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Anjelica Huston’s “gorgeously written” (O, The Oprah Magazine) memoir is “an elegant, funny, and frequently haunting reminiscence of the first two decades of her life…A classic” (Vanity Fair). In her first, dazzling memoir, Anjelica Huston shares the story of her deeply unconventional early life—her enchanted childhood in Ireland, living with her glamorous and artistic mother, educated by tutors and nuns, intrepid on a horse. Huston was raised on an Irish estate to which—between movies—her father, director John Huston, brought his array of extraordinary friends, from Carson McCullers and John Steinbeck to Peter O’Toole and Marlon Brando. In London, where she lived with her mother and brother in the early sixties when her parents separated, Huston encountered the Rolling Stones and Fleetwood Mac. She understudied Marianne Faithfull in Hamlet. Seventeen, striking, precocious, but still young and vulnerable, she was devastated when her mother died in a car crash. Months later she moved to New York, fell in love with the much older, brilliant but disturbed photographer, Bob Richardson, and became a model. Living in the Chelsea Hotel, working with Richard Avedon and other photographers, she navigated a volatile relationship and the dynamic cultural epicenter of New York in the seventies. A Story Lately Told is an “evocative” (The New York Times), “magically beautiful” (The Boston Globe) memoir. Huston’s second memoir, Watch Me, will be published in November 2014.
"Everybody who has ever read a book will benefit from the way Keith Houston explores the most powerful object of our time. And everybody who has read it will agree that reports of the book’s death have been greatly exaggerated."— Erik Spiekermann, typographer We may love books, but do we know what lies behind them? In The Book, Keith Houston reveals that the paper, ink, thread, glue, and board from which a book is made tell as rich a story as the words on its pages—of civilizations, empires, human ingenuity, and madness. In an invitingly tactile history of this 2,000-year-old medium, Houston follows the development of writing, printing, the art of illustrations, and binding to show how we have moved from cuneiform tablets and papyrus scrolls to the hardcovers and paperbacks of today. Sure to delight book lovers of all stripes with its lush, full-color illustrations, The Book gives us the momentous and surprising history behind humanity’s most important—and universal—information technology.
Walter Huston once advised aspiring actors that, becoming an actor is a long and wearying task. Not only must you steel yourself against disappointments, you must bear abuse, unemployment, and hunger. His words were spoken from experiences which are detailed for the first time ever in this personal biography.
Winner of the 2020 Reading the West Advocacy Award Winner of the 2020 Colorado Book Award for Creative Nonfiction "This is a book for all of us, right now." —Cheryl Strayed, author of Wild On her 120-acre homestead high in the Colorado Rockies, beloved writer Pam Houston learns what it means to care for a piece of land and the creatures on it. Elk calves and bluebirds mark the changing seasons, winter temperatures drop to 35 below, and lightning sparks a 110,000-acre wildfire, threatening her century-old barn and all its inhabitants. Through her travels from the Gulf of Mexico to Alaska, she explores what ties her to the earth, the ranch most of all. Alongside her devoted Irish wolfhounds and a spirited troupe of horses, donkeys, and Icelandic sheep, the ranch becomes Houston’s sanctuary, a place where she discovers how the natural world has mothered and healed her after a childhood of horrific parental abuse and neglect. In essays as lucid and invigorating as mountain air, Deep Creek delivers Houston’s most profound meditations yet on how “to live simultaneously inside the wonder and the grief… to love the damaged world and do what I can to help it thrive.”
Skinner founded his career in "asset protection" on fear. To touch anyone under his protection was to invite destruction. A savagely effective methodology, until Skinner's CIA handlers began to fear him as much as his enemies did and banished him to the hinterlands of the intelligence community. Now, an ornate and evolving cyber-terrorist attack is about to end that long exile. His asset is Jae, a roboticist with a gift for seeing the underlying systems violently shaping a new era of global guerrilla warfare. At the root of it all is a young boy, the innocent seed of a plot grown in the slums of Mumbai. Brought to flower, that plot will tip the balance of world power in a perilous new direction. A combination of Le Carre spycraft with Stephenson techno-philosophy from the novelist hailed by the Washington Post as "the voice of twenty-first century crime fiction," Skinner is Charlie Huston's masterpiece -- a new kind of thriller for a new kind of world.
