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Image-Making-India explores the evolving meaning of images in a digital landscape from the vantage point of contemporary India. Building upon long-term ethnographic research among image-makers in Delhi, Mumbai and other Indian cities, the author interrogates the dialogue between visual culture, technology and changing notions of political participation. The book explores selected artistic experiences in documentary and fiction film, photography, contemporary art and digital curation that have in common a desire to engage with images as tools for social intervention. These experiences reveal images’ capacity not only to narrate and represent but also to perform, do and affect. Particular attention is devoted to the 'digital', a critical landscape that offers an opportunity to re-examine the significance of images and visual culture in a rapidly changing India. This volume will be of particular interest to scholars of visual and digital anthropology and cultures as well as South Asian studies.
This is a portrait of India from the spectacle and colours of the Festival of Elephants to roadside portraits which uncovers the culture of India's vast landscape. The book includes the words of Indian authors including Amit Chaudhuri, Amta Desai, Salman Rushdie, and many others.
Chris Pinney demonstrates how printed images were pivotal to India's struggle for national and religious independence. He also provides a history of printing in India.
Exploring the image of Jews in India in the nineteenth and twentieth centuries, this book looks at both the Indian attitudes towards the Jewish communities of the subcontinent and at the way Jews and Judaism in general have been represented in Indian discourse. Despite the fact that the Indian Jewish population constitutes one of the country’s tiniest minorities, the relations of the local Jews with other communities form an integral part in the history of Indian multiculturalism. This has become increasingly apparent over the last two centuries as Judaism and its image have been incorporated into the discussions of some of the most prominent figures of different religious and nationalist movements, leaders of independent India, and the Indian mass media. Furthermore, recent decades witnessed mass adoption of Israelite identity by Indians from two different regions and religious groups. Being a topic that has received little attention, Jews and India seeks to rectify this situation by examining these developments and providing a fascinating insight into these issues. This volume will be of interest to scholars of Jewish and Indian cultural studies.
"Drawing from topics of religion in India such as bhakti, puja rituals, and spirit posessions, these essays offer a close study of the physical representations of god as the central feature of Hinduism. A valuable tool for students of anthroplogy and the philosophy and history of religion." --
India has one of the richest and most extensive histories of photography in the world with the camera arriving in the country only a few year after its invention in Europe. Organized chronologically, this book covers over 150 years of photographs, divided into ten chapters which focus on themes and genres such as archaeology and ethnography, portraiture, photojournalism, social documentary, street photography, modernism, and contemporary art. An in-depth introduction and ten short essays contextualize the photographs in light of India's journey from colonial territory, to independent nation state, to global economic superpower, along the way suggesting new arguments as to how this has been reflected in photographic practice. Over 100 Indian as well as international photographers are included in this well-researched and engaging book that includes some of the country's most iconic images, alongside the work of lesser-known artists and a wealth of previously unpublished material.
Gorgeously jaw-dropping, India has been beautifully redesigned with 32 additional pages of glorious photos shot by Eric Meola since India was first published. This revised and expanded version of Eric Meola's 2008 India takes the reader on a journey through Mumbai, Rajasthan, Agra, Dungarpur, along desert roads, to the Ganges water's edge, including spectacular ruins, the Taj Mahal, and the Festival of Elephants, capturing the spectacle and vibrant colors of these ancient regions. INDIA is rapidly becoming one of the pre-eminent leaders of the twenty-first century. For more than a decade, Eric Meola has returned repeatedly to India, photographing the people, temples, landscapes, architecture, celebrations, and art of this uniquely exuberant and incredibly diverse country. Meola's journeys took him from the Himalayas and monasteries in the North to the temples of Tamil Nadu in the South, from the color and pageantry of Rajasthan in the West to the tea plantations of Darjeeling in the East. Over 200 photographs (edited from more than 25,000 images) will fill this beautifully printed, large-format book. The photographs will be accompanied by dozens of essays, stories, and poems by contemporary and classical Indian writers. Table of Contents INDIA: In Word & Image Photographs by Eric Meola Contents 19 Eric Meola My Private India 24 Bharati Mukherjee Introduction 29 Salman Rushdie Midnight’s Children 34 I. Allan Sealy The Trotter-Nama 47 R. K. Narayan Ganga’s Story 52 R. K. Narayan The Ramayana 63 William Buck Mahabharata 67 R. K. Narayan Mr. Sampath—The Printer of Malgudi 71 Gita Mehta A River Sutra 83 Kiran Desai The Inheritance of Loss 86 Manil Suri The Death of Vishnu 94 R. K. Narayan The Guide 100 Ruth Prawer Jhabvala The Housewife 110 Jhumpa Lahiri Interpreter of Maladies 119 Thomas Byrom Dhammapada 120 Anita Desai Fasting, Feasting 129 Amit Chaudhuri A Strange and Sublime Address 132 Nirad C. Chaudhuri My Birthplace 136 R. K. Narayan The Dark Room 147 Nirad C. Chaudhuri My Birthplace 150 Kiran Desai Hullabaloo in the Guava Orchard 163 Salman Rushdie Midnight’s Children 169 Clark Blaise and Bharati Mukherjee Days and Nights in Calcutta 178 Rabindranath Tagore Subha 182 Upamanyu Chatterjee English, August 185 Vikram Seth A Suitable Boy 190 Amit Chaudhuri A Strange and Sublime Address 194 Arundhati Roy The God of Small Things 198 Anita Desai Fasting, Feasting 203 O. V. Vijayan The River 211 Kamala Markandaya Nectar in a Sieve 214 Amit Chaudhuri Sandeep’s Visit 222 Gita Mehta A River Sutra 232 V. S. Naipaul An Area of Darkness 239 Manil Suri The Death of Vishnu 243 Ismat Chughtai The Wedding Shroud 246 Nirad C. Chaudhuri The Autobiography of an Unknown Indian 250 Nirad C. Chaudhuri My Birthplace 254 Anita Desai A Devoted Son 260 Kamala Markandaya Nectar in a Sieve ---
Image-Making-India explores the evolving meaning of images in a digital landscape from the vantage point of contemporary India. Building upon long-term ethnographic research among image-makers in Delhi, Mumbai and other Indian cities, the author interrogates the dialogue between visual culture, technology and changing notions of political participation. The book explores selected artistic experiences in documentary and fiction film, photography, contemporary art and digital curation that have in common a desire to engage with images as tools for social intervention. These experiences reveal images’ capacity not only to narrate and represent but also to perform, do and affect. Particular attention is devoted to the 'digital', a critical landscape that offers an opportunity to re-examine the significance of images and visual culture in a rapidly changing India. This volume will be of particular interest to scholars of visual and digital anthropology and cultures as well as South Asian studies.
Pictorial representation of India.
On the 20-point economic program of Indira Gandhi, b. 1917, former Prime Minister of India.