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Set along the Southwestern border, these stories explore growing up Hispanic and weaving together three distinct worlds--Mexico, the United States, and childhood.
The pages in this book contain two of the most controversial solutions to a what I see as a manmade problem in South Florida and the Florida Keys. The introduction by humans via the pet trade of non indigenous invasive species to an eco-system that is unprepared for it. This particular species if left unchecked has the potential to explode to epidemic proportions which could cause the extinction of several indigenous plants and animals that have thrived here for thousands of years. This a beginners guide to the sport of small game hunting and also a cook book which advises using Iguanas as a viable food source.
Capirotada, Mexican bread pudding, is a mysterious mixture of prunes, peanuts, white bread, raisins, milk, quesadilla cheese, butter, cinnamon and cloves, Old World sugar--"all this," writes Alberto Rios, "and things people will not tell you." Like its Mexican namesake, this memoir is a rich melange, stirring together Rios's memories of family, neighbors, friends, and secrets from his youth in the two Nogaleses--in Arizona and through the open gate into Mexico. The vignettes in this memoir are not loud or fast. Yet like all of Rios's writing they are singular. Here is the story about a rickety magician, his chicken, and a group of little boys, but who plays a trick on whom? The story about the flying dancers and mortality. About going to the dentist in Mexico because it is cheaper, and maybe dangerous. About a British woman who sets out on a ship for America with the faith her Mexican GI will be waiting for her in Salt Lake City. And about the grown son who looks at his father and understands how he must ovide for his own boy. This book's uncommon offering is how it stops to address the quiet, the overlooked, the every day side of growing up. Capirotada is not about prison, or famous heroes. It is instead about the middle, which is often the most interesting place to find news. Capirotada was selected as the 2009 ONEBOOKAZ by the Arizona State Library, Archives and Public Records.
Two men, twenty miles apart, are killed in the same strange way on a quiet summer morning in the Florida Keys. Forensic photographer Alex Rutledge finds that he may be the only person interested in pursuing justice, especially when his brother becomes a key suspect.Alex connects the current-day murders to a thirty-year-old scam amidst revenge smoldering since the Nixon years. He races time to thwart a final killing and, if possible, to prove his brother's innocence.Tom Corcoran once again delivers a deftly plotted and gripping mystery with all of the flavor and intrigue that Key West can offer.
Prepare your high school students for AP, IB, and other standardized tests that demand an understanding of the subtle elements that comprise an author's unique voice. Each of the 100 sharply focused, historically and culturally diverse passages from world literature targets a specific component of voice, presenting the elements in short, manageable exercises that function well as class openers. Includes teacher notes and discussion suggestions.
“In this rhapsodic series of poems, Ríos presents the story of Ventura and Clemente Ríos, a married couple living near the United States-Mexico border. . . . Ríos’s project [is] indebted to magic realism but rooted in naturalism.”—The New Yorker “Ríos creates the feeling of enchanted or intimate lore within a family [and] evokes the mysterious and unexpected forces that dwell inside the familiar.”—The Washington Post Now in paperback, and following the success of his National Book Award nomination, Alberto Ríos’ new book is filled with magic, marvel, and emotional truth. Set along the elusive southern border, his poems trace the lives and loves of an elderly couple through their childhood and courtship to marriage, maturity, old age, and death. Like the best of storytellers, Ríos charms his readers, making us care deeply—even love—these people we read. From “The Chair She Sits In”: I’ve heard this thing where, when someone dies, People close up all the holes around the house- The keyholes, the chimney, the windows, Even the mouths of the animals, the dogs and the pigs. It’s so the soul won’t be confused, or tempted . . . Alberto Ríos, the poet laureate of Arizona, teaches at Arizona State University. He is the author of eight books of poetry, three collections of short stories, and a memoir.
DIVExamines how Chicana literature -- its narrative techniques, stylistic conventions, plot dilemmas and resolutions -- interrogate the multiple ways space and social relations constitute each other./div
For over 150 years, borderland authors from both Mexico and the United States have developed novels which owe their narrative power to compelling relationships between literary constructions of space and artistic expressions of conflicts, characters, and cultural encounter. This study explores those relationships by analyzing representations of the spaces in which characters function-whether barrio, ballroom, or border city as well as the places characters inhabit relative to the border-occupying native or foreign territory, traveling temporarily, or settling permanently. Concomitant with close attention to the conceptualization of space in border literature is a foregrounding of the genres that border writers employ, such as historical romance and the Hispanic bildungsroman, as well as the literary traditions from which they draw, such as travel narratives or utopian literature. Assessing geopoetics in border writing from the Mexican American War to the present, including writers such as Helen Hunt Jackson, Jovita Gonzalez, Ernesto Galarza, Americo Paredes, Harriet Doerr, Cormac McCarthy, Leslie Marmon Silko, and Miguel Mendez provides a paradigm for tracing the development and changes in individual responses to this space as well as a broad range of responses based on class and gender. This corpus of literature demonstrates that the various ways in which characters respond to cultural encounter-adapting, resisting, challenging, sympathizing-depends on artistic rendering of spaces and places around them. Thus, the central argument of this project is that character responses to cultural encounters arise out of geopoetics-the artistic expression of space and place-from the earliest to the most recent border narratives.
The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States.