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The beauty who tamed the beast… New governess Grace Bertram will do anything to get to know her young daughter, Clara. Even if it means working for Clara’s guardian, the reclusive and scarred Nathaniel, Marquess of Ravenwell! Nathaniel believes no woman could ever love a monster like him, until Grace seems to look past his scars to the man beneath… But when he discovers Grace is Clara’s mother, Nathaniel questions his place in this torn-apart family. Could there be a Christmas happy-ever-after for this beauty and the beast?
The figure of the governess is very familiar from nineteenth-century literature. Much less is known about the governess in reality. This book is the first rounded exploration of what the life of the home schoolroom was actually like. Drawing on original diaries and a variety of previously undiscovered sources, Kathryn Hughes describes why the period 1840-80 was the classic age of governesses. She examines their numbers, recruitment, teaching methods, social position and prospects. The governess provides a key to the central Victorian concept of the lady. Her education consisted of a series of accomplishments designed to attract a husband able to keep her in the style to which she had become accustomed from birth. Becoming a governess was the only acceptable way of earning money open to a lady whose family could not support her in leisure. Being paid to educate another woman's children set in play a series of social and emotional tensions. The governess was a surrogate mother, who was herself childless, a young woman whose marriage prospects were restricted, and a family member who was sometimes mistaken for a servant.
Advice on proper etiquette regarding parties, social visits, fashion, etc., revealing the complexity of the social rules in Victorian America.
Publishers Weekly Best Books in Fiction 2018 The sensational US debut of a major French writer—an intense, delicious meringue of a novella In a large country house shut off from the world by a gated garden, three young governesses responsible for the education of a group of little boys are preparing a party. The governesses, however, seem to spend more time running around in a state of frenzied desire than attending to the children’s education. One of their main activities is lying in wait for any passing stranger, and then throwing themselves on him like drunken Maenads. The rest of the time they drift about in a kind of sated, melancholy calm, spied upon by an old man in the house opposite, who watches their goings-on through a telescope. As they hang paper lanterns and prepare for the ball in their own honor, and in honor of the little boys rolling hoops on the lawn, much is mysterious: one reviewer wrote of the book’s “deceptively simple words and phrasing, the transparency of which works like a mirror reflecting back on the reader.” Written with the elegance of old French fables, the dark sensuality of Djuna Barnes and the subtle comedy of Robert Walser, this semi-deranged erotic fairy tale introduces American readers to the marvelous Anne Serre.
Two friends reunite—and discover hidden feelings—while investigating a murder in this sensual, witty historical romance perfect for fans of Evie Dunmore and Netflix's Bridgerton! Jane Halliwell once dreamed of a home of her own—but those dreams (and her dowry) died with her father. Now, she works as a governess, preparing her charge for a future no longer within her reach. When her employer is murdered during a house party, however, Jane is forced back into the world of the ton. But stepping in as hostess will require working with the same lord who once broke her girlish heart. Lord Adrian Fielding was too consumed with his job at the Foreign Office to pay young Jane much heed, but he always considered her a friend. Which is why he’s confounded by her icy demeanor now. More troubling still is his desire to melt the tensions between them. But his mentor’s murder means he must first find the culprit—and ensure Jane’s safety as she manages a house full of foreign dignitaries. Only Jane insists on joining the investigation, and Adrian, despite all his diplomatic skills, finds himself seduced by her sharp wit and sparkling eyes. But with a vicious killer circling ever closer, will it soon be too late for their chance at forever?
In this book, multiple authors and perspectives converge on the materiality of storytelling in order to court its potentialities and flesh out its tensions. Reflecting through its methodological multiplicity not only the vast array of discourses and disciplines that concern themselves with the study of narration, but also the various and variable subjects of the act of telling, the collective effort of this volume is less to map or track than to amplify the possibilities of contingent situations, embodied relations and specific texts in which, beyond the tale, the telling itself speaks and matters.
'How delightful to meet you again, Miss Louisa Sibson.' Jonathon, Lord Chesterholm's eyes bored holes into Louisa Sibson's back. The former fiancée he's thought dead is very much alive… Louisa has rebuilt her life, after being dishonourably dismissed from her post as governess for allowing Jonathon to seduce her. Now Louisa lives by a rulebook of morals and virtue—the devastating Lord Chesterholm will not ruin her again! But Jonathon will get to the bottom of Louisa's disappearance—and he'll enjoy breaking a few of her rules along the way…!