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Uncovering Islam's little known yet formative impact on U.S. literary culture, this book traces genealogies of Islamic influence that span America's earliest generations, reaching from the Revolution to Reconstruction. Excavating personal appeals to Islam by pioneering national authors-Ezra Stiles, William Bentley, Washington Irving, Lydia Maria Child, Ralph Waldo Emerson-Einboden discovers Muslim discourse woven into the familiar fabric of unpublished letters and sermons, journals and journalism, memoirs and marginalia. The first to unearth multiple manuscripts exhibiting American investment in Middle Eastern languages and literatures, Einboden argues that Islamic precedents helped to prompt and propel creativity in the young Republic, acting as vehicles of artistic reflection, religious contemplation, and political liberation. Intersecting informal engagements and intimate exchanges, Islamic sources are situated in this timely study as catalysts for American authorship and identity, with U.S. writers mirroring the defining struggles of their country's first decades through domestic investment in the Qur'an, Hadith, and Persian Sufi poetry.
Uncovering Islam's little known yet formative impact on U.S. literary culture, this book traces genealogies of Islamic influence that span America's earliest generations, reaching from the Revolution to Reconstruction. Excavating personal appeals to Islam by pioneering national authors-Ezra Stiles, William Bentley, Washington Irving, Lydia Maria Child, Ralph Waldo Emerson-Einboden discovers Muslim discourse woven into the familiar fabric of unpublished letters and sermons, journals and journalism, memoirs and marginalia. The first to unearth multiple manuscripts exhibiting American investment in Middle Eastern languages and literatures, Einboden argues that Islamic precedents helped to prompt and propel creativity in the young Republic, acting as vehicles of artistic reflection, religious contemplation, and political liberation. Intersecting informal engagements and intimate exchanges, Islamic sources are situated in this timely study as catalysts for American authorship and identity, with U.S. writers mirroring the defining struggles of their country's first decades through domestic investment in the Qur'an, Hadith, and Persian Sufi poetry.
An analysis of the historical roots of today's conflicts between the US and the Muslim world.
A compilation of the history of Islamic authors and writings, A Literary History of the Arabs is considered one of the best explanations of Arabic culture and literature today. R.A. Nicholson explains in the book's preface that Islamic literature contains within it references to figureheads and cultural understandings that would stump all English readers unaware of Arabic history and beliefs. Nicholson outlines within all the necessary information to begin understanding English translations of Arabic works. Written for students, the political, intellectual, and religious notions presented are useful for any modern study of Arabic literature.REYNOLD ALLEYNE NICHOLSON (1868-1945) was an English scholar of Islamic literature and mysticism. Born in Yorkshire, England, Nicholson attended Aberdeen University and the University of Cambridge for Arabic studies. He taught Persian language and Arabic culture at Cambridge and was considered a leading scholar in Islamic studies. Not only did Nicholson translate major texts from various Arabic languages, he also wrote two widely-regarded books on Islam: A Literary History of The Arabs and The Mystics of Islam. In addition, Nicholson produced the first English translation and commentary of Rumi's Masnavi, an impressive and respected fete.
This volume focuses on the literature and culture of Arabs living in the United States who have gained new prominence after 9/11. For a proper assessment of their situation it seeks to provide basic information on the history and transculturation of immigrants from different parts of the Arab world. The contributions, which result from a teacher training conference, present survey articles on Arab American literature, politics and immigration laws, a case study of the transnational network of Arab families, discussions of Arab American fiction, film, theatre and poetry. The articles also address issues of teaching new forms of this literature and culture in the EFL classroom. Photographs of American mosques document the distribution of Islamic centers of worship and their integration into the urban landscape across the United States.
Washington Irving and Islam contributes to understanding the relationship between the United States and the Islamic world, valuable not only for studies of Washington Irving, American Literature, or Islam, but also for thinking through the role Islam and the “Orient” have played in American literature and history, a critical field receiving ever-increasing attention. The global context of Irving’s work ties these essays together as does an understanding that his writings challenge easy classification of the Muslim other, and, indeed, challenge easy classification of Irving’s own responses to that other. Washington Irving bestrides opposing positions as well as distant worlds.
