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A window onto the lives of the Romantic poets through the re-creation of one legendary night in 1817. The author of the highly acclaimed Posthumous Keats, praised as “full of . . . those fleeting moments we call genius” (Washington Post), now provides a window into the lives of Keats and his contemporaries in this brilliant new work. On December 28, 1817, the painter Benjamin Robert Haydon hosted what he referred to in his diaries and autobiography as the “immortal dinner.” He wanted to introduce his young friend John Keats to the great William Wordsworth and to celebrate with his friends his most important historical painting thus far, “Christ’s Entry into Jerusalem,” in which Keats, Wordsworth, and Charles Lamb (also a guest at the party) appeared. After thoughtful and entertaining discussions of poetry and art and their relation to Enlightenment science, the party evolved into a lively, raucous evening. This legendary event would prove to be a highlight in the lives of these immortals. A beautiful and profound work of extraordinary brilliance, The Immortal Evening regards the dinner as a lens through which to understand the lives and work of these legendary artists and to contemplate the immortality of genius.
A window onto the lives of the Romantic poets through the re-creation of one legendary night in 1817. The author of the highly acclaimed Posthumous Keats, praised as “full of . . . those fleeting moments we call genius” (Washington Post), now provides a window into the lives of Keats and his contemporaries in this brilliant new work. On December 28, 1817, the painter Benjamin Robert Haydon hosted what he referred to in his diaries and autobiography as the “immortal dinner.” He wanted to introduce his young friend John Keats to the great William Wordsworth and to celebrate with his friends his most important historical painting thus far, “Christ’s Entry into Jerusalem,” in which Keats, Wordsworth, and Charles Lamb (also a guest at the party) appeared. After thoughtful and entertaining discussions of poetry and art and their relation to Enlightenment science, the party evolved into a lively, raucous evening. This legendary event would prove to be a highlight in the lives of these immortals. A beautiful and profound work of extraordinary brilliance, The Immortal Evening regards the dinner as a lens through which to understand the lives and work of these legendary artists and to contemplate the immortality of genius. Winner of the Truman Capote Award for Literary Criticism
On December 28, 1817, the eccentric painter B.R. Haydon gave a famous dinner party in his painting room in London. He invited, among others, three of the greatest literary lights of the age: John Keats, William Wordsworth, and Charles Lamb. The Immortal Dinner offers a glimpse into the lives and thoughts of this literary elite at a turning point in English society. "Fascinating...Hughes-Hallet discourses on the characters and histories not only of the guests themselves but of numerous of their contemporaries not present that evening."-Evelyn Toynton, New York Times Book Review.
An acclaimed American poet reflects on the life and legacy of John Keats. Posthumous Keats is the result of Stanley Plumly's twenty years of reflection on the enduring afterlife of one of England's greatest Romanticists. John Keats's famous epitaph—"Here lies One Whose Name was writ in Water"—helped cement his reputation as the archetype of the genius cut off before his time. Keats, dead of tuberculosis at twenty-five, saw his mortality as fatal to his poetry, and therein, Plumly argues, lies his tragedy: Keats thought he had failed in his mission "to be among the English poets."In this close narrative study, Plumly meditates on the chances for poetic immortality—an idea that finds its purest expression in Keats, whose poetic influence remains immense. Incisive in its observations and beautifully written, Posthumous Keats is an ode to an unsuspecting young poet—a man who, against the odds of his culture and critics, managed to achieve the unthinkable: the elevation of the lyric poem to sublime and tragic status.
"An immigrant-ethnic cocktail laced with political oppression, but before shaking, [Alia Yunis] adds Scheherazade, the fabled storyteller who kept herself alive by distracting her tyrannical husband for a thousand and one nights." --Carolyn See, Washington Post After 85 years, Fatima knows that she is dying because for the last 991 days she has been visited by the immortal storyteller from The Arabian Nights, Scheherazade. Just as Scheherazade spun magical stories for 1,001 nights to save her own life, Fatima has spent each night telling Scheherazade her life stories. But with only nine days left before her death, Fatima has a few loose ends to tie up. She must find a wife for her openly gay grandson, teach Arabic (and birth control) to her 17-year-old great-granddaughter, make amends with her estranged husband, and decide which of her troublesome children should inherit her family's home in Lebanon--a house she herself has not seen in nearly 70 years. Fatima’s children are spread far apart and are wrapped up in their own chaotic lives seemingly disinterested in their mother and their inheritances. But as she weaves stories of her husband, children, and grandchildren, Fatima brings together a family that is both capricious and steadfast, affectionate and also smothering, connected yet terribly alone. Taken all together, they present a striking and surprising tapestry of modern Arab American life. Shifting between America and Lebanon over the last hundred years, Alia Yunis crafts a bewitching debut novel imbued with great humanity, imagination, family drama and a touch of magic realism. Be prepared to feel utterly charmed.
