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Scholars who have written about the church during the post-emancipation period usually have done so from a narrow perspective, through denominational histories or biographies of church leaders, or as a part of broader studies. Montgomery, on the other hand, presents a comprehensive treatment of the African-American church and the southern environment in which it functioned. He traces the development of independent African-American denominations and examines the place of black congregations in biracial churches. He identifies significant African religious traditions that became a vital part of the African-American church, discusses the role played by black preachers in the church and in the larger community, and examines the church's involvement in African Americans' assertion of their self-worth.
A Pulitzer Prize-winning history of the mistreatment of black Americans. In this 'precise and eloquent work' - as described in its Pulitzer Prize citation - Douglas A. Blackmon brings to light one of the most shameful chapters in American history - an 'Age of Neoslavery' that thrived in the aftermath of the Civil War through the dawn of World War II. Using a vast record of original documents and personal narratives, Blackmon unearths the lost stories of slaves and their descendants who journeyed into freedom after the Emancipation Proclamation and then back into the shadow of involuntary servitude thereafter. By turns moving, sobering and shocking, this unprecedented account reveals these stories, the companies that profited the most from neoslavery, and the insidious legacy of racism that reverberates today.
A Companion to the American South surveys and evaluates the most important and innovative writing on the entire sweep of the history of the southern United States. Contains 29 original essays by leading experts in American Southern history. Covers the entire sweep of Southern history, including slavery, politics, the Civil War, race relations, religion, and women's history. Surveys and evaluates the best scholarship on every important era and topic. Summarizes current debates and anticipates future concerns.
The Reconstruction era was born from the tumult and violence of the Civil War and delivered the most powerful changes the United States had seen since its founding. Black Americans in Washington, D.C., and its surrounding region were at the heart of these transformations, bravely working to reunite their families, build their communities, and claim rights long denied them. Meanwhile, in the capital, government leaders struggled to reunite and remake the nation. Famous individuals such as Frederick Douglass and Ida B. Wells played central roles, as did lesser-known figures like Emma Brown, the first African American teacher in Washington's public schools, and lawyer-journalist William Calvin Chase, longtime editor of the Washington Bee. Freedom Was in Sight! draws on the words and experiences of people who lived during Reconstruction, powerfully narrating how the impacts of emancipation and civil war rippled outward for decades. Vividly drawn by award-winning graphic artist Liz Clarke and written by Pulitzer Prize–finalist Kate Masur, a leading historian of Reconstruction, this rich graphic history reveals the hopes and betrayals of a critical period in American history.
The spiritual realm has been the resort of countless Blacks during their sojourn in America. Black Missionary Baptists history blossomed in Reconstruction and matured in Jim Crow Southern society. However, research on Black Baptists at the regional and local levels has been largely neglected. In obscurity are pioneers who blazed a trail of faith in God and set in motion what Carter G. Woodson and others have called the Negro Church. What began many years ago as their religious experience lives on today, but the stories of their time have not been told. Because religion has been a significant influence on Black people it is important to reconstruct and preserve local and regional religious history. Knowledge of the past is vital to understanding the present. William Montgomery, Under Their Own Vine And Fig Tree: The African American Church in the South, 1865-1900, asserted that this time frame deserved more scholarly attention. Southwest Georgia is fertile ground for Black religious history. Not since W. E. B. Du Bois The Black Church, has there been a focus on Blacks and religion in the region. This book resurrects from invisibilitys custody Blacks embrace of Christianity in local and regional settings. Its contents explore denomination identity formation and religion as a means of uplift and advancement in the microcosm of Southwest Georgia. Through it all, Black Baptist ministers were pivotal actors in the religious drama. Although myths and stereotypes about Black ministers of the past abound, they, nevertheless, led the way down freedom road. This book tells of Black preachers of the past, their efforts to uplift and advance the race, and reveals the depth of their creativity, that was repeatedly demonstrated in the founding of local churches and associations that are vibrant today.
The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned. Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these activist artists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.
In colonial North Carolina, German-speaking settlers from the Moravian Church founded a religious refuge--an ideal society, they hoped, whose blueprint for daily life was the Bible and whose Chief Elder was Christ himself. As the community's demand for labor grew, the Moravian Brethren bought slaves to help operate their farms, shops, and industries. Moravians believed in the universalism of the gospel and baptized dozens of African Americans, who became full members of tightly knit Moravian congregations. For decades, white and black Brethren worked and worshiped together--though white Moravians never abandoned their belief that black slavery was ordained by God. Based on German church documents, including dozens of rare biographies of black Moravians, A Separate Canaan is the first full-length study of contact between people of German and African descent in early America. Exploring the fluidity of race in Revolutionary era America, it highlights the struggle of African Americans to secure their fragile place in a culture unwilling to give them full human rights. In the early nineteenth century, white Moravians forsook their spiritual inclusiveness, installing blacks in a separate church. Just as white Americans throughout the new republic rejected African American equality, the Moravian story illustrates the power of slavery and race to overwhelm other ideals.
Crucible of the Civil War offers an illuminating portrait of the state’s wartime economic, political, and social institutions. Weighing in on contentious issues within established scholarship while also breaking ground in areas long neglected by scholars, the contributors examine such concerns as the war’s effect on slavery in the state, the wartime intersection of race and religion, and the development of Confederate social networks. They also shed light on topics long disputed by historians, such as Virginia’s decision to secede from the Union, the development of Confederate nationalism, and how Virginians chose to remember the war after its close.
"Drawing on little-used state and county denominational records, privately held research materials, and sources available only in local repositories, W. J. Megginson brings to life African American society before, during, and after the Civil War. He portrays relationships - variously cordial, patronizing, and harsh - between African Americans and whites; the lives of free people of color; the primal place of sharecropping in the post-Civil War world; and the push for education and ownership of property as the only means of overcoming economic dependency."--BOOK JACKET.