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Gold Dust on His Shirt is an evocative telling of the experience of a Scandinavian immigrant family of hard-rock miners at the turn of the century and up to World War II. Based on fascinating historical research, these are tales of arriving in "Amerika," blasting the Grand Trunk Pacific railway, work in the mines, and domestic life and labour struggles in company towns throughout British Columbia. Part family history, part economic and social history, Gold Dust on His Shirt is an intriguing look at life on the industrial frontier, the world of immigrant workers and the rise of unions such as the Wobblies. This remarkable and provocative tale of a family, region and era references a number of broader social and political issues.
Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.
An account of the emergence of England’s earliest chartered Africa companies and their traders. It questions the interaction between company and private interests and their mutual impact on the emerging Atlantic of the seventeenth century and beyond.
Adam Moore describes how he suffered a serious brain injury and recovered with medical help and family support.
PULITZER PRIZE FINALIST • A NEW YORK TIMES NOTABLE BOOK • The imagined memoirs of the first black explorer of America—this "stunning [book] sheds light on all of the possible the New World exploration stories that didn’t make history” (Huffington Post). In these pages, Laila Lalami brings us the invented memoirs Mustafa al-Zamori, called Estebanico. The slave of a Spanish conquistador, Estebanico sails for the Americas with his master, Dorantes, as part of a danger-laden expedition to Florida. Within a year, Estebanico is one of only four crew members to survive. As he journeys across America with his Spanish companions, the Old World roles of slave and master fall away, and Estebanico remakes himself as an equal, a healer, and a remarkable storyteller. His tale illuminates the ways in which our narratives can transmigrate into history—and how storytelling can offer a chance at redemption and survival.