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What Can a London Opera Star and an Escaped Dartmoor Prisoner Have in Common? Opera star Maggie Lee escapes her opulent lifestyle when threatened by a powerful politician who aims to ruin her life. She runs off to the wilds of the moors to live in anonymity. All that changes the day she discovers a half-dead man near her house. Escaped convict Oliver Ward is on the run to prove his innocence, until he gets hurt and is taken in by Maggie. He discovers some jewels in her possession—the very same jewels that got him convicted. Together they hatch a plan to return the jewels, clearing Oliver’s name and hopefully maintaining Maggie’s anonymity.
PULITZER PRIZE FINALIST • A NEW YORK TIMES NOTABLE BOOK • The imagined memoirs of the first black explorer of America—this "stunning [book] sheds light on all of the possible the New World exploration stories that didn’t make history” (Huffington Post). In these pages, Laila Lalami brings us the invented memoirs Mustafa al-Zamori, called Estebanico. The slave of a Spanish conquistador, Estebanico sails for the Americas with his master, Dorantes, as part of a danger-laden expedition to Florida. Within a year, Estebanico is one of only four crew members to survive. As he journeys across America with his Spanish companions, the Old World roles of slave and master fall away, and Estebanico remakes himself as an equal, a healer, and a remarkable storyteller. His tale illuminates the ways in which our narratives can transmigrate into history—and how storytelling can offer a chance at redemption and survival.
Come back to the intriguing world of Lady Julia Grey in the beloved historical mystery series from New York Times bestselling author Deanna Raybourn. Despite his admonitions to stay away, Lady Julia arrives in Yorkshire to find Brisbane as remote and maddeningly attractive as ever. Cloistered together, they share the moldering house with the proud but impoverished remnants of an ancient family—the sort that keeps their bloodline pure and their secrets close. Lady Allenby and her daughters, dependent upon Brisbane and devastated by their fall in society, seem adrift on the moor winds, powerless to change their fortunes. But poison does not discriminate between classes…. A mystery unfolds from the rotten heart of Grimsgrave, one Lady Julia may have to solve alone, as Brisbane appears inextricably tangled in its heinous twists and turns. But blood will out, and before spring touches the craggy northern landscape, Lady Julia will have uncovered a Gypsy witch, a dark rider and a long-buried legacy of malevolence and evil. Previously published. Don’t miss the complete Lady Julia Grey mystery series by Deanna Raybourn! Book # 1: Silent in the Grave Book # 2: Silent in the Sanctuary Book # 3: Silent on the Moor Book # 3.5: Midsummer Night (novella) Book # 4: Dark Road to Darjeeling Book # 5: The Dark Enquiry Book # 5.5: Silent Night (novella) Book # 5.6: Twelfth Night (novella) Book # 5.7: Bonfire Night (novella)
When barrister Rex Graves invites a group of friends to Gleneagle Lodge, he doesn't anticipate the arrival of an old flame—much less a dead body or serial killer. Rex's houseguest and colleague Alistair, who recently made an unsuccessful attempt to convict a man for the notorious Moor Murders, now finds himself under the same roof as the killer. Rex must use his skills of intellect, observation, and logic to save Alistair's career and bring the murderer to justice. Praise: "Traditional mystery fans will appreciate the retro Agatha Christie style."—Publishers Weekly "A welcome diversion from today's style of writing...The writing is crisp and the story fast-paced. Challinor doesn't waste time on empty filler, but gets right to the topic at hand."—BellaOnline "C.S. Challinor delivers a racier cozy in Murder on the Moor...skillfully choreographed."—Washington Post "Contemporary in setting but classic in style and voice, it'll have you guessing to the very end. 4 stars." —RT Book Reviews
In this deeply personal journey across our nation's most forbidding and most mysterious terrain, William Atkins takes the reader from south to north, in search of the heart of this elusive landscape. His account is both travelogue and natural history, and an exploration of moorland's uniquely captivating position in our literature, history and psyche. Atkins may be a solitary wanderer across these vast expanses, but his journey is full of encounters, busy with the voices of the moors, past and present: murderers and monks, smugglers and priests, gamekeepers and ramblers, miners and poets, developers and environmentalists. As he travels, he shows us that the fierce landscapes we associate with Wuthering Heights and The Hound of the Baskervilles are far from being untouched wildernesses. Daunting and defiant, the moors echo with tales of a country and the people who live in it - a mighty, age-old landscape standing steadfast against the passage of time.
Told using controlled language, this is the story of a couple's stay in the Aquarius Hotel. The hotel on the moors was strange and unwelcoming, but it was the only accommodation for miles around. Rushing out after hearing a terrible scream, the couple's holiday became even more bizarre!
In his first novel since The Satanic Verses, Rushdie gives readers a masterpiece of controlled storytelling, informed by astonishing scope and ambition, by turns compassionate, wicked, poignant, and funny. From the paradise of Aurora's legendary salon to his omnipotent father's sky-garden atop a towering glass high-rise, the Moor's story evokes his family's often grotesque but compulsively moving fortunes in a world of possibilities embodied by India in this century.
When Mary Russell is summoned by her partner and husband Sherlock Holmes to the scene of his most celebrated case, that of the Hound of the Baskervilles, there is more to the matter than a phantom hound. Sightings of a spectral coach carrying a long-dead noblewoman over the moonlit moor have heralded a corpse surrounded by oversized paw prints. As Russell and Holmes anticipate, a rational explanation lies beneath the supernatural events--but one far darker than they ever imagined. Martin's Press.