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The Initiate presents the unfolding story of the fascinating and mysterious personality known as Justin Moreward Haig. The story is of absorbing interest to students of the spiritual path because they learn that Mahatmas and Masters do not live in seclusion, nor are they necessarily wellknown teachers and authorities. The spiritual path can be found by people of diverse nationalities and races. Here we learn the veiled history of an Adept who lived and worked within his community, hiding his true identity for the convincing reason discussed in this book. Also included are excerpts from the discourse of the author’s Master, in which some of the most profound truths are stated in an original and compelling manner.
Occult traditions have inspired musical ingenuity for centuries. From the Pythagorean concept of a music of the spheres to the occult subculture of 20th-century pop and rock, music has often attempted to express mystical states of mind, cosmic harmony, the demonic and the divine--nowhere more so, perhaps, than in the music for films such as The Mephisto Waltz, The Devil Rides Out, Star Trek, Close Encounters of the Third Kind, The Omen and The Exorcist. This survey explores how such film music works and uncovers its origins in Pythagorean and Platonic ideas about the divine order of the universe and its essentially numerical/musical nature. Chapters trace the influence of esoteric Freemasonry on Mozart and Beethoven, the birth of "demonic" music in the 19th century with composers such as Weber, Berlioz and Liszt, Wagner's racial mysticism, Schoenberg's numerical superstition, the impact of synesthesia on art music and film, the effect of theosophical ideas on composers such as Scriabin and Holst, supernatural opera and ballet, fairy music and, finally, popular music in the 1960s and '70s.
Rose Allatini is remembered today for writing 'Despised and Rejected', the only novel to be prosecuted under the Defence of the Realm Act during the Great War as 'liable to prejudice recruiting in His Majesty's forces. The book's positive depiction of homosexuals and conscientious objectors alarmed the wartime authorities. But Rose Allatini was also the author (under several disguises) of nearly forty other novels, over seven decades. This monograph sets out to dispel the myth that these other books were no more than romantic pot-boilers. The novels' themes include: critiques of the position of women in London and Vienna at the start of the twentieth century; an exploration of the experience of mental illness; warnings of the rise of Nazism in thirties Austria, depictions of the experiences of refugees in London during the Second World War; and speculations about spiritual healing. Rose Allatini was a novelist who went where many others did not care to venture.