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Alfred Hitchcock relished his power to frighten us and believed the shocks he administered improved our psychological health. But he could never satisfactorily explain our curiosity to see forbidden things or the perverse desire to experience anxiety and dread that made his work so popular. In The Hitchcock Murders, Peter Conrad, one of Hitchcock's eager victims, undertakes the task on the master's behalf. At the age of thirteen, Conrad snuck into his first screening of Psycho, and he's been wary of showers and fruit cellars ever since. Thanks to Hitchcock, he's also suspicious of staircases, seagulls, and crop-dusting planes. Now he sets out to analyze the nature of Hitchcock's appeal to both himself and the millions of moviegoers for whom Hitchcock is cinema's foremost auteur. Examining Hitchcock's use of religion, morality, conscience, culpability, and literary symbols, Conrad unveils a chilling Nietzschean universe-one in which there is no God and no moral standard, where humans are petty and disposable and the neutral hand of fate can take a life in the blink of an eye. A timid, respectable man with the imagination of a psychopath, a chubby jester whose practical jokes took merciless advantage of human insecurities, Hitchcock is revealed here as the man who knew too much-about all of us.
There's a psycho out there. He's murdering a young woman every Tuesday, killing in gruesome ways inspired by the movies of Alfred Hitchcock. Forced on a fast-track scheme for ethnic minority officers, Josa Jilani has been rocketed to Detective Superintendent with the London Met. But someone high up wants her to fail and she's made senior investigating officer in the hunt for the serial killer. Out of her depth, scared and with her reputation and livelihood on the line, she's determined to stop the murders and make her dad proud. She has a week to catch a killer.
In 1957, Alfred Hitchcock is filming his latest thriller, Vertigo. The famous director receives a woman's ear and decides to investigate with the help of retired LAPD detective Chess Slatery.
Marli Renfro was Janet Leigh's body double in the Hitchcock classic Psycho. When she disappeared, it was believed she was the victim of a serial killer. It was a mystery that took decades to solve-and a crime that could only have happened in Hollywood.
Murder—a dark, shameful deed, the last resort of the desperate or a vile tool of the greedy. And a very strange obsession. But where did this fixation develop? And what does it tell us about ourselves?Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of the modern era, murder entered the popular psyche, and it’s been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime—and a riveting investigation into the English criminal soul by one of our finest historians.
The films of Alfred Hitchcock are appreciated for a variety of reasons, including the many memorable villains who menace the protagonists. Unlike so many of cinema’s wrongdoers, the Hitchcock villain was often a complex individual with a nuanced personality and neuroses the common person might not be able to relate to, but could at least understand. If such figures did not always elicit sympathy from the audience, they still possessed characteristics that were oddly appealing. And frequently, viewers found them more likable than the heroes and heroines whom they victimized. In Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues, authors Eric San Juan and Jim McDevitt explore a number of themes that form the foundation of villainy in Hitchcock’s long and acclaimed career. The authors also provide a detailed look at some of the director’s most noteworthy villains and examine how these characters were often central to the enjoyment of Hitchcock’s best films. Whether discussing Uncle Charlie in Shadow of a Doubt or Norman Bates in Psycho, the authors consider what attracted Hitchcock to such characters in the first place and why they endure as screen icons. Intended for both casual and ardent fans of Hitchcock, this book offers insight into what makes villainous characters tick. While serious students will appreciate observations in Hitchcock’s Villains that will enhance their study of cinema technique and writing, general fans of the director will simply enjoy delving further into the minds of their favorite villains.
Shortlisted for CrimeFest Awards' Best Crime Novel for Children 2019 When Viv has a fight with Noah, she doesn't think it'll be the last time she sees him. But when she gets back from school, he's nowhere to be found and there are police cars everywhere, lights flashing and sirens blaring. Viv is sure Noah's run away to get attention. But it's really cold, and getting dark, and the rain just won't stop falling. So she sets off to look for him, furious at his selfishness, as the floodwaters rise. And then she finds him, and realises that a much more dangerous story is unfolding around them... From the author of Dear Scarlett, Saving Sophia and Murder in Midwinter "The story creeps in on you like darkness at dusk - a truly intriguing mystery!" - Chris Bradford, author of the Young Samurai series
47 tales of murder for profit, revenge, accident, or assassination are related with twists and turns, if necessary
The Lodger is the first known novelization of the Jack the Ripper story. It follows the lives of Mr. and Mrs. Bunting, a maid and butler. An eccentric lodger, Mr. Sleuth, arrives at their lodging-house just as a wave of horrific murders begins to sweep London. The Buntings become engrossed in the newspaper sensationalism as well the detailed accounts of their young friend, a Scotland Yard detective. Lowndes first wrote The Lodger as a short story published in McClure’s Magazine, then later published the novelization in the Daily Telegraph as a serial. It was very successful, with over a million copies sold within a few decades. Writers like Ernest Hemingway and Gertrude Stein praised it, with one contemporary reviewer calling it “the best novel about murder written by any living author.” It has since been adapted to other media, notably as one of Alfred Hitchcock’s first movies. Today the novel is still considered the best fictional adaptation of the Jack the Ripper legend. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Reading level: 4 [red].