BONUS: This edition contains an excerpt from Dean Koontz's The City. With each of his #1 New York Times bestsellers, Dean Koontz has displayed an unparalleled ability to entertain and enlighten readers with novels that capture the essence of our times even as they bring us to the edge of our seats. Now he delivers a heart-gripping tour de force he’s been waiting years to write, at once a love story, a thrilling adventure, and a masterwork of suspense that redefines the boundaries of primal fear—and of enduring devotion. Amy Redwing has dedicated her life to the southern California organization she founded to rescue abandoned and endangered golden retrievers. Among dog lovers, she’s a legend for the risks she’ll take to save an animal from abuse. Among her friends, Amy’s heedless devotion is often cause for concern. To widower Brian McCarthy, whose commitment she can’t allow herself to return, Amy’s behavior is far more puzzling and hides a shattering secret. No one is surprised when Amy risks her life to save Nickie, nor when she takes the female golden into her home. The bond between Amy and Nickie is immediate and uncanny. Even her two other goldens, Fred and Ethel, recognize Nickie as special, a natural alpha. But the instant joy Nickie brings is shadowed by a series of eerie incidents. An ominous stranger. A mysterious home invasion. And the unmistakable sense that someone is watching Amy’ s every move and that, whoever it is, he’s not alone. Someone has come back to turn Amy into the desperate, hunted creature she’s always been there to save. But now there’s no one to save Amy and those she loves. From its breathtaking opening scene to its shocking climax, The Darkest Evening of the Year is Dean Koontz at his finest, a transcendent thriller certain to have readers turning pages until dawn.
IN A SIZZLING NEW ARGENEAU NOVEL FROM NEW YORK TIMES BESTSELLING AUTHOR LYNSAY SANDS, AN IMPULSIVE RESCUE PAIRS A SEXY IMMORTAL WITH THE WOMAN MADE TO BE HIS FOR ETERNITY Abigail Forsythe’s life hasn’t been easy lately. Still, if there’s one thing guaranteed to take her mind off an empty bank account and abandoned dreams, it’s a naked man locked in a plane’s cargo hold. A very big, incredibly gorgeous naked man. And when instinct prompts her to free him, Abigail must rely on this stranger for survival . . . a stranger who leaves her thrumming with need every time they touch. Tomasso Notte knows he’s found his life mate in Abigail. Now he just has to hold on to her. They’re miles from civilization, hunted by his kidnappers. Abigail has no idea of Tomasso’s abilities, or of how intensely pleasurable their unique connection can be. But he’s about to show her, beginning with one wild, hot, immortal night . . .
Where once the mighty Kane has passed, no one who lives forgets. Now, down the trail of past battles, Kane travels again. To the ruins of a devastated city peopled only with half-men and the waif they call their queen. To the half-burnt tavern where a woman Kane wronged long ago holds his child in keeping for the Devil. To the cave kingdom of the giants where glory and its aftermath await discovery. To the house of death itself where Kane retrieves a woman in love. The past, the future, the present - all these are one for Kane as he travels through the centuries. Contents: "Undertow" "Two Suns Setting" "The Dark Muse" "Raven's Eyrie" "Lynortis Reprise" "Sing a Last Song of Valdese"
Although arranged alphabetically by author, this book contains brief summaries of titles in the following genre categories : fantasy and saga, fiction, history, public affairs, and the environment, humor, memoirs, mystery and suspense, science, and travel.
On the night lovely Néomi Renate, a famous ballerina at the turn of the century, was murdered, an evil force turned her into a spectre - a phantom that's neither alive nor dead - and cursed her to relive her harrowing death every month during the full moon. Unable to leave her home, she has managed to scare away any trespassers, until she encounters an inhabitant even more terrifying than Néomi herself. When Conrad Wroth, a vampire warlord who's been half-mad for centuries, first beholds Néomi, he knows nothing will stop him from claiming the ethereal beauty as his own - not even death itself. Yet even if the gruff warrior can win her love and defeat the evil that surrounds her, he still must determine a way to bring her fully back to life, and back to him.