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In a landmark study of history, power, and identity in the Caribbean, Pedro L. San Miguel examines the historiography of Hispaniola, the West Indian island shared by Haiti and the Dominican Republic. He argues that the national identities of (and often the tense relations between) citizens of these two nations are the result of imaginary contrasts between the two nations drawn by historians, intellectuals, and writers. Covering five centuries and key intellectual figures from each country, San Miguel bridges literature, history, and ethnography to locate the origins of racial, ethnic, and national identity on the island. He finds that Haiti was often portrayed by Dominicans as "the other--first as a utopian slave society, then as a barbaric state and enemy to the Dominican Republic. Although most of the Dominican population is mulatto and black, Dominican citizens tended to emphasize their Spanish (white) roots, essentially silencing the political voice of the Dominican majority, San Miguel argues. This pioneering work in Caribbean and Latin American historiography, originally published in Puerto Rico in 1997, is now available in English for the first time.
Celebrate the three-hundredth anniversary of Daniel Defoe’s Robinson Crusoe with this vibrant atlas in which an international gathering of illustrators conjure imaginary islands and castaway dreams. What is it about islands that is so alluring, and why do so many people find these self-contained worlds irresistible? Utopia and Atlantis were islands, and islands have captured the imaginations of writers and artists for centuries. In 1719, Daniel Defoe published his tale of a castaway on a desert island, Robinson Crusoe, one of the first great novels in the history of English literature and an instant bestseller. Defoe’s tale combined the real and the imagined into a compelling creative landscape, establishing a whole literary genre and unleashing the power of islands in storytelling. To celebrate the tercentenary of the publication of Robinson Crusoe, Archipelago presents a truly international range of leading illustrators who imagine they too have washed up on their own remote island. In specially created maps, they visualize what their island looks like, what it’s called, and what can be found on its mythical shores. In a panoply of astonishingly creative responses, we are invited to explore a curious and fabulous archipelago of islands of invention that will beguile illustrators, cartographers, and dreamers alike.
An engrossing fantasy, a high-seas adventure, an alternate history epic—this is the richly imagined and gorgeously realized new book from acclaimed author Barry Wolverton, perfect for fans of The Glass Sentence and the Books of Beginning series. It's 1599, the Age of Discovery in Europe. But for Bren Owen, growing up in the small town of Map on the coast of Britannia has meant anything but adventure. Enticed by the tales sailors have brought through Map's port, and inspired by the arcane maps his father creates as a cartographer for the cruel and charismatic map mogul named Rand McNally, Bren is convinced that fame and fortune await him elsewhere. That's when Bren meets a dying sailor, who gives him a strange gift that hides a hidden message. Cracking the code could lead Bren to a fabled lost treasure that could change his life forever, and that of his widowed father. Before long, Bren is in greater danger than he ever imagined and will need the help of an unusual friend named Mouse to survive.
A couple set out on a bold and vigorous quest for independence and a more essential way of life on a Maine island
The Packet War -- The Children -- Blondes -- Sirens -- Voice -- Noble Rot -- The Rivals -- Guess Who's Coming To Dinner -- Sister Shadow -- Elephants' Graveyard.
Boldly original and boundary defining, The Topological Imagination clears a space for an intellectual encounter with the shape of human imagining. Joining two commonly opposed domains, literature and mathematics, Angus Fletcher maps the imagination’s ever-ramifying contours and dimensions, and along the way compels us to re-envision our human existence on the most unusual sphere ever imagined, Earth. Words and numbers are the twin powers that create value in our world. Poetry and other forms of creative literature stretch our ability to evaluate through the use of metaphors. In this sense, the literary imagination aligns with topology, the branch of mathematics that studies shape and space. Topology grasps the quality of geometries rather than their quantifiable measurements. It envisions how shapes can be bent, twisted, or stretched without losing contact with their original forms—one of the discoveries of the eighteenth-century mathematician Leonhard Euler, whose Polyhedron Theorem demonstrated how shapes preserve “permanence in change,” like an aging though familiar face. The mysterious dimensionality of our existence, Fletcher says, is connected to our inhabiting a world that also inhabits us. Theories of cyclical history reflect circulatory biological patterns; the day-night cycle shapes our adaptive, emergent patterns of thought; the topology of islands shapes the evolution of evolutionary theory. Connecting literature, philosophy, mathematics, and science, The Topological Imagination is an urgent and transformative work, and a profound invitation to thought.
