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Of all Plato’s dialogues, the Parmenides is notoriously the most difficult to interpret. Scholars of all periods have disagreed about its aims and subject matter. The interpretations have ranged from reading the dialogue as an introduction to the whole of Platonic metaphysics to seeing it as a collection of sophisticated tricks, or even as an elaborate joke. This work presents an illuminating new translation of the dialogue together with an extensive introduction and running commentary, giving a unified explanation of the Parmenides and integrating it firmly within the context of Plato's metaphysics and methodology. Scolnicov shows that in the Parmenides Plato addresses the most serious challenge to his own philosophy: the monism of Parmenides and the Eleatics. In addition to providing a serious rebuttal to Parmenides, Plato here re-formulates his own theory of forms and participation, arguments that are central to the whole of Platonic thought, and provides these concepts with a rigorous logical and philosophical foundation. In Scolnicov's analysis, the Parmenides emerges as an extension of ideas from Plato's middle dialogues and as an opening to the later dialogues. Scolnicov’s analysis is crisp and lucid, offering a persuasive approach to a complicated dialogue. This translation follows the Greek closely, and the commentary affords the Greekless reader a clear understanding of how Scolnicov’s interpretation emerges from the text. This volume will provide a valuable introduction and framework for understanding a dialogue that continues to generate lively discussion today.
This book examines the birth of the scientific understanding of motion. It investigates which logical tools and methodological principles had to be in place to give a consistent account of motion, and which mathematical notions were introduced to gain control over conceptual problems of motion. It shows how the idea of motion raised two fundamental problems in the 5th and 4th century BCE: bringing together being and non-being, and bringing together time and space. The first problem leads to the exclusion of motion from the realm of rational investigation in Parmenides, the second to Zeno's paradoxes of motion. Methodological and logical developments reacting to these puzzles are shown to be present implicitly in the atomists, and explicitly in Plato who also employs mathematical structures to make motion intelligible. With Aristotle we finally see the first outline of the fundamental framework with which we conceptualise motion today.
Includes section "Recent publications."
When a tortoise challenges a great Greek hero to use his logic in order to decipher a simple philosophical argument, slight chaos ensues. ‘What the Tortoise Said to Achilles’ is an endless cycle of suppositions and deductions. A refined piece of philosophical writing, Caroll’s discussion was one of the first steps towards paradoxically explaining logical truth. His clever prose makes this novel an essential read for budding philosophers and logic aficionados. Lewis Caroll (1832-1898) was a British author. He was famed for his novel ‘Alice in Wonderland' and its sequel ‘Through the Looking-Glass’. Both of which have been successfully adapted to film and stage. Aside from this, he was also a mathematician, professional photographer, and clergyman. His colorful plotlines, powerful imagery, and endless imagination earned him the title of one of the most notable authors of the nineteenth century. Among his other notable works are the poetic collection "Phantasmagoria and Other Poems", the poem "The Hunting of the Snark", and the fairy novel "Sylvie and Bruno".
Waking to find himself shipwrecked on a strange shore before a dark wood, the pilgrim of the Divine Comedy realizes he must set his sights higher and guide his ship to a radically different port. Starting on the sand of that very shore with Dante, John Freccero begins retracing the famous voyage recounted by the poet nearly 700 years ago. Freccero follows pilgrim and poet through the Comedy and then beyond, inviting readers both uninitiated and accomplished to join him in navigating this complex medieval masterpiece and its influence on later literature. Perfectly impenetrable in its poetry and unabashedly ambitious in its content, the Divine Comedy is the cosmos collapsed on itself, heavy with dense matter and impossible to expand. Yet Dante’s great triumph is seen in the tiny, subtle fragments that make up the seamless whole, pieces that the poet painstakingly sewed together to form a work that insinuates itself into the reader and inspires the work of the next author. Freccero magnifies the most infinitesimal elements of that intricate construction to identify self-similar parts, revealing the full breadth of the great poem. Using this same technique, Freccero then turns to later giants of literature— Petrarch, Machiavelli, Donne, Joyce, and Svevo—demonstrating how these authors absorbed these smallest parts and reproduced Dante in their own work. In the process, he confronts questions of faith, friendship, gender, politics, poetry, and sexuality, so that traveling with Freccero, the reader will both cross unknown territory and reimagine familiar faces, swimming always in Dante’s wake.
