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Montmirail, Champaubert, Reims, Laon, Craonne, Montereau, Paris... Each of these names is synonymous of tumultuous victories and heroic fighting. Each is them is also a sign of the genius of Napoleon as a military leader, and a testimony of the sacrifice accepted by the men which followed him on the battlefields. In this new book, the Authors survey the whole campaign of France, stating facts and explaining the opponents' views. And, in the now famous third part of the book, they introduce us to the main actors of the drama: marshalls and generals, but also the obscure, ordinary NCOs and privates of Napoleon's army. And, as usual in this series, the intricately detailed color plates by André Jouineau render the richness and diversity of the uniforms of all armies involved in the Emperor's most dashing campaign.
Part of the acclaimed "Special Campaign" series of works intended for serious professional students of military history each volume is interspersed with strategical and tactical comments and illustrated by numerous sketches. The 1814 campaign in France was Napoleon's final campaign. Following their victory at Leipzig, Russian, Austrian and other German armies invaded France. Despite the disproportionate forces in favour of the Coalition, Napoleon managed to inflict many defeats. However, the Coalition kept advancing towards Paris, which capitulated in late March 1814. Napoleon was deposed and exiled to Elba and the victorious powers started to redraw the map of Europe. Napoleon escaped from Elba the following year leading to the last conflict in the Napoleonic Wars, the defeat of Napoleon at the Battle of Waterloo.
In 1814, after two successive years of defeat in Russia and central Europe, Napoleon was faced with the ultimate disaster - an Allied invasion of France itself. The conduct of the intense, fast-moving campaign that followed has been widely hailed as one of his greatest feats as a commander, yet it has rarely been described fully and objectively. Andrew Uffindell, in this gripping and original study, reconstructs the campaign, reassesses Napoleon's military leadership and provides a masterly account of a campaign that helped shape modern Europe.Using numerous eyewitness accounts, Napoleon 1814 records the swift succession of clashes in graphic detail, leading up to the final battle outside Paris, the biggest and bloodiest of the entire campaign, and then the extraordinary drama of Napoleon's abdication. It shows for the first time how the course of the campaign was repeatedly determined by the weather and the terrain. The author also covers events off the battlefield, and examines a strangely neglected aspect of the campaign: the devastating impact on the civilian population. He provides a vivid and moving portrayal of a society traumatized by the brutal experience of war, as ordinary people struggled to survive and confront the moral dilemmas posed by enemy occupation.
Having suffered a massive reversal of fortunes in Russia Napoleon found himself confronted, in Germany, by the combined forces of Russia, Prussia, and Austria. After the disaster of Leipzig Napoleon’s German allies fell away and he was forced to fall back, beyond the borders of France. Offered a negotiated peace on the basis of a return to the pre-1792 borders, Napoleon chose to continue to fight, trusting in his star. He was, however, desperate for troops and short of horses and cash. Cornered and threatened by three armies invading from the north, northeast, and east, every chance to stop the Allies had to be taken and there was desperate battle after desperate battle. Of all his campaigns, Napoleon’s 1814 campaign was one of his most brilliant. Eventually, after several terrible defeats, the Allies refused to engage him in battle when he confronted them. Instead they pushed their other two armies forward, slowly driving him back as he rushed to block the advance of the other armies on Paris. This strategy proved successful and eventually Napoleon was obliged to abdicate when his marshals refused to fight further.
The first comprehensive history of the Fall Campaign that determined control of Central Europe following Napoleon's catastrophic defeat in Russia.
At a time when Napoleon needed all his forces to reassert French dominance in Central Europe, why did he fixate on the Prussian capital of Berlin? Instead of concentrating his forces for a decisive showdown with the enemy, he repeatedly detached large numbers of troops, under ineffective commanders, toward the capture of Berlin. In Napoleon and Berlin, Michael V. Leggiere explores Napoleon’s almost obsessive desire to capture Berlin and how this strategy ultimately lost him all of Germany. Napoleon’s motives have remained a subject of controversy from his own day until ours. He may have hoped to deliver a tremendous blow to Prussia’s war-making capacity and morale. Ironically, the heavy losses and strategic reverses sustained by the French left Napoleon’s Grande Armee vulnerable to an Allied coalition that eventually drove Napoleon from Central Europe forever.
