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Of all the revolutionary changes brought about by the industrial age perhaps the most extraordinary and far-reaching was the transformation of light. Scientists described its hidden laws to the public for the first time. Artists found radical ways of depicting it. Inventors found new ways of making it. The lives of ordinary people changed forever as streets, shops, theaters, and their own homes were brilliantly illuminated, first by gas, and then, even more dazzlingly, by electricity. The story is told here for the first time in its entirety. The book describes the inventions still with us, like electric light, the microscope, and photography, as well as arcane reminders of a vanished world, such as the heliostat, the lithophane, and the magic lantern. It portrays a revolution in the arts: Caspar David Friedrich depicting twilight, the Impressionists conjuring up sunlight. And it debates the changing symbolism of light: the meaning of the Enlightenment, the light of God' truth, the nightmarish light of the furnace by night. Above all, it delineates the changing lives of people. Setting masterpieces of painting alongside contemporary scientific instruments, theater paraphernalia, and domestic articles, Light! captures the history of human perception, understanding, and ingenuity.
The American Reaper adopts a network approach to account for the international diffusion of harvesting technology from North America, from the invention of the reaper through to the formation of a dominant transnational corporation, International Harvester. Much previous historical research into industrial networks focuses on industrial districts within metropolitan centres, but by focusing on harvesting - a typically rural technology - this book is able to analyse the spread of technological knowledge through a series of local networks and across national boundaries. In doing so it argues that the industry developed through a relatively stable stage from the 1850s into the 1890s, during which time many firms shared knowledge within and outside the US through patent licensing, to spread the diffusion of the American style of machines to establishments located around the industrial world. This positive cooperation was further enhanced through sales networks that appear to be early expressions of managerial firms. The book also reinterprets the rise of giant corporations, especially International Harvester Corporation (IHC), arguing that mass production was achieved in Chicago in the 1880s, where unprecedented urban growth made possible a break with the constraints felt elsewhere in the dispersed production system. It unleashed an unchecked competitive market economy with destructive tendencies throughout the transnational 'American reaper' networks; a previously stable and expanding production system. This is significant because the rise of corporate capital in this industry is usually explained as an outworking of national natural advantage, as an ingenious harnessing of science and technology to solve production problems, and as a rational solution to the problems associated with the worst forms of unregulated competition that emerged as independent firms developed from small-scale, artisanal production to large-scale manufacturers, on their own and within the separate and isolated US economy. The first study dedicated to the development and diffusion of American harvesting machine technology, this book will appeal to scholars from a diverse range of fields, including economic history, business history, the history of knowledge transfer, historical geography and economic geography.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.