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India, with its extensive and colourful history, has produced an artistic tradition in many forms: architecture, painting, sculpture, calligraphy, mosaics, and artisan products all display the country’s cultural, religious and philosophical richness. From Hinduism, with its pantheon of imagery of gods, goddesses, animals and many other figures, to Islam, with its astounding architecture and intricate calligraphy, the many facets of India have given rise to a fascinating and beautiful collection of artworks. Featuring incredible images and a text written by a renowned scholar on the subject, this work offers an in-depth look at the masterpieces of India, showcasing this fascinating country and her artists and covering a wide range of styles and techniques.
Vols. for 1898-1968 include a directory of publishers.
International experts present an illustrated collection of essays exploring the societal impact of colonial architecture and engineering on the colonized and the colonizers.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
First multi-year cumulation covers six years: 1965-70.
"This is the first scholarly book on de Forest. It explores his career in the decorative arts by examining cultural context, material culture, biography, and patronage. Lockwood de Forest (1850-1932) is best known as an artistic decorator with a flair for designs based on the arts and crafts of the Middle East and India. He began his career in partnership with Louis Comfort Tiffany. By 1883, de Forest had his own business and successfully introduced the East Indian craft revival to the United States. His interior designs and furnishings were embraced by some of the wealthiest families of the Gilded Age. His family home at 7 East Tenth Street in New York City served as a designer showcase and was compared to Arab Hall, a pinnacle of exotic design that was part of Frederic, Lord Leighton's home and studio in Holland Park, London. Complemented by sixty color plates and 132 black-and-white illustrations." --Publisher description.
This book brings to life the world of caravan trade--constituting not only merchants, but also pilgrims, pastoralists, and mercenaries; flows not only of goods, credit and money, but also of ideas, secret intelligence and fighting power. Contrary to the view that the ages of sail and steam rendered obsolete these more 'archaic' forms of overland connectivity, Jagjeet Lally demonstrates how the annual transhumance between North India and the Central Asian steppe was critical to the production and exercise of political power into the nineteenth century. Central to this narrative is the waning of the Mughal Empire and the emergence in the mid-eighteenth century of a new Afghan kingdom, whose leaders drew their power from the financial flows and force of arms moving through the networks of caravan trade, and who thus patronised the continued traffic between India and inland Eurasia. India and the Silk Roads is a global history of a continental interior, the first to comprehensively examine the textual and material traces of caravan trade in the 'age of empires'. Lally tells a story resonating with our own times, as China's Belt and Road Initiative once again transforms life across Eurasia.