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An institutional history of Indian parliament, democracy and politics combining archival materials, interviews and visuals.
When a spunky mouse invites a passing bird to see what's inside a People House, chaos ensues while beginning readers learn the names of 65 common household items—and that people are generally not pleased to find mice and birds in their houses! A super simple, delightfully silly introduction to objects around the home—from none other than Dr. Seuss!
Can someone heist the majority of the House of Representatives with no one noticing? That’s the electoral coup that turns America upside down in THE PEOPLE'S HOUSE… ...Until one man notices. Political reporter Jack Sharpe is logging time at the tail end of a disappointing career -- jaded about politics and stung by personal hard knocks. But after an odd election result in the Ohio Congressional district he covers, Sharpe stumbles across irregularities that spur him to dig deeper. The story takes him far beyond his corner of Ohio as he discovers an international plot—one that strikes at the heart of American democracy by taking advantage of weaknesses in today’s political architecture. His reporting leads to a showdown with the philandering Congressman and Presidential contender who knew about the plan but told nobody, and the eccentric but deadly Russian energy baron who masterminded it all. In order to save himself and the country, Sharpe must rekindle his old fire to navigate a treacherous journey through danger, betrayal, and atonement.
The extraordinary story of the 20th century's most recognisable building, with new insights into the people involved and the controversy that surrounded its construction. Winner of the 2018 Walkley Book Award The best-loved building in Australia nearly didn't get off the drawing board. When it did, the lives of everyone involved in its construction were utterly changed: some for the better, many for the worse. Helen Pitt tells the stories of the people behind the magnificent white sails of the Sydney Opera House. From the famous conductor and state premier who conceived the project; to the two architects whose lives were so tragically intertwined; to the workers and engineers; to the people of Sydney, who were alternately beguiled and horrified as the drama unfolded over two decades. With access to diaries, letters, and classified records, as well as her own interviews with people involved in the project, Helen Pitt reveals the intimate back story of the building that turned Sydney into an international city. It is a tale worthy of Shakespeare himself. 'A drama-filled page turner' - Ita Buttrose AO OBE 'Helen Pitt tells us so much about the building of the Sydney Opera House we've never heard before' - Bob Carr, former Premier of NSW 'Australia in the seventies: mullets, platform shoes and, miraculously, the Opera House. At least we got one of them right. A great read.' - Amanda Keller, WSFM breakfast presenter
Beth’s mother, Hanny Lynn, hasn’t spoken to her parents or her sister, Iris, in twenty years. But she decides it’s time to set aside old grievances, so sixteen-year-old Beth and her brother, Tom, find themselves spending a sweltering summer with their mother and her family in a sleepy Pennsylvania town. More than just homesick, Beth is troubled by deep family tensions and Aunt Iris’s sudden drunken outbursts. As Beth begins to delve into family history, she discovers a chilling and inexplicable tragedy.
Libby Henry unabashedly tells her story in this lively memoir set in central Kentucky. She rides her pony rough-shod through the lives of Earl and Beal, her parents, singing The Little Orange Bird. All Earl wants is some "peace," hard to find with a daughter some fifty years his junior, with a croaky voice and coke bottle glasses perparing for a song and dance career, with a dash of fashion. Beal lives vicariously through Libby's short-lived modeling career, her romances, and connections, pleased when she approves, and tending to the unhinged wihen not so pleased. Earl is still looking for "peace," while weathering the car wrecks, the vacatons, and the unexpected in his home-life. And then there's those trips to Lincoln county where Libby's maternal grandfather is a big man in the community, a man of property who also owns the stockyard and is a deputy sheriff, though he hasn't qutie caught up to the times and modernized his house with running water. There's the little old lady who "shot me a dog once," Davy Crockett and Sam Houston make an appearance, and that "bad man" who got his head knocked into a wall by Earl. And darker times too, times of illness, loss, mortgage fraud and divorce. Libby shares all with an enduring sense of humor and a welcoming voice that draw you near and keep you turning pages.
Epoch-making political events are often remembered for their spatial markers: the fall of the Berlin Wall, the storming of the Bastille, the occupation of Tiananmen Square:. Until recently, however, political theory has overlooked the power of place. In Radical Space, Margaret Kohn puts space at the center of democratic theory. Kohn examines different sites of working-class mobilization in Europe and explains how these sites destabilized the existing patterns of social life, economic activity, and political participation. Her approach suggests new ways to understand the popular public sphere of the early twentieth century.This book imaginatively integrates a range of sources, including critical theory, social history, and spatial analysis. Drawing on the historical record of cooperatives, houses of the people, and chambers of labor, Kohn shows how the built environment shaped people's actions, identities, and political behavior. She illustrates how the symbolic and social dimensions of these places were mobilized as resources for resisting oppressive political relations. The author shows that while many such sites of resistance were destroyed under fascism, they created geographies of popular power that endure to the present.
The forms of liberal government that emerged after World War II are in the midst of a profound crisis. In I Am the People, Partha Chatterjee reconsiders the concept of popular sovereignty in order to explain today’s dramatic outburst of movements claiming to speak for “the people.” To uncover the roots of populism, Chatterjee traces the twentieth-century trajectory of the welfare state and neoliberal reforms. Mobilizing ideals of popular sovereignty and the emotional appeal of nationalism, anticolonial movements ushered in a world of nation-states while liberal democracies in Europe guaranteed social rights to their citizens. But as neoliberal techniques shrank the scope of government, politics gave way to technical administration by experts. Once the state could no longer claim an emotional bond with the people, the ruling bloc lost the consent of the governed. To fill the void, a proliferation of populist leaders have mobilized disaffected groups into a battle that they define as the authentic people against entrenched oligarchy. Once politics enters a spiral of competitive populism, Chatterjee cautions, there is no easy return to pristine liberalism. Only a counter-hegemonic social force that challenges global capital and facilitates the equal participation of all peoples in democratic governance can achieve significant transformation. Drawing on thinkers such as Antonio Gramsci, Michel Foucault, and Ernesto Laclau and with a particular focus on the history of populism in India, I Am the People is a sweeping, theoretically rich account of the origins of today’s tempests.
"In this first modern history of the Xhosa, J.B. Peires relates the story of one of the most numerous and important indigenous peoples in contemporary South Africa from their consolidation, through an era of cooperation and conflict with whites (whom the Xhosa regarded as uncivilized), to the frontier wars that eventuated in their present position as a subordinate group in the modern South African state"--Back cover.