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Plagued nightly by vivid, frightening dreams where a voice constantly antagonizes him, Aryan is certain someone is waiting for him in another dimension he has yet to discover. Soon, his inability to differentiate between reality and illusion causes him to question the fundamentals of the fragmented universe he is now dwelling in. Much to his discomfort, Aryan begins a journey where he precariously treads through various surreal paradigms within his already chaotic thoughts. As echoes of his past and future mingle, Aryan encounters various characters plotting to overthrow the control of his mind. Guided through his journey by the dreamy voice of Milathe one he is meant to be withAryan battles negative ideologies and thoughts. But what Aryan does not know is that when dreams become reality, no one really knows who is master and who is slave. The Inverted City shares the tale of one mans quest to find his destiny as he walks a fine line between reality and illusion within a shadowy and disjointed universe.
In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood. With great verve and insight he considers the key issues that have faced thinkers from Aristotle to Adorno, looking at art in its relation to ethics, metaphysics, society, politics, anthropology and the subject. Sloterdijk explores a variety of topics, from the Greco-Roman invention of postcards to the rise of the capitalist art market, from the black boxes and white cubes of modernism to the growth of museums and memorial culture. In doing so, he extends his characteristic method of defamiliarization to transform the way we look at works of art and artistic movements. His bold and original approach leads us away from the well-trodden paths of conventional art history to develop a theory of aesthetics which rejects strict categorization, emphasizing instead the crucial importance of individual subjectivity as a counter to the latent dangers of collective culture. This sustained reflection, at once playful, serious and provocative, goes to the very heart of Sloterdijk’s enduring philosophical preoccupation with the aesthetic. It will be essential reading for students and scholars of philosophy and aesthetics and will appeal to anyone interested in culture and the arts more generally.
Vol. 1-4 contain miscellaneous reports made to the Commission, 1907-1908.
Employing Salman Rushdie as a guide to a historicized contemporary, this study offers an interdisciplinary exploration of the plurality of cities along his transnational trajectory. It engages with the geographically identifiable Bombay, Karachi, Islamabad, London or New York; the phantasmal, politically coded, Jahilia or Mildendo, the inspirational yet flawed urban precedents of Fatehpur Sikri or Renaissance Florence and the ways these cities generate, interact with and transform each other. The book situates Rushdie's cities in relation to developments in Bombay, Karachi, Islamabad and London writing and focuses on novels which shuttle between cities. Parashkevova attends to cities' cultural and historical contexts, to many of Rushdie's numerous literary, cinematic and artistic influences and to diverse events, processes and paradigms - earthquakes, translations, seductions - that politically re-position cities and citizens on the contemporary urban map.