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Featuring twelve original essays by leading scholars in the fields of Irish literary and cultural studies, this book investigates how the 19th-century Irish novel was defined and understood in its own contemporary moment, and reconsiders current critical discourse surrounding 19th-century Irish fiction.
Set in the wild, romantic, northwest coast of Ireland during the mid-19th century, The Irishman’s Daughter pits Briana, her father, and sister, against a reckless English landlord and a plague that will kill and displace millions of Irish people. Ireland, 1845. To Briana Walsh, no place on earth is more beautiful than Carrowteige, County Mayo, with its sloping fields and rocky cliffs perched above the wild Atlantic. The small farms that surround the centuries-old Lear House are managed by her father, agent to the wealthy, reckless Sir Thomas Blakely. Tenant farmers sell the oats and rye they grow to pay rent to Sir Thomas, surviving on the potatoes that flourish in the remaining scraps of land. But when the potato crop falls prey to a devastating blight, families Briana has known all her life are left with no food, no resources, and no mercy from the English landowner, who seems indifferent to everything except profit. Rory Caulfield, the hard-working young farmer Briana hopes to marry, shares the locals’ despair—and their anger. There’s talk of violent reprisals against the callous gentry and their agents. Briana’s studious older sister, Lucinda, dreams of a future far beyond Mayo. But even as hunger and disease settle over the country, killing and displacing millions, Briana knows she must find a way to guide her family through one of Ireland’s darkest hours—toward hope, love, and a new beginning.
Irish literature's roots have been traced to the 7th-9th century. This is a rich and hardy literature starting with descriptions of the brave deeds of kings, saints and other heroes. These were followed by generous veins of religious, historical, genealogical, scientific and other works. The development of prose, poetry and drama raced along with the times. Modern, well-known Irish writers include: William Yeats, James Joyce, Sean Casey, George Bernard Shaw, Oscar Wilde, John Synge and Samuel Beckett.
How do national stereotypes emerge? To which extent are they determined by historical or ideological circumstances, or else by cultural, literary or discursive conventions? This first inclusive critical compendium on national characterizations and national (cultural or ethnic) stereotypes contains 120 articles by 73 contributors. Its three parts offer [1] a number of in-depth survey articles on ethnic and national images in European literatures and cultures over many centuries; [2] an encyclopedic survey of the stereotypes and characterizations traditionally ascribed to various ethnicities and nationalities; and [3] a conspectus of relevant concepts in various cultural fields and scholarly disciplines. The volume as a whole, as well as each of the articles, has extensive bibliographies for further critical reading. Imagologyis intended both for students and for senior scholars, facilitating not only a first acquaintance with the historical development, typology and poetics of national stereotypes, but also a deepening of our understanding and analytical perspective by interdisciplinary and comparative contextualization and extensive cross-referencing.
How do national stereotypes emerge? To which extent are they determined by historical or ideological circumstances, or else by cultural, literary or discursive conventions? This first inclusive critical compendium on national characterizations and national (cultural or ethnic) stereotypes contains 120 articles by 73 contributors. Its three parts offer [1] a number of in-depth survey articles on ethnic and national images in European literatures and cultures over many centuries; [2] an encyclopedic survey of the stereotypes and characterizations traditionally ascribed to various ethnicities and nationalities; and [3] a conspectus of relevant concepts in various cultural fields and scholarly disciplines. The volume as a whole, as well as each of the articles, has extensive bibliographies for further critical reading. Imagologyis intended both for students and for senior scholars, facilitating not only a first acquaintance with the historical development, typology and poetics of national stereotypes, but also a deepening of our understanding and analytical perspective by interdisciplinary and comparative contextualization and extensive cross-referencing.
Anti-Catholic sentiment was a major social, cultural, and political force in Victorian England, capable of arousing remarkable popular passion. Hitherto, however, anti-Catholic feeling has been treated largely from the perspective of parliamentary politics or with reference to the propaganda of various London-based anti-Catholic religious organizations. This book sets out to Victorian anti-Catholicism in a much fuller and more inclusive context, accounting for its persistence over time, disguishing it from anti-Irish sentiment, and explaining its social, economic, political, and religious bases locally as well as nationally. The author is principally concerned with determining what led ordinary people to violent acts against Roman Catholic targets, violent acts against Roman Catholic petitions, joining anti-Catholic organizations, and reading anti-Catholic literature. All too often, English history, and even British history, turns out to be the history of what was happening in the West End. One of the special distinctions of this book is that it shows the interplay between national issues and their local conditions. The book covers the period ca.