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"The Humorous Lieutenant" by Francis Beaumont is a captivating Jacobean comedy that blends elements of romance, political intrigue, and satire. Set against the backdrop of a fictional kingdom at war, the play follows the story of Captain Alcibiades, a valiant but impulsive soldier known for his bravery and his fondness for revelry. As the plot unfolds, Alcibiades finds himself embroiled in a series of comedic misadventures, including mistaken identities, romantic entanglements, and political machinations. Along the way, he encounters a colorful cast of characters, including a scheming courtier, a virtuous maiden, and a bumbling group of soldiers. Through its witty dialogue and lively characterization, "The Humorous Lieutenant" offers a satirical take on themes such as honor, loyalty, and the absurdity of war. Beaumont's skillful blend of comedy and drama creates a richly textured narrative that entertains audiences while also prompting reflection on the foibles of human nature.
"A must-read war memoir… with zero punches pulled, related by one of the most incisive observers of the American political scene." —KIRKUS (starred review) "Funny, biting, thoughtful and wholly original." —Tim O'Brien, author of The Things They Carried Jeff Danziger, one of the leading political cartoonists of his generation, captures the fear, sorrow, absurdity, and unintended but inevitable consequences of war with dark humor and penetrating moral clarity. If there is any discipline at the start of wars it dissipates as the soldiers themselves become aware of the pointlessness of what they are being told to do. A conversation with a group of today’s military age men and women about America’s involvement in Vietnam inspired Jeff Danziger to write about his own wartime experiences: “War is interesting,” he reveals, “if you can avoid getting killed, and don’t mind loud noises.” Fans of his cartooning will recognize his mordant humor applied to his own wartime training and combat experiences: “I learned, and I think most veterans learn, that making people or nations do something by bombing or sending in armed troops usually fails.” Near the end of his telling, Danziger invites his audience—in particular the young friends who inspired him to write this informative and rollicking memoir—to ponder: “What would you do? . . . Could you summon the bravery—or the internal resistance—to simply refuse to be part of the whole idiotic theater of the war? . . . Or would you be like me?”
This play by Alexander Dyce John Fletcher is a hilarious and engaging work that explores the themes of love and political intrigue in ancient Greece. The clever dialogue and memorable characters make this a must-see for fans of classical literature and theater. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
To interrupt, both on stage and off, is to wrest power. From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms, such as conventions and dramaturgy. He demonstrates how studying interruptions may indicate aspects of authorial style – emphasizing a playwright's use and control of a text – and how exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago, or Macbeth and the Ghost of Banquo.