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The transformations of the Strip—from the fake Wild West to neon signs twenty stories high to “starchitecture”—and how they mirror America itself. The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the “implosion capital of the world” as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of “creative destruction.” In The Strip, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change. Al tells two parallel stories. He describes the feverish competition of Las Vegas developers to build the snazziest, most tourist-grabbing casinos and resorts—with a cast of characters including the mobster Bugsy Siegel, the eccentric billionaire Howard Hughes, and the would-be political kingmaker Sheldon Adelson. And he views the Strip in a larger social context, showing that it has not only reflected trends but also magnified them and sometimes even initiated them. Generously illustrated with stunning color images throughout, The Strip traces the many metamorphoses of a city that offers a vivid projection of the American dream.
"This book is a comprehensive history of the Moulin Rouge, explaining the important role that the hotel-casino played in early desegregation efforts in Las Vegas"--Provided by publisher.
Fashion is synonymous with change yet the iconic showgirl costume--feathers, sparkle and revealing clothes--has remained largely unchanged since the early 20th century. Beginning in the 1800s, a couture of the risque evolved from Paris nightclubs to Las Vegas casinos. The concept of glamour itself was based on what Parisian courtesans and burlesque performers wore. A tall pretty girl with headdress, nude core with spangles, high heels and dramatic makeup became a Gallic symbol and later the trademark of Hollywood musicals. France exported costumes and millinery--as well as whole productions from the Moulin Rouge, the Lido and Folies Bergere --to the U.S. and the world. More recently, cabaret styling has translated into today's day, sport and evening clothes.
Debuting at the Tropicana Hotel on Christmas Eve, 1959, at a reported cost of one quarter-million dollars (over two million in today's dollars), the Folies Bergere stage show featured a cast of "eighty stars" and promised an elegant evening of sensual entertainment complete with sensational song and dance numbers, curious novelty acts, and exquisite leggy showgirls. Imported directly from Paris, the iconic French production, famed for its elegant and chic legacy, was a mainstay on the Las Vegas Strip for nearly half a century. A 1959 Las Vegas Sun newspaper article portends the significant role that the Folies Bergere would play in the city's history: "From beginning to end this is the most dazzling entertainment which any city has been privileged to see. It's saucy, piquant and racy in the splendidly provocative French way. Las Vegas, the entertainment capital of the world, is now no idle boast."
Follow the fascinating stories of the world's greatest necromancers, from sorcerer-priests in ancient Egypt to such modern miracle workers as Houdini and David Copperfield.
From the original gambling halls of yesteryear to the newest hotel on the block. this comprehensive history of Las Vegas features full-color photos of "Grifter Gultch" and the "The Strip." Tells you everything but how to leave the town a winner.
Las Vegas Then and Now pairs vintage shots from 100 years of the city's history with the same view today.
Whether known as "The Entertainment Capital of the World" or Sin City, Glitter Gulch or even "Lost Wages" Nevada, the dazzling city of Las Vegas has undergone incredible transformation-from ancient watering hole to Mormon fort, from whistle stop to mob-run profit center-to become the fastest-growing urban community in the nation. Home to nearly 1.5 million residents, a melting pot of races and cultures, this great metropolis boasts a thrilling history of vices and virtues but, above all, a steadfast and uncompromising spirit.
Jessica Bruderis a reporter for theOregonian.Her writing has also appeared in theNew York Times,theWashington Post,and theNew York Observer.She lives in Portland, Oregon.
Mike Weatherford resurrects the mystique of Vegas's Golden Age--the '60s of history and legend--bringing the hipster legacy to new Vegasphiles. Meet '50s and '60s lounge greats the Treniers, the Mary Kaye Trio, and Louis Prima and Keely Smith; comedy legends Joe E. Lewis, Shecky Greene, and Don Rickles; and Vegas babes Vampira, Lili St. Cyr, Ann-Margret, and Tempest Storm. Weatherford also covers nearly every offbeat movie ever made about Las Vegas, as well as Elvis and Frank's impact on the town. This gorgeous entertainment retrospective is packed with showroom esoterica, descriptions of near-forgotten corners of Vegas cult musicology, odd trivia, and unsung heroes of a bygone era. Cult Vegas chronicles the major moments--the camp, the extreme, the awful--in short, the magic of Las Vegas' half-century run as an entertainment mecca.