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This book provides a comprehensive analysis of the emergence, consolidation and development of the Irish women's movement, as a social movement, in the course of the twentieth century. It seek to address several lacunae in Irish studies by illuminating the processes through which the movement and, in particular, networks of constituent organisations, came to fruition as agencies of social change. The central argument advanced is that when viewed historically, the Irish women's movement is characterised by its interconnectedness and continuity: the central tensions, themes and organising strategies of the movement connects diverse organisations and constituencies, over time and space. This book will be essential reading for those interested in Irish studies, sociology, history, women's studies, and politics.
The narrative of the Irish revolution as a chronology of great men and male militarism, with women presumed to have either played a subsidiary role or no role at all, requires constant renewal. Women and feminists were extremely active in Irish revolutionary causes from 1912 onwards, but ultimately it was the men as revolutionary 'leaders' who took all the power, and indeed all the credit, after independence. Women from different backgrounds were activists in significant numbers and women across Ireland were profoundly impacted by the overall violence and tumult of the era, but they were then relegated to the private sphere, with the memory of their vital political and military role in the revolution forgotten and erased.Women and the Irish Revolution examines diverse aspects of women's experiences in the revolution after the Easter Rising. The complex role of women as activists, the detrimental impact of violence and social and political divisions on women, the role of women in the foundation of the new State, and dynamics of remembrance and forgetting are explored in detail. Important and timely, and featuring previously unpublished material, this book will prompt essential new
This book provides an analysis of the emergence, consolidation and development of the Irish women's movement, as a social movement, in the course of the twentieth century.
Studies of Irish nationalism have been primarily historical in scope and overwhelmingly male in content. Too often, the ‘shadow of the gunman’ has dominated. Little recognition has been given to the part women have played, yet over the centuries they have undertaken a variety of roles – as combatants, prisoners, writers and politicians. In this exciting new book the full range of women’s contribution to the Irish nationalist movement is explored by writers whose interests range from the historical and sociological to the literary and cultural. From the little known contribution of women to the earliest nationalist uprisings of the 1600s and 1700s, to their active participation in the republican campaigns of the twentieth century, different chapters consider the changing contexts of female militancy and the challenge this has posed to masculine images and structures. Using a wide range of sources, including textual analysis, archives and documents, newspapers and autobiographies, interviews and action research, individual writers examine sensitive and highly complex debates around women’s role in situations of conflict. At the cutting edge of contemporary scholarship, this is a major contribution to wider feminist debates about the gendering of nationalism, raising questions about the extent to which women’s rights, demands and concerns can ever be fully accommodated within nationalist movements.
The campaign for women's votes in Ireland coincided with the nationalist movement, the First World War, the rise of the trade union movement, the cultural revival and, of course, the 1916 Rising. It culminated in 1918, with Ireland electing the first woman to parliament in London. However, the Irish suffrage movement was not a single-issue group. It did not merely campaign for votes, but also presented a feminist critique of the plight of Irish women in early twentieth-century society. The Irish Citizen newspaper, as the voice of the suffrage movement, provides an important insight into the various campaigns and concerns of this fascinating movement. The paper was self-consciously feminist, and, in addition to covering the major events of this tumultuous period, it addressed taboo subjects like rape, domestic violence, and child abuse. This book brings together extracts from the paper with analysis, commentary, and informative contextual background. First published in 1996 by Folena as "Irish Feminism and the Vote", this new edition has been comprehensively updated and revised. [Subject: Gender Studies, Suffrage Movement, Irish Studies, 20th C. Studies, History, Media Studies]
This landmark book, reissued with a new foreword to mark the centenary of Irish women being granted the right to vote, is the first comprehensive analysis of the Irish suffrage movement from its mid-nineteenth-century beginnings to when feminist militancy exploded on the streets of Dublin and Belfast in the early twentieth century. Younger, more militant suffragists took their cue from their British counterparts, two of whom travelled to Ireland to throw a hatchet into the carriage of Prime Minister Herbert Asquith on O’Connell Bridge in 1912 (missing him but grazing Home Rule leader John Redmond, who was in the same carriage; both politicians opposed giving women the Vote). Despite such dramatic publicity, and other non-violent campaigning, women’s suffrage was a minority interest in an Ireland more concerned with the issue of gaining independence from Britain. The particular complexity of the Irish struggle is explored with new perspectives on unionist and nationalist suffragists and the conflict between Home Rule and suffragism, campaigning for the vote in country towns, life in industrial Belfast, conflicting feminist views on the First World War, and the suffragist uncovering of sexual abuse and domestic violence, as well as the pioneering use of hunger strike as a political tool. The ultimate granting of the franchise in 1918 represented the end of a long-fought battle by Irish women for the right to equal citizenship, and the beginning of a new Ireland that continues to debate the rights and equality of its female citizens.
As Ireland made the transition from a rural to a post-industrial society from the 1970s onwards, Irish women developed a significant political voice. Long excluded from participation in the civic arena, they organised to make new, challenging and specific demands on government. The relationship between feminist representatives and political decision makers is at the core of this book. It shows how Irish women developed the political skills required to represent women's interests to government effectively, and finds that the political activity of the women's movement in the Republic of Ireland contributed to the dismantling of a range of discriminatory policies against women. Galligan discusses the compromises made by both sides as the political system slowly moved to accomodate the feminist agenda. In doing so, she explores the dynamics of Irish politics from a different, yet complementary, perspective from the institutional approach which characterizes other studies of the Irish political system. This book clearly marks the significant points in the creation of a more woman-friendly society in Ireland from the 1970s to the present day. It is the story of women's rights in contemporary Ireland.
This study pairs selected Irish and British women novelists of three periods, relating their voices to the women's movements in their respective nations. In the first wave, nationalist and militant ideologies competed with the suffrage fight in Ireland. Elizabeth Bowen's The Last September illustrates the melancholy of gender performance and confusion of ethnic identity in the dying Anglo-Irish Ascendancy class. In England, suffrage ideologies clashed with socialism and patriotism. Virginia Woolf's Mrs. Dalloway contains a political unconscious that links its characters across class and gender. In the second wave, heterosexual romantic relationships come under scrutiny. Edna O'Brien's Country Girls trilogy reveals ways in which Irish Catholic ideologies abject femaleness; her characters internalize this abjection to the point of self-destruction. Doris Lessing's The Golden Notebook pits the protagonist's aspirations to write novels against the Communist Party's prohibitions on bourgeois values. In the third wave, Irish writers express the frustrations of their cultural identity. Nuala O'Faolain's My Dream of You takes her protagonist back to Ireland to heal her psychic wounds. In England, Thatcherism had created a materialistic culture that eroded many feminists' socialist values. Fay Weldon's Big Woman satirizes the demise of second-wave idealism, asking where feminism can go from here.
What sets Mondays at Gaj’s apart from other histories of the women’s rights movement is that it is based on a series of personal interviews with the activists themselves, allowing the IWLM founders to tell their own stories in their own words. Mondays at Gaj’s paints a fascinating portrait of an exciting period in Ireland’s cultural history."--BOOK JACKET.