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In May 1969, David Oluwale's body was pulled from the River Aire in Leeds. Eighteen months later, the investigation into his death was to rip apart the Yorkshire police force as two officers were prosecuted for killing the Nigerian immigrant whist in police custody.The police acts of prejudice and violence brought to light through the investigation of 1971 shook the population of Leeds, and thirty nine years on, the details of Oluwale's death still haunt the area. Through The Hounding of David Oluwale, an adaptation of Kester Aspden’s critically acclaimed text, Agboluaje uses carefully selected accounts of Oluwale's life to reveal how an optimistic and much loved showman who loved to dance, became the tragic victim of police persecution and brutality. Adapted as part of the Eclipse Theatre Initiative, a scheme dedicated to raising awareness for the work of aspiring Black dramatists, this play is a gripping drama that unravels the deep rooted prejudice that resides within contemporary society. The Hounding of David Oluwale opened at the West Yorkshire Playhouse at the end of January 2009.
Through The Hounding of David Oluwale, an adaptation of Kester Aspden's critically acclaimed text, Agboluaje uses carefully selected accounts of Oluwale's life to reveal how an optimistic and much loved showman who loved to dance, became the tragic victim of police persecution and brutality. In May 1969, David Oluwale's body was pulled from the River Aire in Leeds. Eighteen months later, the investigation into his death was to rip apart the Yorkshire police force as two officers were prosecuted for killing the Nigerian immigrant whist in police custody. The police acts of prejudice and violence brought to light through the investigation of 1971 shook the population of Leeds, and thirty nine years on, the details of Oluwale's death still haunt the area.
When the body of David Oluwale, a rough sleeper with a criminal history and a mental illness, was pulled out of the River Aire in May 1969, no-one asked too many questions about his death. A year and a half later, rumours that the Nigerian man had been subject to a campaign of abuse from police officers led to a criminal investigation.
'David Oluwale's story has a raw power...and Kester Aspden makes it relevant for the reader of today' Mishal Husain An award-winning microhistory that examines the death of David Oluwale and institutionalised police racism in Britain. When, in May 1969, the body of David Oluwale was found in the River Aire near Leeds, few questions were asked about the circumstances of his death. Oluwale was homeless and had spent time in a psychiatric hospital, an immigrant from Nigeria who was trapped in a system that had failed him miserably. Eighteen months later a lengthy campaign of harassment by two Leeds policemen was uncovered - Oluwale became national news in Britain, and a symbol for its black community. This extraordinary book draws on original archival material only recently released to revisit one of the most chilling crimes in British history, and at the same time raises questions as relevant today as they were at the end of the sixties. Winner of the CWA Gold Dagger for Non-Fiction 2008 'Aspden's painstaking research, empathetic approach and ability to weave together a vivid wider social critique show Oluwale was done a terrible disservice' Metro
From modern pop culture to anti-Blackness, faith and family, politics, education, creativity and working life; this anthology gives visibly Muslim women a space to speak. SPOILER ALERT: We won’t be answering the usual questions! Perceived as the visual representation of Islam, hijab-wearing Muslim women are nevertheless rarely afforded a platform on their own terms. Harangued by awkward questions, radical commentators sensationalising our existence, non-Muslims and non-hijabis making assumptions, men speaking on our behalf, or stereotypical norms being perpetuated by the same old faces, hijabis are tired. Cut from the Same Cloth? seeks to tip the balance back in our favour. Here, twenty-one women of all ages and races look beyond the tired tropes, exploring the breadth of our experience and spirituality. It’s time we, as a society, stop with the hijab-splaining and make space for the women who know. Essays by Negla Abdalla, Zahra Adams, Sabeena Akhtar, Mariam Ansar, Fatima Ahdash, Shaista Aziz, Suma Din, Khadijah Elshayyal, Ruqaiya Haris, Raisa Hassan, Fatha Hassan, Sumaya Kassim, Rumana Lasker Dawood, Suhaiymah Manzoor Khan, Asha Mohamed, Sofia Rehman, Yvonne Ridley Aisha Rimi, Khadijah Rotimi, Sophie Williams, Hodan Yusuf.
