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An illustrated history of an important cultural institute in NYC - not just religiously influential.
Both experienced and novice preachers need a new approach for sermon development skill-building. A Sermon Workbook offers a unique and flexible resource that is instantly accessible and useful for anyone tasked with the proclamation of the Word. The workbook format can be used in a linear fashion, beginning to end. Or readers can pick and choose the chapters to tailor-fit their own needs. In either case, readers build skill upon skill, working through inventive and engaging exercises first developed and taught at Yale Divinity School. The book addresses the skills and arts that are essential for effective preaching in our multi-tasking, multi-ethnic, sound-bite society. It offers theological clarity about why we preach, and what matters most. The creative, collaborative, and charming authors present the principles as they do in their classroom: in two voices—one male and one female--with the two complementing and supporting one another.
Where have all the prophets gone? And why do preachers seem to shy away from prophetic witness? Astute preacher Leonora Tisdale considers these vexing questions while providing guidance and encouragement to pastors who want to recommit themselves to the task of prophetic witness. With a keen sensitivity to pastoral contexts, Tisdale's work is full of helpful suggestions and examples to help pastors structure and preach prophetic sermons, considered by many to be one of the most difficult tasks pastors are called to undertake.
We live in a profoundly spiritual age, but not in any good way. Huge swaths of American culture are driven by manic spiritual anxiety and relentless supernatural worry. Radicals and traditionalists, liberals and conservatives, together with politicians, artists, environmentalists, followers of food fads, and the chattering classes of television commentators: America is filled with people frantically seeking confirmation of their own essential goodness. We are a nation desperate to stand of the side of morality--to know that we are righteous and dwell in the light. In An Anxious Age, Joseph Bottum offers an account of modern America, presented as a morality tale formed by a collision of spiritual disturbances. And the cause, he claims, is the most significant and least noticed historical fact of the last fifty years: the collapse of the mainline Protestant churches that were the source of social consensus and cultural unity. Our dangerous spiritual anxieties, broken loose from the churches that once contained them, now madden everything in American life. Updating The Protestant Ethic and the Sprit of Capitalism, Max Weber's sociological classic, An Anxious Age undertakes two case studies of contemporary social classes adrift in a nation without the religious understandings that gave them meaning. Looking at the college-educated elite he calls "the Poster Children," Bottum sees the post-Protestant heirs of the old mainline Protestant domination of culture: dutiful descendants who claim the high social position of their Christian ancestors even while they reject their ancestors' Christianity. Turning to the Swallows of Capistrano, the Catholics formed by the pontificate of John Paul II, Bottum evaluates the early victories--and later defeats--of the attempt to substitute Catholicism for the dying mainline voice in public life. Sweeping across American intellectual and cultural history, An Anxious Age traces the course of national religion and warns about the strange angels and even stranger demons with which we now wrestle. Insightful and contrarian, wise and unexpected, An Anxious Age ranks among the great modern accounts of American culture.
From modest chapels to majestic cathedrals, and historic synagogues to modern mosques and Buddhist temples: this photo-filled, pocket-size guidebook presents 1,079 houses of worship in Manhattan and lays to rest the common perception that skyscrapers, bridges, and parks are the only defining moments in the architectural history of New York City. With his exhaustive research of the city's religious buildings, David W. Dunlap has revealed (and at times unearthed) an urban history that reinforces New York as a truly vibrant center of community and cultural diversity. Published in conjunction with a New-York Historical Society exhibition, From Abyssinian to Zion is a sometimes quirky, always intriguing journey of discovery for tourists as well as native New Yorkers. Which popular pizzeria occupies the site of the cradle of the Christian and Missionary Alliance movement, the Gospel Tabernacle? And where can you find the only house of worship in Manhattan built during the reign of Caesar Augustus? Arranged alphabetically, this handy guide chronicles both extant and historical structures and includes 650 original photographs and 250 photographs from rarely seen archives 24 detailed neighborhood maps, pinpointing the location of each building concise listings, with histories of the congregations, descriptions of architecture, and accounts of prominent priests, ministers, rabbis, imams, and leading personalities in many of the congregations
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (July - December)
A New York Times Book Review Editors’ Choice An essential book for those coping with Alzheimer’s and other cognitive disorders that “reframe[s] our understanding of dementia with sensitivity and accuracy . . . to grant better futures to our loved ones and ourselves” (The New York Times). An estimated fifty million people in the world suffer from dementia. Diseases such as Alzheimer's erase parts of one's memory but are also often said to erase the self. People don't simply die from such diseases; they are imagined, in the clichés of our era, as vanishing in plain sight, fading away, or enduring a long goodbye. In On Vanishing, Lynn Casteel Harper, a Baptist minister and nursing home chaplain, investigates the myths and metaphors surrounding dementia and aging, addressing not only the indignities caused by the condition but also by the rhetoric surrounding it. Harper asks essential questions about the nature of our outsized fear of dementia, the stigma this fear may create, and what it might mean for us all to try to “vanish well.” Weaving together personal stories with theology, history, philosophy, literature, and science, Harper confronts our elemental fears of disappearance and death, drawing on her own experiences with people with dementia both in the American healthcare system and within her own family. In the course of unpacking her own stories and encounters—of leading a prayer group on a dementia unit; of meeting individuals dismissed as “already gone” and finding them still possessed of complex, vital inner lives; of witnessing her grandfather’s final years with Alzheimer’s and discovering her own heightened genetic risk of succumbing to the disease—Harper engages in an exploration of dementia that is unlike anything written before on the subject. A rich and startling work of nonfiction, On Vanishing reveals cognitive change as it truly is, an essential aspect of what it means to be mortal.
"Proceedings of the symposium "The Civil War in Art and Memory," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and sponsored by the Arthur Vining Davis Foundations. The symposium was held November 8-9, 2013, in Washington."
How has religion affected the creation and patronage of American art? This is the question explored in 'The Visual Arts and Christianity in America', the most comprehensive treatment of this subject to date. With its 184 illustrations, the volume is a visual and textual survey of both the religious paintings, statuary, and architecture produced in America since colonial times and the attitudes toward such art expressed by the artists, the clergy, and the religious press. By means of a multifaceted approach that includes investigation of biographical, journalistic, art historical, as well as religious literature, a broad range of art objects and buildings are carefully placed in their social and intellectual context. Part One presents the colonial backdrop, both English and Spanish, against which and out of which the ensuing developments in American art and religious life took shape. Part Two treats nineteenth-century views of art and architecture, focusing on the views held by the clergy and conveyed in religious journals as well as the religious views of the artists and architects themselves. In Part Three, devoted to art in private and public life, major issues emerge that will remain as such into the twentieth century: the relation between nature and history, the place of art in civil religion, and the presence or absence of explicit biblical themes. The fourth and entirely new portion of the book, devoted to the twentieth century, examines the continuities and discontinuities in style and content between nineteenth- and twentieth-century art in relation to spiritual and religious perceptions.