‘There were friends once, but they melted away. Things are different now I am a MONSTER’ Frances is alone. Cast away on a small island in the middle of the Indian Ocean, she has to find water, food and shelter. But survival is hard. Especially when she is haunted by memories of the things that she did before, the things that made her a monster. Pushed to the limit in extreme conditions, she battles to come to terms with her past, and find a future worth fighting for. This is a gripping and thought-provoking story about one girl’s journey to become the person she believes she can be.
#1 NEW YORK TIMES BESTSELLER • Soak up the sun—and the intrigue—with the first novel in John Grisham’s beloved Camino series. “A happy lark [that] provides the pleasure of a leisurely jaunt periodically jolted into high gear, just for the fun and speed of it.”—The New York Times Book Review A gang of thieves stage a daring heist from a secure vault deep below Princeton University’s Firestone Library. Their loot is priceless, but Princeton has insured it for twenty-five million dollars. Bruce Cable owns a popular bookstore in the sleepy resort town of Santa Rosa on Camino Island in Florida. He makes his real money, though, as a prominent dealer in rare books. Very few people know that he occasionally dabbles in the black market of stolen books and manuscripts. Mercer Mann is a young novelist with a severe case of writer’s block who has recently been laid off from her teaching position. She is approached by an elegant, mysterious woman working for an even more mysterious company. A generous offer of money convinces Mercer to go undercover and infiltrate Bruce Cable’s circle of literary friends, ideally getting close enough to him to learn his secrets. But eventually Mercer learns far too much, and there’s trouble in paradise as only John Grisham can deliver it. Look for all of John Grisham’s rollicking Camino novels: Camino Island Camino Winds Camino Ghosts
WINNER, Edward Stanford Travel Writing Awards 2022: Illustrated Travel Book of the Year. HIGHLY COMMENDED, British Cartographic Society Awards 2022. From Stephen King's Salem's Lot to the superhero land of Wakanda, from Lilliput of Gulliver's Travels to Springfield in The Simpsons, this is a wondrous atlas of imagined places around the world. Locations from film, tv, literature, myths, comics and video games are plotted in a series of beautiful vintage-looking maps. The maps feature fictional buildings, towns, cities and countries plus mountains and rivers, oceans and seas. Ever wondered where the Bates Motel was based? Or Bedford Falls in It's a Wonderful Life? The authors have taken years to research the likely geography of thousands of popular culture locations that have become almost real to us. Sometimes these are easy to work out, but other times a bit of detective work is needed and the authors have been those detectives. By looking at the maps, you'll find that the revolution at Animal Farm happened next to Winnie the Pooh's home. Each location has an an extended index entry plus coordinates so you can find it on the maps. Illuminating essays accompanying the maps give a great insight into the stories behind the imaginary places, from Harry Potter's wizardry to Stone Age Bedrock in the Flintstones. A stunning map collection of invented geography and topography drawn from the world's imagination. Fascinating and beautiful, this is an essential book for any popular culture fan and map enthusiast.
Australia is the planet's sole island continent. This book argues that the uniqueness of this geography has shaped Australian history and culture, including its literature. Further, it shows how the fluctuating definition of the island continent throws new light on the relationship between islands and continents in the mapping of modernity. The book links the historical and geographical conditions of islands with their potent role in the imaginaries of European colonisation. It prises apart the tangled web of geography, fantasy, desire and writing that has framed the Western understanding of islands, both their real and material conditions and their symbolic power, from antiquity into globalised modernity. The book also traces how this spatial imaginary has shaped the modern 'man' who is imagined as being the island's mirror. The inter-relationship of the island fantasy, colonial expansion, and the literary construction of place and history, created a new 'man': the dislocated and alienated subject of post-colonial modernity. This book looks at the contradictory images of islands, from the allure of the desert island as a paradise where the world can be made anew to their roles as prisons, as these ideas are made concrete at moments of British colonialism. It also considers alternatives to viewing islands as objects of possession in the archipelagic visions of island theorists and writers. It compares the European understandings of the first and last of the new worlds, the Caribbean archipelago and the Australian island continent, to calibrate the different ways these disparate geographies unifed and fractured the concept of the planetary globe. In particular it examines the role of the island in this process, specifically its capacity to figure a 'graspable globe' in the mind. The book draws on the colonial archive and ranges across Australian literature from the first novel written and published in Australia (by a convict on the island of Tasmania) to both the ancient dreaming and the burgeoning literature of Aboriginal and Torres Strait Islanders in the twenty-first century. It discusses Australian literature in an international context, drawing on the long traditions of literary islands across a range of cultures. The book's approach is theoretical and engages with contemporary philosophy, which uses the island and the archipleago as a key metaphor. It is also historicist and includes considerable original historical research.