The first anthropological collection that reveals patterns of male and female homosexuality in the Muslim World The dramatic impact of Islamic fundamentalism in recent years has skewed our image of Islamic history and culture. Stereotypes depict Islamic societies as economically backward, hyper-patriarchal, and fanatically religious. But in fact, the Islamic world encompasses a great diversity of cultures and a great deal of variation within those cultures in terms of gender roles and sexuality. The first collection on this topic from a historical and anthropological perspective, Homosexuality in the Muslim World reveals that patterns of male and female homosexuality have existed and often flourished within the Islamic world. Indeed, same-sex relations have, until quite recently, been much more tolerated under Islam than in the Christian West. Based on the latest theoretical perspectives in gender studies, feminism, and gay studies, Homosexuality in the Muslim World includes cultural and historical analyses of the entire Islamic world, not just the so-called Middle East. Essays show both age-stratified patterns of homosexuality, as revealed in the erotic and romantic poetry of medieval poets, and gender-based patterns, in which both men and women might, to varying degrees, choose to live as members of the opposite sex. The contributors draw on historical documents, literary texts, ethnographic observation and direct observation by both Muslim and non-Muslim authors to show the considerable diversity of Islamic societies and the existence of tolerated gender and sexual variances.
Muslims began arriving in the New World long before the rise of the Atlantic slave trade. Kambiz GhaneaBassiri's fascinating book traces the history of Muslims in the United States and their different waves of immigration and conversion across five centuries, through colonial and antebellum America, through world wars and civil rights struggles, to the contemporary era. The book tells the often deeply moving stories of individual Muslims and their lives as immigrants and citizens within the broad context of the American religious experience, showing how that experience has been integral to the evolution of American Muslim institutions and practices. This is a unique and intelligent portrayal of a diverse religious community and its relationship with America. It will serve as a strong antidote to the current politicized dichotomy between Islam and the West, which has come to dominate the study of Muslims in America and further afield.
Part of the American Literatures Initiative Series American Arabesque examines representations of Arabs, Islam and the Near East in nineteenth-century American culture, arguing that these representations play a significant role in the development of American national identity over the century, revealing largely unexplored exchanges between these two cultural traditions that will alter how we understand them today. Moving from the period of America's engagement in the Barbary Wars through the Holy Land travel mania in the years of Jacksonian expansion and into the writings of romantics such as Edgar Allen Poe, the book argues that not only were Arabs and Muslims prominently featured in nineteenth-century literature, but that the differences writers established between figures such as Moors, Bedouins, Turks and Orientals provide proof of the transnational scope of domestic racial politics. Drawing on both English and Arabic language sources, Berman contends that the fluidity and instability of the term Arab as it appears in captivity narratives, travel narratives, imaginative literature, and ethnic literature simultaneously instantiate and undermine definitions of the American nation and American citizenship.
Revealing Islam’s formative influence on literary Romanticism, this book recounts a lively narrative of religious and aesthetic exchange, mapping the impact of Muslim sources on the West’s most seminal authors. Spanning continents and centuries, the book surveys Islamic receptions that bridge Romantic periods and personalities, unfolding from Europe, to Britain, to America, embracing iconic figures from Goethe, to Byron, to Emerson, as well as authors less widely recognized, such as Joseph Hammer-Purgstall. Broad in historical scope, Islam and Romanticism is also particular in personal detail, exposing Islam’s role as a creative catalyst, but also as a spiritual resource, with the Qur’an and Sufi poetry infusing the literary publications, but also the private lives, of Romantic writers. Highlighting cultural encounter, rather than political exploitation, the book differs from previous treatments by accenting Western receptions that transcend mere “Orientalism”, finding the genesis of a global literary culture first emerging in the Romantics’ early appeal to Islamic traditions.