Why equality cannot be conditional on a shared human “nature” but has to be for all For centuries, ringing declarations about all men being created equal appealed to a shared human nature as the reason to consider ourselves equals. But appeals to natural equality invited gradations of natural difference, and the ambiguity at the heart of “nature” enabled generations to write of people as equal by nature while barely noticing the exclusion of those marked as inferior by their gender, race, or class. Despite what we commonly tell ourselves, these exclusions and gradations continue today. In Unconditional Equals, political philosopher Anne Phillips challenges attempts to justify equality by reference to a shared human nature, arguing that justification turns into conditions and ends up as exclusion. Rejecting the logic of justification, she calls instead for a genuinely unconditional equality. Drawing on political, feminist, and postcolonial theory, Unconditional Equals argues that we should understand equality not as something grounded in shared characteristics but as something people enact when they refuse to be considered inferiors. At a time when the supposedly shared belief in human equality is so patently not shared, the book makes a powerful case for seeing equality as a commitment we make to ourselves and others, and a claim we make on others when they deny us our status as equals.
When Guy Kennaway, 63, a white, middle class, overweight, English, Tory-voting writer met Hussein Sharif, 22, an African-born, inner city, Tory-hating Muslim, they assumed they had little in common. But newly related by marriage, they decided to go on a walk through Britain to get to know each other. Guy's mission was to explain to Hussein how wonderful British life and culture was, and Hussein's was to describe to Guy the realities of life as a young black Muslim in Britain in 2019. Over a forty-mile hike they made friends, fell out, told stories, encountered strangers, argued, laughed and got very sore feet. Held up by COVID-19 and dramatically diverted by BLM, they reached the end of their walk together, but for both of them it marked the start of a new and more important journey.
The theoretical innovations of Edward Said, Homi Bhabha, Gayatri Spivak, Stuart Hall, Paul Gilroy, James Clifford and others have in recent years vitalized postcolonial and diaspora studies, challenging ways in which we understand ‘culture’ and developing new ways of thinking beyond the confines of the nation state. The articles in this volume look at recent developments in diasporic literature and theory, alluding to the work of seminal diaspora theoreticians, but also interrogating such thinkers in the light of recent cultural production (including literature, film and visual art) as well as recent world events. The articles are organized in pairs, offering alternative perspectives on crucial aspects of diaspora theory today: Celebration or Melancholy?; Gender Biases and the Canon of Diasporic Literature; Diasporas of Violence and Terror; Time, Place and Diasporic “Home”; and Border Crossings. A number of the articles are illustrated by discussions of particular authors, such as Caryl Phillips, Salman Rushdie, and Michael Ondaatje, and the range of reference found in this volume covers writing from many parts of the world including contemporary Chicana visual art, Asian diaspora writers, and Black British, Afro-Caribbean, Native North American, and African writing.
A groundbreaking investigation of how inequality infects our minds and gets under our skin Why are people more relaxed and at ease with each other in some countries than others? Why do we worry so much about what others think of us and often feel social life is a stressful performance? Why is mental illness three times as common in the USA as in Germany? Why is the American dream more of a reality in Denmark than the USA? What makes child well-being so much worse in some countries than others? As The Inner Level demonstrates, the answer to all these is inequality. In The Spirit Level Richard Wilkinson and Kate Pickett put inequality at the center of public debate by showing conclusively that less equal societies fare worse than more equal ones across everything from education to life expectancy. The Inner Level now explains how inequality affects us individually, altering how we think, feel and behave. It sets out the overwhelming evidence that material inequities have powerful psychological effects: when the gap between rich and poor increases, so does the tendency to define and value ourselves and others in terms of superiority and inferiority. A deep well of data and analysis is drawn upon to empirically show, for example, that low social status leads to elevated levels of stress hormones, and how rates of anxiety, depression and addictions are intimately related to the inequality which makes that status paramount. Wilkinson and Pickett describe how these responses to hierarchies evolved, and why the impacts of inequality on us are so severe. In doing so, they challenge the conception that humans are inescapably competitive and self-interested. They undermine, too, the idea that inequality is the product of "natural" differences in individual ability. This book draws together many of the most urgent problems facing societies today, but it is not just an index of our ills. It demonstrates that societies based on fundamental equalities, sharing and reciprocity generate much higher levels of well-being, and lays out the path towards them.