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Ernest Hemingway and the Fluidity of Gender presents fresh insight into the gender issues and sexual ambiguities that have always been present in Hemingway’s work, utilising a variety of historical, socio-cultural and biographical contexts. Offering a close analysis of the gender issues and sexual ambiguities present in Hemingway’s work, this book provides insight into the position of white middle-class women in America from the mid-nineteenth to the mid-twentieth century, illuminating Hemingway’s androgynous impulses and the attitudinal changes that occurred during Ernest Hemingway’s lifetime. Women and gender were Hemingway’s steady concern; his fictional females are drawn with the same kind of complexity and individuality like his fictional males, manifesting endurance, stoic courage and grace under pressure. This volume highlights Hemingway’s textual world’s resistance of patriarchal phallocratism and his abolition of the binaries of masculinity/femininity, passivity/activity and the like, dismantling binary oppositions involving gender and sexuality. Exploring the metamorphosis of American social and cultural history, this volume unravels the stereotypical myths associated with womanhood and the complexity of women in Ernest Hemingway’s novels. Tania Chakravertty is the Dean of Students’ Welfare, Diamond Harbour Women’s University, West Bengal, India. Chakravertty has a Ph.D. from Calcutta University on “Gender Representations in the Fiction of Ernest Hemingway”. Chakravertty visited the US to participate in the academic group project “Strengthening and Widening the Scope of American Studies: The U.S. Experience” in 2010 as part of the prestigious International Visitor Leadership Program. Her monographs have appeared in national and international journals.
These firsthand interviews and newspaper accounts constitute a valuable edition to the sizable and ever-growing Hemingway shelf. They let Papa speak his mind, and the inimitable Hemingway voice comes through clearly: the boastfulness, the fierce ambition, the love of prizefighting and the bullring, the snappish impatience with questions (and questioners) he didn't like, and the high seriousness and dedication to his craft. The pieces from the early days are largely short snippets from newspapers; it is only later - from the 1940s on - that Hemingway begins to get the star treatment from publications such as the New Yorker or George Plimpton's Paris Review. Consequently the best comes last. A splendid, delicious book - for Hemingway fans, one well worth savoring.
Incorporating fascinating new research, Mary Dearborn’s revelatory investigation of Hemingway’s life and work substantially deepens our understanding of the artist and the man. A St. Louis Post Dispatch Best Book of the Year The “most fully faceted portrait of Hemingway now available” (The Washington Post) draws on a wide array of never-before-used material, resulting in the most nuanced biography to date of this complex, enigmatic artist. Considered in his time the greatest living American writer, Hemingway was a winner of the Pulitzer Prize and the Nobel Prize whose personal demons undid him in the end, and whose novels and stories have influenced the writing of fiction for generations after his death.
Opening up discussions of war, sexuality, personal angst, and national identity, The Sun also Rises symbolises modernism, both in theme and style. This volume contains critical essays on the novel by eminent Hemingway scholars.
"According to UNICEF, growing up with domestic violence is one of the most pervasive human rights violations in the world, affecting more than a billion people. Yet, too few people are aware of the profound impact it can have. Invincible seeks to change this lack of awareness and understanding with a compelling look at this important issue, informing and inspiring anyone who grew up living with domestic violence--and those who love them, work with them, teach them, and mentor them. Through powerful first-person stories, including the author's own experiences, as well as insightful commentary based on the most recent social science and psychology research, Invincible not only offers a deeper understanding of the concerns and challenges of domestic violence, but also provides proven strategies everyone can use to reclaim their lives and futures"--
Ernest Hemingway was an American novelist, short story author, reporter, and sportsman whose spare, understated writing style, which he termed the “iceberg theory,” had a profound influence on 20th century fiction. But beyond his literary legacy, Hemingway’s adventurous lifestyle and public persona made him an idol of younger generations. He authored most of his classic works between the mid-1920s and 1950s, earning the 1954 Nobel Prize in Literature. His oeuvre includes seven novels, six short story collections, and two nonfiction books, with additional works published posthumously. Many of his writings are considered masterpieces of American literature. Born in suburban Oak Park, Illinois, Hemingway worked briefly as a reporter for The Kansas City Star after high school before enlisting to drive ambulances on the Italian front in World War I. Severely wounded in 1918, he returned home traumatized. His combat experiences provided material for his breakthrough 1929 novel, A Farewell to Arms. In 1921 Hemingway married his first wife Hadley Richardson. They relocated to Paris where he worked as a foreign correspondent and fell in with the modernist “Lost Generation” writers and artists. This expatriate milieu inspired his first novel The Sun Also Rises, released in 1926. After divorcing Richardson in 1927, Hemingway wed his second wife Pauline Pfeiffer. Following the Spanish Civil War, which he covered as a journalist and informed his novel For Whom the Bell Tolls, Pfeiffer and Hemingway divorced in 1940. He next married fellow writer Martha Gellhorn, later leaving her for Mary Welsh who he met in London during World War II. As a journalist, Hemingway witnessed the D-Day invasion and liberation of Paris.
This supplementary bibliography describes work by and about Ernest Hemingway published between 1966 and 1973. Part One lists publications by Hemingway, including six recent books, new editions of previously published volumes, and work by other authors to which Hemingway contributed. Translations and anthologies are entered, as are previously unpublished writings and material reprinted in newspapers and periodicals (including articles recently attributed to Hemingway). The first half of Part Two lists 448 books and pamphlets on or mentioning Hemingway. The second half describes work that appeared in newspapers and journals, including articles, reviews, poems, critical essays, and textual studies. Foreign publications arc noted throughout Part Two. Omissions to the first volume of the bibliography have been entered in each section. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A forensic psychiatrist’s second opinion on the conditions that led to Ernest Hemingway’s suicide, “mixing biography, literature and medical analysis” (The Washington Post). Hemingway’s Brain is an innovative biography and the first forensic psychiatric examination of Nobel Prize–winning author Ernest Hemingway. After seventeen years researching Hemingway’s life and medical history, Andrew Farah, a forensic psychiatrist, has concluded that the writer’s diagnoses were incorrect. Contrary to the commonly accepted diagnoses of bipolar disorder and alcoholism, he provides a comprehensive explanation of the medical conditions that led to Hemingway’s suicide. Hemingway received state-of-the-art psychiatric treatment at one of the nation’s finest medical institutes, but according to Farah it was for the wrong illness, and his death was not the result of medical mismanagement but medical misunderstanding. Farah argues that despite popular mythology Hemingway was not manic-depressive and his alcohol abuse and characteristic narcissism were simply pieces of a much larger puzzle. Through a thorough examination of biographies, letters, memoirs of friends and family, and even Hemingway’s FBI file, combined with recent insights on the effects of trauma on the brain, Farah pieces together this compelling alternative narrative of Hemingway’s illness, one missing from the scholarship for too long. Though Hemingway’s life has been researched extensively and many biographies written, those authors relied on the original diagnoses and turned to psychoanalysis and conjecture regarding Hemingway’s mental state. Farah has sought to understand why Hemingway’s decline accelerated after two courses of electroconvulsive therapy, and in this volume explains which current options might benefit a similar patient today. Hemingway’s Brain provides a full and accurate accounting of this psychiatric diagnosis by exploring the genetic influences, traumatic brain injuries, and neurological and psychological forces that resulted in what many have described as his tortured final years. It aims to eliminate the confusion and define for all future scholarship the specifics of the mental illnesses that shaped legendary literary works and destroyed the life of a master.