The neighborhoods of Fifth Ward, Fourth Ward, Third Ward, and the Southside of Houston, Texas, gave birth to Houston rap, a vibrant music scene that has produced globally recognized artists such as Geto Boys, DJ Screw, Pimp C and Bun B of UGK, Fat Pat, Big Moe, Z-Ro, Lil’ Troy, and Paul Wall. Lance Scott Walker and photographer Peter Beste spent a decade documenting Houston’s scene, interviewing and photographing the people—rappers, DJs, producers, promoters, record label owners—and places that give rap music from the Bayou City its distinctive character. Their collaboration produced the books Houston Rap and Houston Rap Tapes. This second edition of Houston Rap Tapes amplifies the city’s hip-hop history through new interviews with Scarface, Slim Thug, Lez Moné, B L A C K I E, Lil’ Keke, and Sire Jukebox of the original Ghetto Boys. Walker groups the interviews into sections that track the different eras and movements in Houston rap, with new photographs and album art that reveal the evolution of the scene from the 1970s to today’s hip-hop generation. The interviews range from the specifics of making music to the passions, regrets, memories, and hopes that give it life. While offering a view from some of Houston’s most marginalized areas, these intimate conversations lay out universal struggles and feelings. As Willie D of Geto Boys writes in the foreword, “Houston Rap Tapes flows more like a bunch of fellows who haven’t seen each other for ages, hanging out on the block reminiscing, rather than a calculated literary guide to Houston’s history.”
"Picking up where A Story Lately Told leaves off, when Anjelica Huston is 22 years old, [this book] is a chronicle of her glamorous and eventful Hollywood years. She writes about falling in love with Jack Nicholson and her adventurous, turbulent, high-profile, spirited 17-year relationship with him and his intoxicating circle of friends. She writes about learning how to act, about her Academy Award-winning portrayal of Maerose Prizzi in Prizzi's Honor, [and] about her collaborations with many of the greatest directors in Hollywood, including Wes Anderson, Richard Condon, Bob Rafelson, Mike Nichols, and Stephen Frears"--
Joshua Houston (1822- 1902) was born on the Temple Lea plantation in Marion, Perry County, Alabama. In 1834 Templeton Lea died and willed Joshua to his daughter, Margaret, as her personal slave. In 1840 Margaret Lea married General Sam Houston and moved to Texas. She took Joshua with her. Joshua faithfully served the Houston family during their many political and financial ups and downs. In 1862 Sam Houston freed his slaves. Joshua elected to remain with the Houston family and took Houston as his surname. In 1866 he homesteaded in Huntsville, Texas, near the Houston family. He became a well-known and respected public figure in Huntsville where he served as city alderman and later served as county commissioner of Wlker County. In 188 he was elected as a delegate to the National Republican Convention from Texas. He was the father of seven or eight children by three different women. Descendants live in Texas.
A classic look at Hollywood and the American film industry by The New Yorker's Lillian Ross, and named one of the "Top 100 Works of U.S. Journalism of the Twentieth Century." Lillian Ross worked at The New Yorker for more than half a century, and might be described not only as an outstanding practitioner of modern long-form journalism but also as one of its inventors. Picture, originally published in 1952, is her most celebrated piece of reportage, a closely observed and completely absorbing story of how studio politics and misguided commercialism turn a promising movie into an all-around disaster. The charismatic and hard-bitten director and actor John Huston is at the center of the book, determined to make Stephen Crane’s The Red Badge of Courage—one of the great and defining works of American literature, the first modern war novel, a book whose vivid imagistic style invites the description of cinematic—into a movie that is worthy of it. At first all goes well, as Huston shoots and puts together a two-hour film that is, he feels, the best he’s ever made. Then the studio bosses step in and the audience previews begin, conferences are held, and the movie is taken out of Huston’s hands, cut down by a third, and finally released—with results that please no one and certainly not the public: It was an expensive flop. In Picture, which Charlie Chaplin aptly described as “brilliant and sagacious,” Ross is a gadfly on the wall taking note of the operations of a system designed to crank out mediocrity.