Download Free The Hunters Of Euboea Book in PDF and EPUB Free Download. You can read online The Hunters Of Euboea and write the review.

This volume examines the Fourth Gospel narrative in terms of its character portrayal, especially the portrayal of anonymous characters. It focuses on how characterization impacts readers, eliciting their involvement in the narrative, particularly the recognition of and response to Jesus' identity, and how anonymity facilitates that participation. The first chapters examine the understanding of characterization in contemporary literary theory, then the author explores other contemporaneous narratives for the function of anonymous characters in those narratives. The final chapters examine specific character portrayals in the Fourth Gospel, demonstrating how the narratives of anonymous characters draw the reader into participation in the narrative and enables identification with those characters, especially the disciple Jesus loved, the Johannine paradigm of discipleship.
From classics and history to Jewish rabbinic narratives and the canonical and noncanonical gospels of earliest Christianity, the relevance of studying the novel of the later classical periods of Greek and Rome is widely endorsed. Ancient novels contain insights beyond literary theories and philosophical musings to new sources for understanding the popular culture of antiquity. Some scholars, in fact, refer to ancient novels as “alternative histories,” for they tell history implicitly rather than with the intentional biases of the historian. The Novel in the Ancient World surveys the new approaches and insights to the ancient novel and wrestles with issues such as the development, transformation, and christianization of the novel (Spirit-inspired versus inspired by the Muses). This publication has also been published in hardback, please click here for details.
The wonders of the Greek world are presented in a modern, accessible manner, perfect for those looking to refresh their acquaintance with the classics and for those who have yet to explore the exciting intellectual energy of ancient Greece. Atchity focuses not only on the big names but also on the less-familiar voices--the women, doctors, storytellers, herbalists, and romance writers of the time. 43 photos.
The oldest European novels were written in ancient Greek during the first few centuries of the Common Era. Despite the gold rush towards these novels in the last two decades and the resurgence of interest in representations of character in literary studies, and Classical studies in particular, no volume has yet been devoted to exploring character and characterization in the ancient Greek novels. This study analyses the characterization of the protagonists in the five extant, so-called 'ideal' Greek novels (those of Chariton, Xenophon of Ephesus, Achilles Tatius, Longus, and Heliodorus). De Temmerman offers close readings of techniques of characterization used in each novel and combines modern—mainly, but not exclusively, structuralist—narratology and ancient rhetoric. He argues that three conceptual couples central to ancient theory of character, typification/individuation, idealistic/realistic characterization, and static/dynamic character, construct character in these narratives more ambiguously, more elusively, and in more complex ways than has so far been realized. Throughout the different chapters, it also becomes clear how intimately presentations of character are intertwined with self-portrayal and performance of the self.
Northrop Frye’s The Secular Scripture was first published in 1976 and was soon recognized as one of his most influential works, reflecting an extensive development of Frye’s thoughts about romance as a literary form. This new edition in the Collected Works of Northrop Frye series brings The Secular Scripture together with thirty shorter pieces pertaining to literary theory and criticism from the last fifteen years of Frye’s life. Frye’s study illuminates the enduring attraction and deep human significance of the romance genre in all its forms. He provides a unique perspective on popular fiction and culture and shows how romance forms have, by their very structural and conventional features, an ability to address both specific social concerns and deep and fundamental human concerns that span time and place. In distinguishing popular from elite culture, Frye insists that they are both ultimately two aspects of the same “human compulsion to create in the face of chaos.” The additional late writings reflect Frye’s sense at the time that he was working “toward some kind of final statement,” which eventually saw the light of day, only months before his death, as Words with Power (1990).
Novelists have long been attracted to theatre. Some have pursued success on the stage, but many have sought to combine these worlds, entering theatre through their fiction, setting stages on their novels’ pages, and casting actors, directors, and playwrights as their protagonists. The Routledge Companion to Theatre-Fiction has convened an international community of scholars to explore the remarkable array of novelists from many eras and parts of the world who have created fiction from the stuff of theatre, asking what happens to theatre on the pages of novels, and what happens to novels when they collaborate with theatre. From J. W. Goethe to Louisa May Alcott, Mikhail Bulgakov, Virginia Woolf, and Margaret Atwood, some of history’s most influential novelists have written theatre-fiction, and this Companion discusses many of these figures from new angles. But it also spotlights writers who have received less critical attention, such as Dorothy Leighton, Agustín de Rojas Villandrando, Ronald Firbank, Syed Mustafa Siraj, Li Yu, and Vicente Blasco Ibañez, bringing their work into conversation with a vital field. A valuable resource for students, scholars, and admirers of both theatre and novels, The Routledge Companion to Theatre-Fiction offers a wealth of new perspectives on topics of increasing critical concern, including intermediality, theatricality, antitheatricality, mimesis, diegesis, and performativity.
First published in 1994. Greek fiction has never been more popular. New approaches to ancient literature, and new courses in literature in translation, have made the ancient novel a fertile field for scholar and student alike. This volume extends the boundaries of the subject beyond the 'canon' of the romances properly called and examines Greek fic­tional writing in the widest possible context, including texts that are not nor­mally treated as novels, such as various kinds of sacred or quasi-historical texts. The editors hope to open up the definition of Greek fiction to further debate and to create cross-currents between scholars working in diverse fields.