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This book traces the dynamic advances in textile technology and changes in the structure of demand that accompanied the rise, in the late Middle Ages, of an Italian industry geared to mass production of cotton fabrics. The Italian manufacture, based on borrowed techniques and imitations of Islamic cloth, was the earliest large-scale cotton industry in western Europe. It thus marked a pivotal stage in the transmission of the knowledge and use of this textile fibre from the Mediterranean basin to northern Europe. The success of the Italians in creating new markets for a wide variety of products that included pure cotton, as well as mixed fabrics combining cotton with linen, hemp, wool and silk, permanently altered the patterns of taste and consumption in European society. Cotton, in various stages of proceeding, was at the heart of a complex network of communications that linked the north Italian towns to the source of raw materials and to international markets for finished goods. In the developing urban economy of northern Italy, cotton played a role comparable in magnitude to that of wool and shared with the latter certain basic features of early capitalistic organization.
How 16th century Venetian silk manufacturers met the challenge of demand for lighter and cheaper fabric. The manufacture of luxury textiles, such as silk, was central to an Italian Renaissance economy based on status and conspicuous consumption. From the rapidly changing fashions that drove demand to the jobs created for craftsmen, weavers, and merchants, the wealth and prestige associated with silk throughout Europe made it Italy's leading export industry. In this important book, Luca Molà examines the silk industry in Renaissance Venice amid changing markets, suppliers, producers, and government regulations. Drawing on archival research and a vast amount of European scholarship, Molà documents the innovations Venetians made in manufacturing and marketing to spur the silk industry. He uncovers the alliance between manufacturers and government to promote the industry in a changing international economic environment. Through flexible laws, quality was regulated to meet the varying requirements of an increasing range of customers. Molà also analyzes state policy that favored the development and organization of silk producers throughout the Terraferma. His findings contribute in an important way to the ongoing scholarly assessment of Venice's place in the economy of the Renaissance and the Mediterranean world.
Winner of the 2020 PROSE Award for Multivolume Reference/Humanities Work was central to medieval life. Religious and secular authorities generally expected almost everyone to work. Artistic and literary depictions underlined work's cultural value. The vast majority of medieval people engaged in agriculture because it was the only way they could obtain food. Yet their work led to innovations in technology and production and allowed others to engage in specialized labor, helping to drive the growth of cities. Many workers moved to seek employment and to improve their living conditions. For those who could not work, charity was often available, and many individuals and institutions provided forms of social welfare. Guilds protected their members and created means for the transmission of skills. When they were not at work, medieval Christians were to meet their religious obligations yet many also enjoyed various pastimes. A consideration of medieval work is therefore one of medieval society in all its creativity and complexity and that is precisely what this volume provides. A Cultural History of Work in the Medieval Age presents an overview of the period with essays on economies, representations of work, workplaces, work cultures, technology, mobility, society, politics and leisure.
The field of business history has changed and grown dramatically over the last few years. There is less interest in the traditional `company-centred' approach and more concern about the wider business context. With the growth of multi-national corporations in the 1980s, international and inter-firm comparisons have gained in importance. In addition, there has been a move towards improving links with mainstream economic, financial and social history through techniques and outlook. The International Bibliography of Business History brings all of the strands together and provides the user with a comprehensive guide to the literature in the field. The Bibliography is a unique volume which covers the depth and breadth of research in business history. This exhaustive volume has been compiled by a team of subject specialists from around the world under the editorship of three prestigious business historians.
Originally published in 2003 under the title: The Renaissance in Europe.
First published in 2004, Medieval Italy: An Encyclopedia provides an introduction to the many and diverse facets of Italian civilization from the late Roman empire to the end of the fourteenth century. It presents in two volumes articles on a wide range of topics including history, literature, art, music, urban development, commerce and economics, social and political institutions, religion and hagiography, philosophy and science. This illustrated, A-Z reference is a cross-disciplinary resource and will be of key interest not only to students and scholars of history but also to those studying a range of subjects, as well as the general reader.
Long neglected by scholars, medieval and Renaissance Bologna is now recognized as a center of economic, political-constitutional, legal, and intellectual innovation, as the city that served as the cultural crossroads of Italy. The city’s distinctive achievements and its transition from medieval commune to second largest city of the Renaissance Papal State is illuminated by essays that present the work of current historians, many made available in English for the first time, from the broadest possible perspective: from the material city with its porticoes, the conflicts that brought bloodshed and turmoil to its streets, the disputations of masters and students, and to the masterpieces of artists who laid the foundations for Baroque art. See inside the book.
The volume explores late medieval market mechanisms and associated institutional, fiscal and monetary, organizational, decision-making, legal and ethical issues, as well as selected aspects of production, consumption and market integration. The essays span a variety of local, regional, and long-distance markets and networks.
Transmitting and Circulating the Late Antique and Byzantine Worlds seeks to be a crucial contribution to the history of medieval connectedness. Using one of the methodological tools associated with the global history movement, this volume aims to use connectedness to revitalise local and regional networks of exchange and movement. Its case studies collectively point caution toward assuming or asserting global-scale transmission of meaning or items unchanged, and show instead how meaning is locally produced and regionally formulated, and how this is no less dynamic than any global-level connectedness. These case studies by early career scholars range from the movement of cotton growing practices to the transmission of information within individual texts. Their wide scope, however, is nonetheless united by their preoccupation with transmission and circulation as categories of analysing or explaining movement and change in history. This volume hopes to be, therefore, a useful contribution to the growing field of a history of connectivity and connectedness. Contributors are Jovana Anđelković, Petér Bara, Mathew Barber, Julia Burdajewicz, Adele Curness, Carl Dixon, Alex MacFarlane, Anna Kelley, Matteo G. Randazzo, Katinka Sewing and Grace Stafford. See inside the book.