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This book is a collection of letters, dispatches, and other firsthand accounts of Southern soldiers and civilians from the Civil War's first days to the collapse of the Confederacy.
Examines the Battle of Gettysburg through letters, journals, articles, and speeches from the people who lived through those days.
From well-known battlefields, such as Manassas, Fredericksburg, and Appomattox, to lesser-known sites, such as Sinking Spring Cemetery and Rude’s Hill, Sedore leads readers on a vivid journey through Virginia’s Confederate history. Tablets, monoliths, courthouses, cemeteries, town squares, battlefields, and more are cataloged in detail and accompanied by photographs and meticulous commentary. Each entry contains descriptions, fascinating historical information, and location, providing a complete portrait of each site. Much more than a visual tapestry or a tourist’s handbook, An Illustrated Guide to Virginia’s Confederate Monuments draws on scholarly and field research to reveal these sites as public efforts to reconcile mourning with Southern postwar ideologies. Sedore analyzes in depth the nature of these attempts to publicly explain Virginia’s sense of grief after the war, delving deep into the psychology of a traumatized area. From commemorations of famous generals to memories of unknown soldiers, the dead speak from the pages of this sweeping companion to history.
Most Americans hold basic misconceptions about the Confederacy, the Civil War, and the actions of subsequent neo-Confederates. For example, two thirds of Americans—including most history teachers—think the Confederate States seceded for “states' rights.” This error persists because most have never read the key documents about the Confederacy. These documents have always been there. When South Carolina seceded, it published “Declaration of the Immediate Causes Which Induce and Justify the Secession of South Carolina from the Federal Union.” The document actually opposes states' rights. Its authors argue that Northern states were ignoring the rights of slave owners as identified by Congress and in the Constitution. Similarly, Mississippi's “Declaration of the Immediate Causes. . .” says, “Our position is thoroughly identified with the institution of slavery—the greatest material interest of the world.” Later documents in this collection show how neo-Confederates obfuscated this truth, starting around 1890. The evidence also points to the centrality of race in neo-Confederate thought even today and to the continuing importance of neo-Confederate ideas in American political life. The 150th anniversary of secession and civil war provides a moment for all Americans to read these documents, properly set in context by award-winning sociologist and historian James W. Loewen and coeditor, Edward H. Sebesta, to put in perspective the mythology of the Old South.
Carefully chosen and annotated selection of contemporary battle reports, general orders, letters, articles, sermons, songs, travel observations, much more. Wonderful self-portrait of the Confederacy. Illustrated.
Throughout his life, Atlanta resident George W. Wray Jr. (1936–2004) built a collection of more than six hundred of the rarest Confederate artifacts including not just firearms and edged weapons but also flags, uniforms, and accoutrements. Today, Wray’s collection forms an integral part of the Atlanta History Center’s holdings of some eleven thousand Civil War artifacts. Confederate Odyssey tells the story of the Civil War through the Wray Collection. Analyzing the collection as material evidence, Gordon L. Jones demonstrates how a slave-based economy on the cusp of industrialization attempted to fight an industrial war. The broad range of the collection includes many rare or one-of-a-kind objects, such as a patent model and early inventions by gun maker George W. Morse, the bloodstained coat of a seventeen-year-old South Carolina soldier, battle flags made of cloth imported from England, and arms made in Georgia, the heart of the Confederacy’s burgeoning military-industrial complex. As Civil War history, Confederate Odyssey benefits from the study of material remains as it bridges the domains of professional scholars and amateur collectors such as Wray. The book tells of the stories, significance, and context of these artifacts to general readers and Civil War buffs alike. The Wray Collection is more than a gathering of relics; it is a tale of historical truths revealed in small details.
An in-depth look at Confederate soldiers' day-to-day lives, equipment, weapons and more, with full-color photos of reenactments and artifacts, historical documents and more.
Preferring anonymity, Murdoch John McSween wrote over 80 letters under the pseudonym "Long Grabs" to the Fayetteville Observer (North Carolina), serving as their unofficial war correspondent. For the first two full years of the war, 1862-1863, he was a sometimes drill master at Camp Mangum, in Raleigh, and a wanderer among the regiments in North Carolina and Virginia. What he wrote was varied--the fighting in eastern North Carolina and at Fredericksburg and Petersburg in Virginia, the conditions of the soldiers, the hardships of the civilians, the history of places he visited, and biographical sketches such as that of Jefferson Davis. In 1863, based on certain promises made by Colonel Matt Ransom, McSween joined the 35th Regiment. A bitter dispute soon developed over those promises with the result that McSween was court-martialed and sentenced to twelve months at hard labor. Released, he joins the 26th Regiment and is twice wounded at the Battle of Petersburg. After the war, he returns to Fayetteville where he edits and publishes The Eagle newspaper.
Describes the winter 1864-1865 assault of Union forces on the Confederate stronghold of Fort Fisher, which guarded the port of Wilmington, North Carolina, detailing the men involved on both sides, the campaign, and the final Union victory
In the fall of 1865, the United States Army executed Confederate guerrilla Champ Ferguson for his role in murdering fifty-three loyal citizens of Kentucky and Tennessee during the Civil War. Long remembered as the most unforgiving and inglorious warrior of the Confederacy, Ferguson has often been dismissed by historians as a cold-blooded killer. In Confederate Outlaw: Champ Ferguson and the Civil War in Appalachia, biographer Brian D. McKnight demonstrates how such a simple judgment ignores the complexity of this legendary character. In his analysis, McKnight maintains that Ferguson fought the war on personal terms and with an Old Testament mentality regarding the righteousness of his cause. He believed that friends were friends and enemies were enemies—no middle ground existed. As a result, he killed prewar comrades as well as longtime adversaries without regret, all the while knowing that he might one day face his own brother, who served as a Union scout. Ferguson’s continued popularity demonstrates that his bloody legend did not die on the gallows. Widespread rumors endured of his last-minute escape from justice, and over time, the borderland terrorist emerged as a folk hero for many southerners. Numerous authors resurrected and romanticized his story for popular audiences, and even Hollywood used Ferguson’s life to create the composite role played by Clint Eastwood in The Outlaw Josey Wales. McKnight’s study deftly separates the myths from reality and weaves a thoughtful, captivating, and accurate portrait of the Confederacy’s most celebrated guerrilla. An impeccably researched biography, Confederate Outlaw offers an abundance of insight into Ferguson’s wartime motivations, actions, and tactics, and also describes borderland loyalties, guerrilla operations, and military retribution. McKnight concludes that Ferguson, and other irregular warriors operating during the Civil War, saw the conflict as far more of a personal battle than a political one.