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Tragic Mountains tells the story of the Hmong's struggle for freedom and survival in Laos from 1942 through 1992. During those years, most Hmong sided with the French against the Japanese and Ho Chi Minh's Viet Minh, and then with the Americans against the North Viemamese.
Based on more than 200 interviews during 2002-2009 under the auspices of the Hmong Oral History Project. Several full-text interviews are available on the project's website.
The journey of a Hmong family escaping war-torn Laos to Thailand refugee camps. Eventually the family was accepted to come to the United States of America.
Farmers in Laos, U.S. allies during the Vietnam War, refugees in Thailand, citizens of the Western world, the stories of the Hmong who now live in America have been told in detail through books and articles and oral histories over the past several decades. Like any immigrant group, members of the first generation may yearn for the past as they watch their children and grandchildren find their way in the dominant culture of their new home. For Hmong people born and educated in the United States, a definition of self often includes traditional practices and tight-knit family groups but also a distinctly Americanized point of view. How do Hmong Americans negotiate the expectations of these two very different cultures? This book contains a series of essays featuring a range of writing styles, leading scholars, educators, artists, and community activists who explore themes of history, culture, gender, class, family, and sexual orientation, weaving their own stories into depictions of a Hmong American community where people continue to develop complex identities that are collectively shared but deeply personal as they help to redefine the multicultural America of today.
Authoritative and original, Dreams of the Hmong Kingdom is among the first works of its kind, exploring the influence that French colonialism and Hmong leadership had on the Hmong people's political and social aspirations.
Winner of the National Book Critics Circle Award for Nonfiction, this brilliantly reported and beautifully crafted book explores the clash between a medical center in California and a Laotian refugee family over their care of a child.
This study documents Hmong’s involvement in the Secret War in Laos, their refugee exodus from Laos to the refugee camps in Thailand, and the challenges to find third countries to take Hmong refugees. At the time, Hmong and other highlander refugees from Laos were considered unsuitable to be resettled into the United States. He provides detailed research on the adaptation of Hmong Americans to their new lives in the United States, facing discrimination and prejudice, and the advancement of Hmong Americans over the past 40 years. He presents the Hmong American community as an uprooted refugee community that grew from a small population in 1975 to more than 300,000 by the year 2015; spreading to all 50 states while becoming a diverse and complex American ethnic community. To get better insight into their diversity, complexity, and adaptation to different localities, Kou Yang uses the Hmong communities in Montana, Fresno and Denver as case studies. The progress of Hmong Americans over the past 4 decades is highlighted with a list of many achievements in education, high-tech, academia, political participation, the military and other fields. Readers of this book will gain a deeper understanding of the challenges, complex and diverse experience of the Hmong American community. They will also obtain insight into the overall experience of the Hmong, an ethnic people of Diaspora, found in Asia, the Americas, Africa, Australia, and Europe. They are like bristle-cone pines on the rock that have been exposed to all types of weather, climate and conditions, but they won't die.
In the mid-1980s, a radio program with a compelling spiritual message was accidentally received by listeners in Vietnam’s remote northern highlands. The Protestant evangelical communication had been created in the Hmong language by the Far East Broadcasting Company specifically for war refugees in Laos. The Vietnamese Hmong related the content to their traditional expectation of salvation by a Hmong messiah-king who would lead them out of subjugation, and they appropriated the evangelical message for themselves. Today, the New Way (Kev Cai Tshiab) has some three hundred thousand followers in Vietnam. Tam T. T. Ngo reveals the complex politics of religion and ethnic relations in contemporary Vietnam and illuminates the dynamic interplay between local and global forces, socialist and postsocialist state building, cold war and post–cold war antagonisms, Hmong transnationalism, and U.S.-led evangelical expansionism.
The 2016 winner of the Walt Whitman Award of the Academy of American Poets, selected by Carolyn Forché When I make the crossing, you must not be taken no matter what the current gives. When we reach the camp, there will be thousands like us. If I make it onto the plane, you must follow me to the roads and waiting pastures of America. We will not ride the water today on the shoulders of buffalo as we used to many years ago, nor will we forage for the sweetest mangoes. I am refugee. You are too. Cry, but do not weep. —from “Transmigration” Afterland is a powerful, essential collection of poetry that recounts with devastating detail the Hmong exodus from Laos and the fate of thousands of refugees seeking asylum. Mai Der Vang is telling the story of her own family, and by doing so, she also provides an essential history of the Hmong culture’s ongoing resilience in exile. Many of these poems are written in the voices of those fleeing unbearable violence after U.S. forces recruited Hmong fighters in Laos in the Secret War against communism, only to abandon them after that war went awry. That history is little known or understood, but the three hundred thousand Hmong now living in the United States are living proof of its aftermath. With poems of extraordinary force and grace, Afterland holds an original place in American poetry and lands with a sense of humanity saved, of outrage, of a deep tradition broken by war and ocean but still intact, remembered, and lived.