivory elephant charm contain? Can the trinket really protect its wearer from all harm? Nancy Drew finds out when the owner of the Bengleton Wild-Animal Show asks her to investigate one of the performers who may be involved in some mysterious illegal scheme.The girl detective’s assignment becomes complicated when the elephant trainer’s young assistant, Rishi, seeks refuge at the Drew home from his cruel foster father, Rai.While following clues to help the boy find his real father, Nancy learns about an eerie abandoned house. She is harassed by its strange owner, Anita Allison, and the fiendish Rai. How Nancy uses the ivory charm, reunites a maharaja with his son, and brings the evildoers to justice will mystify readers from beginning to end.