Table of contents
Since its publication in 1994, Richard McKirahan's Philosophy Before Socrates has become the standard sourcebook in Presocratic philosophy. It provides a wide survey of Greek science, metaphysics, and moral and political philosophy, from their roots in myth to the philosophers and Sophists of the fifth century. A comprehensive selection of fragments and testimonia, translated by the author, is presented in the context of a thorough and accessible discussion. An introductory chapter deals with the sources of Presocratic and Sophistic texts and the special problems of interpretation they present. In its second edition, this work has been updated and expanded to reflect important new discoveries and the most recent scholarship. Changes and additions have been made throughout, the most significant of which are found in the chapters on the Pythagoreans, Parmenides, Zeno, Anaxagoras, and Empedocles, and the new chapter on Philolaus. The translations of some passages have been revised, as have some interpretations and discussions. A new Appendix provides translations of three Hippocratic writings and the Derveni papyrus.
René Guénon (1886-1951) is undoubtedly one of the luminaries of the twentieth century, whose critique of the modern world has stood fast against the shifting sands of recent philosophies. His oeuvre of 26 volumes is providential for the modern seeker: pointing ceaselessly to the perennial wisdom found in past cultures ranging from the Shamanistic to the Indian and Chinese, the Hellenic and Judaic, the Christian and Islamic, and including also Alchemy, Hermeticism, and other esoteric currents, at the same time it directs the reader to the deepest level of religious praxis, emphasizing the need for affiliation with a revealed tradition even while acknowledging the final identity of all spiritual paths as they approach the summit of spiritual realization. Guénon's early and abiding interest in mathematics, like that of Plato, Pascal, Leibnitz, and many other metaphysicians of note, runs like a scarlet threat throughout his doctrinal studies. In this late text published just five years before his death, Guénon devotes an entire volume to questions regarding the nature of limits and the infinite, both with respect to the calculus as a mathematical discipline, and to the symbolism of the initiatic path. This book therefore extends and complements the geometrical symbolism Guénon employs in several of his other works, especially The Symbolism of the Cross, The Multiple States of the Being, and Symbols of Sacred Science. A sampling of chapter titles will convey some sense of this remarkable work: 'Infinite and Indefinite', 'Degrees of Infinity', 'Zero is not a Number', 'The Law of Continuity', 'Vanishing Quantities', 'Various Orders of Indefinitude', 'The Arguments of Zeno of Elea', 'The True Conception of Passage to the Limit'. The Collected Works of René Guénon brings together the writings of one of the greatest prophets of our time, whose voice is even more important today than when he was alive. Huston Smith, author of The World's Religions, etc.
The nether side of passion is madness. Nathan Price is a college professor with crippling impairments, seeking escape from his prison of necessity. One day, in a package of seventeenth-century documents from Salem Village, he stumbles across a letter by his best friend, Jamie, who had disappeared six months before. The document is dated 1692--the height of the Witch Trials. The only potential lead: a single mention of Carthage, a tiny town in the Wisconsin northern highland. The mystery catapults Nathan from Chicago to the Wisconsin wilderness. There, he meets Alanna, heir to an astonishing Mittel-European legacy of power and sacrifice. In her, and in the gentle townsfolk of Carthage, Nathan finds the refuge for which he has long yearned. But Simon, the town elder, is driven by demons of his own, and may well be entangled in Jamie's disappearance and that of several Carthaginians. As darkness stretches toward Alanna, Nathan may have no choice but to risk it all... Moving from the grimness of Chicago's South Side to the Wisconsin hinterlands to seventeenth-century Salem, this is a story of love, of sacrifice, of terrible passions--and of two wounded souls quietly reaching for the deep peace of sanctuary.