On 7 September 1812 at Borodino, 75 miles west of Moscow, the armies of the Russian and French empires clashed in one of the climactic battles of the Napoleonic Wars. This horrific - and controversial - contest has fascinated historians ever since. The survival of the Russian army after Borodino was a key factor in Napoleon's eventual defeat and the utter destruction of the French army of 1812. In this thought-provoking new study, Napoleonic historian Alexander Mikaberidze reconsiders the 1812 campaign and retells the terrible story of the Borodino battle as it was seen from the Russian point of view. His original and painstakingly researched investigation of this critical episode in Napoleon's invasion of Russia provides the reader with a fresh perspective on the battle and a broader understanding of the underlying reasons for the eventual Russian triumph. This book as just receive second prize by the Literary Committee of the International Napoleonic Society. A total of twelve distinguished works were carefully evaluated and Dr. Mikaberidze’s volume has met the rigorous criteria established by the Committee. The quality of the publication, especially in the area of research, originality, style and analysis, represents a significant contribution to Napoleonic Studies.
“Reads like a novel. A fast-paced page-turner, it has everything: sex, wit, humor, and adventures. But it is an impressively researched and important story.” —David Fromkin, author of Europe’s Last Summer Vienna, 1814 is an evocative and brilliantly researched account of the most audacious and extravagant peace conference in modern European history. With the feared Napoleon Bonaparte presumably defeated and exiled to the small island of Elba, heads of some 216 states gathered in Vienna to begin piecing together the ruins of his toppled empire. Major questions loomed: What would be done with France? How were the newly liberated territories to be divided? What type of restitution would be offered to families of the deceased? But this unprecedented gathering of kings, dignitaries, and diplomatic leaders unfurled a seemingly endless stream of personal vendettas, long-simmering feuds, and romantic entanglements that threatened to undermine the crucial work at hand, even as their hard-fought policy decisions shaped the destiny of Europe and led to the longest sustained peace the continent would ever see. Beyond the diplomatic wrangling, however, the Congress of Vienna served as a backdrop for the most spectacular Vanity Fair of its time. Highlighted by such celebrated figures as the elegant but incredibly vain Prince Metternich of Austria, the unflappable and devious Prince Talleyrand of France, and the volatile Tsar Alexander of Russia, as well as appearances by Ludwig van Beethoven and Emilia Bigottini, the sheer star power of the Vienna congress outshone nearly everything else in the public eye. An early incarnation of the cult of celebrity, the congress devolved into a series of debauched parties that continually delayed the progress of peace, until word arrived that Napoleon had escaped, abruptly halting the revelry and shrouding the continent in panic once again. Vienna, 1814 beautifully illuminates the intricate social and political intrigue of this history-defining congress–a glorified party that seemingly valued frivolity over substance but nonetheless managed to drastically reconfigure Europe’s balance of power and usher in the modern age.
The War of 1812 (1812-1814) has the strange distinction of being a war largely forgotten by both of its main participants. Despite being overshadowed by the Napoleonic Wars raging in Europe, the War of 1812 saw Americans, British, Canadians, and Native Americans wage an increasing brutal conflict all along the border. By 1814, with war coming to a close in Europe, the Americans decided to launch one last, major land offensive in an attempt to seize Canada. Although previous attempts had most often ended in disaster, the American army of 1814 contained several highly trained units under competent leadership including the legendary Winfield Scott. This final Niagara campaign saw a number of pitched battles including Chippawa, Lundy's Lane, and Cook's Mill, where the American Bluecoats matched the British shot for shot. However, due to poor planning at the highest levels of American office, the campaign was ultimately a failure and the result ensured the survival of Canada as an independent state. A critically-acclaimed researcher on the War of 1812, author John Latimer presents a new look at an oft-forgotten yet crucially important campaign in the history of North America.
In this “engrossing,” (The New Yorker) vivid, and intensively researched volume, esteemed Napoleon scholar David Chandler outlines the military strategy that led the famous French emperor to his greatest victories—and to his ultimate downfall. Napoleonic war was nothing if not complex—an ever-shifting kaleidoscope of moves and intentions, which by themselves went a long way towards baffling and dazing his conventionally minded opponents into that state of disconcerting moral disequilibrium which so often resulted in their catastrophic defeat. The Campaigns of Napoleon is a masterful analysis and insightful critique of Napoleon's art of war as he himself developed and perfected it in the major military campaigns of his career. Napoleon disavowed any suggestion that he worked from formula (“Je n'ai jamais eu un plan d'opérations”), but military historian David Chandler demonstrates this was at best only a half-truth. To be sure, every operation Napoleon conducted contained unique improvisatory features. But there were from the first to the last certain basic principles of strategic maneuver and battlefield planning that he almost invariably put into practice. To clarify these underlying methods, as well as the style of Napoleon's fabulous intellect, Chandler examines in detail each campaign mounted and personally conducted by Napoleon, analyzing the strategies employed, revealing wherever possible the probable sources of his subject's military ideas. “Writing clearly and vividly, [Chandler] turns dozens of persons besides Napoleon from mere wooden soldiers into three- dimensional characters” (The Boston Globe) and this definitive work is “a fine book for the historian, the student, and the intelligent reader” (The New York Review of Books).