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The hot-air balloon, invented by the Montgolfier brothers in 1783, launched for the second time just days before the Treaty of Paris would end the American Revolutionary War. The ascent in Paris—a technological marvel witnessed by a diverse crowd that included Benjamin Franklin—highlighted celebrations of French military victory against Britain and ignited a balloon mania that swept across Europe at the end of the Enlightenment. This popular frenzy for balloon experiments, which attracted hundreds of thousands of spectators, fundamentally altered the once elite audience for science by bringing aristocrats and commoners together. The Imagined Empire explores how this material artifact, the flying machine, not only expanded the public for science and spectacle but inspired utopian dreams of a republican monarchy that would obliterate social boundaries. The balloon, Mi Gyung Kim argues, was a people-machine, a cultural performance that unified and mobilized the people of France, who imagined an aerial empire that would bring glory to the French nation. This critical history of ballooning considers how a relatively simple mechanical gadget became an explosive cultural and political phenomenon on the eve of the French Revolution.
The Balkans offer classic examples of how empires imagine they can transform themselves into national states (Ottomanism) and how nation-states project themselves into future empires (as with the Greek "Great Idea" and the Serbian "Načertaniye"). By examining the interaction between these two aspirations this volume sheds light on the ideological prerequisites for the emergence of Balkan nationalisms. With a balance between historical and literary contributions, the focus is on the ideological hybridity of the new national identities and on the effects of "imperial nationalisms" on the emerging Balkan nationalisms. The authors of the twelve essays reveal the relation between empire and nation-state, proceeding from the observation that many of the new nation-states acquired some imperial features and behaved as empires. This original and stimulating approach reveals the imperialistic nature of so-called ethnic or cultural nationalism.
Through a microhistory of a small province in Upper Egypt, this book investigates the history of five world empires that assumed hegemony in Qina province over the last five centuries. Imagined Empires charts modes of subaltern rebellion against the destructive policies of colonial intruders and collaborating local elites in the south of Egypt. Abul-Magd vividly narrates stories of sabotage, banditry, flight, and massive uprisings of peasants and laborers, to challenge myths of imperial competence. The book depicts forms of subaltern discontent against "imagined empires" that failed in achieving their professed goals and brought about environmental crises to Qina province. As the book deconstructs myths about early modern and modern world hegemons, it reveals that imperial modernity and its market economy altered existing systems of landownership, irrigation, and trade— leading to such destructive occurrences as the plague and cholera epidemics. The book also deconstructs myths in Egyptian historiography, highlighting the problems of a Cairo-centered idea of the Egyptian nation-state. The book covers the Ottoman, French, Muhammad Ali’s, and the British informal and formal empires. It alludes to the U.S. and its failed market economy in Upper Egypt, which partially resulted in Qina’s participation in the 2011 revolution. Imagined Empires is a timely addition to Middle Eastern and world history.
After the Treaty of Paris ended the Seven Years’ War in 1763, British America stretched from Hudson Bay to the Florida Keys, from the Atlantic coast to the Mississippi River, and across new islands in the West Indies. To better rule these vast dominions, Britain set out to map its new territories with unprecedented rigor and precision. Max Edelson’s The New Map of Empire pictures the contested geography of the British Atlantic world and offers new explanations of the causes and consequences of Britain’s imperial ambitions in the generation before the American Revolution. Under orders from King George III to reform the colonies, the Board of Trade dispatched surveyors to map far-flung frontiers, chart coastlines in the Gulf of St. Lawrence, sound Florida’s rivers, parcel tropical islands into plantation tracts, and mark boundaries with indigenous nations across the continental interior. Scaled to military standards of resolution, the maps they produced sought to capture the essential attributes of colonial spaces—their natural capacities for agriculture, navigation, and commerce—and give British officials the knowledge they needed to take command over colonization from across the Atlantic. Britain’s vision of imperial control threatened to displace colonists as meaningful agents of empire and diminished what they viewed as their greatest historical accomplishment: settling the New World. As London’s mapmakers published these images of order in breathtaking American atlases, Continental and British forces were already engaged in a violent contest over who would control the real spaces they represented. Accompanying Edelson’s innovative spatial history of British America are online visualizations of more than 250 original maps, plans, and charts.
The Balkans offer classic examples of how empires imagine they can transform themselves into national states (Ottomanism) and how nation-states project themselves into future empires (as with the Greek “Great Idea” and the Serbian “Načertaniye”). By examining the interaction between these two aspirations this volume sheds light on the ideological prerequisites for the emergence of Balkan nationalisms. With a balance between historical and literary contributions, the focus is on the ideological hybridity of the new national identities and on the effects of “imperial nationalisms” on the emerging Balkan nationalisms. The authors of the twelve essays reveal the relation between empire and nation-state, proceeding from the observation that many of the new nation-states acquired some imperial features and behaved as empires. This original and stimulating approach reveals the imperialistic nature of so-called ethnic or cultural nationalism.
A 1999 study of the influence of South American culture on early American culture, in particular literature.
Beginning with a survey of the origins and growth of 18th century rationalism, the author explains how the realization of the great philosophers' ideals in Europe was inevitably frustrated by the counterweight of tradition and privilege. He points out that in America there were no such barriers. The principles of the Enlightenment were written into law, crystallised into institutions, and sanctified by use. Although democracy was not absolute (the existence of slavery remained unquestioned), in comparison with Europe, America could justifiably claim to be incorporating the ideals of 'life, liberty and the pursuit of happiness' into the daily lives of her people. The result was the start of an American revolution as significant as the winning of independence and the creation of a nation. This book is a valuable contribution to our understanding of America's past - essential both for a true appreciation of America's European origins and for her subsequent development into the 20th century."Learning and reason are at the service of a mind whose understanding of democracy gains brilliance and power from a passion for democratic freedom." Arthur Schlesinger Jr.
The First World War marked the end point of a process of German globalization that began in the 1870s. Learning Empire looks at German worldwide entanglements to recast how we interpret German imperialism, the origins of the First World War, and the rise of Nazism.
The Glory of the Empire is the rich and absorbing history of an extraordinary empire, at one point a rival to Rome. Rulers such as Basil the Great of Onessa, who founded the Empire but whose treacherous ways made him a byword for infamy, and the romantic Alexis the bastard, who dallied in the fleshpots of Egypt, studied Taoism and Buddhism, returned to save the Empire from civil war, and then retired “to learn to die,” come alive in The Glory of the Empire, along with generals, politicians, prophets, scoundrels, and others. Jean d’Ormesson also goes into the daily life of the Empire, its popular customs, and its contribution to the arts and the sciences, which, as he demonstrates, exercised an influence on the world as a whole, from the East to the West, and whose repercussions are still felt today. But it is all fiction, a thought experiment worthy of Jorge Luis Borges, and in the end The Glory of the Empire emerges as a great shimmering mirage, filling us with wonder even as it makes us wonder at the fugitive nature of power and the meaning of history itself.
Following a hit and run that injures his son, John Spector is shocked when the driver comes forward to confess the accident was planned and that John made the arrangements. Upset by the suggestion, he embarks on a quest that will take him through the bizarre underbelly of the city in search of the truth. Even when faced with demons bent on stopping him, haunted by dreams of a man he's never met or sidelined by concerns for his mental health, John remains unshakable. Only after his path leads to the philanthropist Charles Dapper does his determination waver, for this is when he must make an extraordinary self sacrifice to realize his goal or risk losing everything.