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Written when London arrived in England at the age of 25, this book gives a firsthand account of the poor, the menial workers, the homeless, and the perpetually unemployed among whom he lived in the slums of London's East End at the turn of the 20th century. It is a sensitive portrayal of daily life on the margins of society that culminates in a searing indictment of modern industrialism's mistreatment of workers and the poverty-stricken and its propensity for transferring wealth to the rich.
"This splendid volume does more than reinstate Jack London as a leading voice of the American cultural left. Jonah Raskin documents how London struggled to reconcile his political and his personal desires, creating memorable art but failing to save himself. One of the world's most popular writers comes alive, in all his passion and agony."—Michael Kazin, author of A Godly Hero: The Life of William Jennings Bryan "Interest in Jack London never flags. This first-rate anthology places London at the epicenter of the American radical tradition."—Kevin Starr, University of Southern California "In this well conceptualized anthology, Jonah Raskin has resurrected works that have been unavailable for decades, making The Radical Jack London a very timely presence for the twenty-first century. Raskin's own writing is forceful and engaging, and he is unblinkingly honest about London as person and as writer, never succumbing to romanticizing or whitewashing the picture of either."—H. Bruce Franklin, John Cotton Dana Professor of English and American Studies, Rutgers University "Jack London always knew how to bang a righteous drum of social indignation, and in The Radical Jack London he can make your heart pound even today."—Paul Berman, author of Power and the Idealists and editor of Carl Sandburg: Selected Poems
Renowned as a writer of classic adventure stories such as The Call of the Wild and White Fang, Jack London also had a parallel career as a writer of science fiction and fantasy. In Leonaur's three volume, The Collected Science Fiction & Fantasy of Jack London, his SF and fantasy novels and shorter works are brought together for the first time. Darrell Standing is a university professor and convicted murderer. He's also The Star Rover. During long spells in solitary confinement, his body immobilised by a canvas jacket that prevents all movement, he develops a technique that allows his non-corporeal self to wander through time and home in on lives that were his before he was Darrell Standing. His adventures - engaging, vivid and exciting - offer an eye-witness perspective on a past that might have been. This volume also includes three entertaining shorter works that show Jack London as a more than worthy contemporary of H. G. Wells.
Jack London has long been recognized as one of the most colorful figures in American literature. He is America’s most widely translated author (into more than eighty languages), and although his works have been neglected until recently by academic critics in the United States, he is finally winning recognition as a major figure in American literary history. The breadth and depth of new critical study of London’s work in recent decades attest to his newfound respectability. London criticism has moved beyond a traditional concerns of realism and naturalism as well as beyond the timeworn biographical focus to engage such theoretical approaches as race, gender, class, post-structuralism, and new historicism. The range and intellectual energy of the essays collected here give the reader a new sense of London’s richness and variety, especially his treatment of diverse cultures. Having in the past focused more on London’s personal "world,” we are now afforded an opportunity to look more closely at his art and the numerous worlds it uncovers.
Jack London was one of the first writers to earn a living in part from his writings in commercial fiction magazines. London's writings reflect the change in his political views. He is best known for his novels The Call of the Wild and White Fang. Stories in this collection include LOVE OF LIFE, A DAY'S LODGING, THE WHITE MAN'S WAY, THE STORY OF KEESH, THE UNEXPECTED, BROWN WOLF, THE SUN-DOG TRAIL, NEGORE, and THE COWARD, LOVE OF LIFE (excerpt) ""This out of all will remain - They have lived and have tossed: So much of the game will be gain, Though the gold of the dice has been lost."" THEY limped painfully down the bank, and once the foremost of the two men staggered among the rough-strewn rocks. They were tired and weak, and their faces had the drawn expression of patience which comes of hardship long endured. They were heavily burdened with blanket packs which were strapped to their shoulders. Head- straps, passing across the forehead, helped support these packs...
"A Piece of Steak" was a short story written by Jack London which first appeared in the Saturday Evening Post in November 1909. It took him about half a month to write it and earned him five hundred dollars.
A collection of fifteen fantastic tales, ranging far in time and space, from the psychological tension of an extraterrestrial encounter to a frontier tall tale of a trapper hunting a mammoth.
American Political Thought: Readings and Materials presents a diverse collection of writings, speeches, judicial opinions, and other political documents, offering an introduction to the controversies and disputes that have mobilized Americans since the first settlements in North America. Ranging from the Colonial era to the present day-and featuring both traditional readings and lesser-known documents-this reader takes a historical approach that helps students see how political, economic, and social conditions led to the development of specific political ideas. Each chapter includes a substantial introduction and each reading is enriched by headnotes and discussion questions. Visit the Companion Website at http: //global.oup.com/us/companion.websites/9780199338863/ for additional readings and materials.
A literary criticism of author Jack London's works including some biographical information.
It cannot be said that the Everhard Manuscript is an important historical document. To the historian it bristles with errors-not errors of fact, but errors of interpretation. Looking back across the seven centuries that have lapsed since Avis Everhard completed her manuscript, events, and the bearings of events, that were confused and veiled to her, are clear to us. She lacked perspective. She was too close to the events she writes about. Nay, she was merged in the events she has described. Nevertheless, as a personal document, the Everhard Manuscript is of inestimable value. But here again enter error of perspective, and vitiation due to the bias of love. Yet we smile, indeed, and forgive Avis Everhard for the heroic lines upon which she modelled her husband. We know to-day that he was not so colossal, and that he loomed among the events of his times less largely than the Manuscript would lead us to believe. We know that Ernest Everhard was an exceptionally strong man, but not so exceptional as his wife thought him to be. He was, after all, but one of a large number of heroes who, throughout the world, devoted their lives to the Revolution; though it must be conceded that he did unusual work, especially in his elaboration and interpretation of working-class philosophy.