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First in a stunning new urban fantasy series from an author who “NEVER CEASES TO AMAZE.” (BOOKLIST, STARRED REVIEW) Demon hunter Maxine Kiss wears her armor as tattoos, which unwind from her body to take on forms of their own at night. They stand between her and her enemies, just as Maxine stands between humanity and the demons breaking out from behind the prison veils. It is a life lacking in love, reveling in death, until one moment—and one man— changes everything.
First in a stunning new urban fantasy series from an author who “NEVER CEASES TO AMAZE.” (BOOKLIST, STARRED REVIEW) Demon hunter Maxine Kiss wears her armor as tattoos, which unwind from her body to take on forms of their own at night. They stand between her and her enemies, just as Maxine stands between humanity and the demons breaking out from behind the prison veils. It is a life lacking in love, reveling in death, until one moment—and one man— changes everything.
In this eSpecial, New York Times bestselling author Marjorie M. Liu provides a companion novella to The Iron Hunt and Darkness Calls, the first two books in her gripping new urban fantasy series.Meet Maxine Kiss, the Earth’s last protector:I am a demon hunter. I am a demon. I am Hunter Kiss. By day, my tattoos are my armor. By night, they unwind from my body to take on forms of their own. Demons of the flesh, turned into flesh. My only allies. Until one moment—and one man—changes everything…
In this eSpecial, New York Times bestselling author Marjorie M. Liu provides a companion novella to The Iron Hunt and Darkness Calls, the first two books in her gripping new urban fantasy series. Meet Maxine Kiss, the Earth's last protector: I am a demon hunter. I am a demon. I am Hunter Kiss. By day, my tattoos are my armor. By night, they unwind from my body to take on forms of their own. Demons of the flesh, turned into flesh. My only allies. Until one moment'and one man'changes everything'
In Tales of the Iron Bloomery Bernt Rundberget examines the ironmaking in southern Hedmark in Norway in the period AD 700-1300. Excavations show that this method is distinctive and geographically limited; this is expressed by the technology, organization, development and large-scale production. The ironmaking practice had its origins in increasing demands for iron, due to growth in urbanization, church power, kingship and mercantile networks. Rundberget’s main hypothesis is that iron became the economic basis for political developments, from chiefdom to kingdom. Iron extraction activity grew from the late Viking Age, throughout the early medieval period, before it came to a sudden collapse around AD 1300. This trend correlates with the rise and fall of the kingdom.