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Throughout her childhood and adolescence, the anonymous author of The Incest Diary was raped by her father. Beneath a veneer of normal family life, she grew up in and around this all-encompassing secret. Her sexual relationship with her father lasted, off and on, into her twenties. It formed her world, and it formed her deepest fears and desires. Even after she broke away, even as she grew into an independent and adventurous young woman, she continued to seek out new versions of the violence, submission and secrecy she had struggled to leave behind. In this graphic and harrowing memoir, the author revisits her early traumas and their aftermath - not from a clinical distance, but from deep within - to explore the ways in which her father's abuse shaped her, and still does. As a matter of psychic survival, she became both a sexual object and a detached observer, a dutiful daughter and the protector of a dirty secret. And then, years later, she made herself write it down. With lyric concision, in vignettes of almost unbearable intensity, this writer tells a story that is shocking but that will ring true to many other survivors of abuse. It has never been faced so directly on the page.
Both novellas in one paperback book. Follow the odyssey of an 8-year-old girl named Becky, who, in book 1, writes in her diary about incest and the foster care system that let her down. Catch up with Becky as an adult in book 2.
The trailblazing memoirist and author of Henry & June recounts her relationships with Henry Miller and others—including her own father. Anaïs Nin wrote in her uncensored diaries like they were a broad-minded confidante with whom she shared the liberating psychosexual dramas of her life. In this continuation of her notorious Henry & June, she recounts a particularly turbulent period between 1932 and 1934, and the men who dominated it: her protective husband, her therapist, and the poet Antonin Artaud. However, most consuming of all is novelist Henry Miller—a man whose genius, said Anaïs, was so demonic it could drive people insane. Here too, recounted in extraordinary detail, is the sexual affair she had with her father. At once loving, exciting, and vengeful, it was the ultimate social transgression for which Anaïs would eventually seek absolution from her analysts. “Before Lena Dunham there was Anaïs Nin. Like Dunham, she’s been accused of narcissism, sociopathy, and sexual perversion time and again. Yet even that comparison undercuts the strangeness and bravery of her work, for Nin was the first of her kind. And, like all truly unique talents, she was worshipped by some, hated by many, and misunderstood by most . . . A woman who’d spent decades on the bleeding edge of American intellectual life, a woman who had been a respected colleague of male writers who pushed the boundaries of acceptable sex writing. Like many great . . . experimentalists, she wrote for a world that did not yet exist, and so helped to bring it into being.” —The Guardian Includes an introduction by Rupert Pole
The House of Incest, Anais Nin's famous prose poem, was first published in Paris in 1936 and immediately drew attention from the era's prominent writers, including Henry Miller and Lawrence Durrell. While written in English, it is considered a landmark work in the French surrealist tradition and one of the most unique books in 20th century literature.
Mirages opens at the dawn of World War II, when Anaïs Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be “the One,” the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as “hell,” during which she experiences a kind of erotic madness, a delirium that fuels her search for love. As a child suffering abandonment by her father, Anaïs wrote, “Close your eyes to the ugly things,” and, against a horrifying backdrop of war and death, Nin combats the world’s darkness with her own search for light. Mirages collects, for the first time, the story that was cut from all of Nin’s other published diaries, particularly volumes 3 and 4 of The Diary of Anaïs Nin, which cover the same time period. It is the long-awaited successor to the previous unexpurgated diaries Henry and June, Incest, Fire, and Nearer the Moon. Mirages answers the questions Nin readers have been asking for decades: What led to the demise of Nin’s love affair with Henry Miller? Just how troubled was her marriage to Hugh Guiler? What is the story behind Nin’s “children,” the effeminate young men she seemed to collect at will? Mirages is a deeply personal story of heartbreak, despair, desperation, carnage, and deep mourning, but it is also one of courage, persistence, evolution, and redemption that reaches beyond the personal to the universal.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
This work reproduces ten interviews with incest survivors, and shows that religion - particularly patriarchal religion that relies heavily on authorized scripture - can be a factor that is conducive to incest. It also offers an approach to pastoral counselling.
When four friends get together to use a mystical Ouija board, they are astonished when they come into contact with the restless spirit of a teenage girl from New Jersey, who lived her life during the 1970s. They soon find themselves wandering through the woods at night in search of her diary. However, once they begin to read it they are treated to an unexpected tale filled with unspeakable acts and heinous brutal crimes. It becomes apparent that the restless soul of young Audrey Malone Frayer has unfinished business, which she needs tending to and it appears she’s chosen them to help her. In this second novel by Jason Medina, author of “No Hope for the Hopeless at Kings Park,” we are treated to a special story that ties an adolescent girl’s troubled times of the 1970s with the lives of four young people in the present, particularly the character named Jay, who feels especially attached to Audrey’s spirit. Somehow he forms a bond with her, while reading her diary, which takes control of him making him obsessed with trying to help her take care of her unfinished business. He feels like there is a connection between them that he cannot ignore, although the meaning of that connection remains a mystery to him. It begins to haunt him almost immediately from the moment he first made contact with her spirit. Will he be able to figure out the connections between the past and the present in time, before it is too late? Someone’s life may very well depend upon it and it could be his own!
For ten years Katherine Brady led a double life. Growing up in a small midwestern town, she was the ideal teenager-beauty queen, honor student, and with a boyfriend from one of the town's most elite families. But at home lived another Katherine, her father's own "little girl," unwillingly involved in a secret sexual relationship that left her shamed, isolated, fearful, and emotionally burdened for years.Katherine later married her high school sweetheart and maintained her facade of outward accomplishments-a beautiful home, a career, two children. But her incestuous past still tormented her until, at last, her carefully constructed life began to disintegrate and she was forced to confront the truth, with her family as well as herself. Only then could she start the painful journey toward emotional independence.This is Katherine's deeply personal story of her childhood, her illicit relationship with her father, and her struggle through humiliation, helplessness, and anger to become a whole, mature human being. Her attempts to understand her father as well as herself and the roles each family member played are related with utter honesty and great insight.
Part of Sade’s The Crimes of Love cycle, this shocking tale tests the limits of morality and portrays the disastrous consequences of freedom and pleasure.