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A fusion of Steven Pressfield's Gates of Fire and the movie Braveheart; a novel of ancient warfare, lethal politics, and the final great clash of Roman and Celtic culture. For three centuries, the stone barrier we know as Hadrian's Wall shielded Roman Britain from the unconquered barbarians of the island's northern highlands. But when Valeria, a senator's daughter, is sent to the Wall for an arranged marriage to an aristocratic officer in 367 AD, her journey unleashes jealousy, passion and epic war. Valeria's new husband, Marcus, has supplanted the brutally efficient veteran soldier Galba as commander of the famed Petriana cavalry. Yet Galba insists on escorting the bride–to–be on her journey to the Wall. Is he submitting to duty? Or plotting revenge? And what is the mysterious past of the handsome barbarian chieftain Arden Caratacus, who springs from ambush and who seems to know so much of hated Rome? As sharp as the edge of a spatha sword and as piercing as a Celtic arrow, Hadrian's Wall evokes a lost world of Roman ideals and barbaric romanticism.
The Roman army enjoys an enviable reputation as an instrument of waging war, but as the modern world reminds us, an enduring victory requires far more than simply winning battles. When it came to suppressing counterinsurgencies, or deterring the depredations of bandits, the army frequently deployed small groups of infantry and cavalry based in fortlets. This remarkable installation type has never previously been studied in detail, and shows a new side to the Roman army. Rather than displaying the aggressive uniformity for which the Roman military is famous, individual fortlets were usually bespoke installations tailored to local needs. Examining fortlet use in north-west Europe helps explain the differing designs of the Empire's most famous artificial frontier systems: Hadrian's Wall, the Antonine Wall, and the Upper German and Raetian limites. The archaeological evidence is fully integrated with documentary sources, which disclose the gritty reality of life in a Roman fortlet.
From an award-winning historian of ancient Rome, a definitive history of Hadrian's Wall Stretching eighty miles from coast to coast across northern England, Hadrian's Wall is the largest Roman artifact known today. It is commonly viewed as a defiant barrier, the end of the empire, a place where civilization stopped and barbarism began. In fact, the massive structure remains shrouded in mystery. Was the wall intended to keep out the Picts, who inhabited the North? Or was it merely a symbol of Roman power and wealth? What was life like for soldiers stationed along its expanse? How was the extraordinary structure built -- with what technology, skills, and materials? In Hadrian's Wall, Adrian Goldsworthy embarks on a historical and archaeological investigation, sifting fact from legend while simultaneously situating the wall in the wider scene of Roman Britain. The result is a concise and enthralling history of a great architectural marvel of the ancient world.
The Essential Study of the Largest Monument Still to Be Seen in Rome The City Wall of Imperial Rome: An Account of Its Architectural Development from Aurelian to Narses by Sir Ian A. Richmond was first published in 1930 and reprinted in facsimile in 1971. This scarce, essential work on the imperial fortifications of Rome has lost none of its relevance since its original publication. In this new edition, Late Antiquity specialist Torsten Cumberland Jacobsen provides current information about the state of the walls and their preservation, an updated bibliography, and an essay about Sir Richmond and his career.
The building, military use and descent into ruin of the most important Roman frontier ever built.
"Thanks to this volume, the reader can visit the Roman houses of Pompeii, Herculaneum, Boscoreale, Oplontis, and Rome that display superb Roman frescoes on their walls ... An essay by Donatella Mazzoleni highlights the connections between Roman architecture and the programs of illusionistic wall paintings employed in these magnificent structures. Umberto Pappalardo examines the Roman domestic ideal and its realization in wall painting and through other elements of interior decoration. The two essays precede a sumptuously illustrated guide to twenty-eight of the most beautiful houses - among them, the Villa of the Mysteries, the House of the Vettii, and the House of the Faun in Pompeii; the House of Livia, the Villa Farnesina, and the Domus Aurea in Rome; the House of the Grand Portal in Herculaneum; and the Villa of Publius Fannius Synistor in Boscoreale."--BOOK JACKET.