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The ninth exhibition in the Indian Portrait series focuses on the introduction of Parsi portraiture in India and an insight on their art, culture and education etc. Paintings, photographs, CDVs, cabinet card albums, engravings, lithographs, prints & collectibles etc. are the different mediums that helped to preserve history. It contains over 170 portraits and was exhibited in December 2018.
The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.
The tenth exhibition in the series will showcase classical paintings from all across India. The exhibition will cover 300 years and a vast geographic region from Jammu to Thanjavur, allowing viewers to compare how different patrons wished to be remembered and observe how historical events shaped India’s painting traditions.
The eleventh exhibition featuring photographs by Jyoti Bhatt, capturing his life and of his contemporaries through Portraits.
A riveting family portrait of four generations of Jewish women from Calcutta.
Early 1900's photography of North American Indians.
This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.
The first book in English to provide a full and clear introduction to the imagery and verse related to one of the most significant of Indian gods. Archer's history of the depiction of Krishna's life and deeds traces the god's many aspects, from warrior to cowherd to prince. 39 plates of illustrations follow.